I'm launching a new to-be-recurring series here today. A classic top-10 most underrated list. Not very original perhaps, but opinions will always differ - making every list personal and unique. With that said, this list will be my personal opinion, and not some official "agree with this list, now" bullshit, or whatever.
This is purely for entertainment purpose, but hey, maybe you guys will find yourself agreeing with me, and maybe you'll even find something new. //J.
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Thing: Band / Status: Underrated or overlooked
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10. Saxon (UK) - Underrated
Although they are well-known in the metal community, I always felt that they were overshadowed by bands like Iron Maiden and particularly Judas Priest, with their reminiscent biker sound. Sure, Saxon came along a few years after Priest, but at the time (late 70's) Priest hadn't quite yet gone into that more-straight-forward style metal they introduced on "British Steel", and also maintained for several albums to come after that one.
Saxon did mostly focus on that ride-motorcycles-on-the-highway heavy metal sound, with lyrics either focusing on those kind of things, or medieval stuff. Vocalist Biff Byford has also got a very distinctive voice which is very nice and suitable for the band's sound. To my ears, they were a very good band (and remains so to this day). It's very sad that people didn't acknowledge them as much as Maiden or Priest, but I guess that Saxon still was luckier success-wise than bands like, say, Angel Witch or Tygers Of Pan Tang.
9. Strapping Young Lad (Can) - Both
Okey, so Devin Townsend is pretty well-known these days and has a strong and loyal fan-base. He might not be a superstar, but at least in the metal community he is very well appreciated. But that doesn't necessarily go for all of his many projects that he's done over the years. SYL was a most underground band when they released their debut "Heavy As A Really Heavy Thing" back in 1995, which infamously sold like 15 copies in its first week of release, literally.
In 1997 Townsend and SYL returned with "City", an excellent record that remains my favorite Townsend work to this day. But the sound sure doesn't appeal to everyone, certainly not people who are not into metal. Being rather extreme industrial-style metal, there has rarely been a record more genuinely pissed off-sounding than that one. SYL would release three more full-length albums during the 2000's, all of which are good albums, with especially 2005's "Alien" being another masterpiece. But I guess people were more into the radio-friendlier bands such as Fear Factory, Rob Zombie or Marilyn Manson.
8. Crimson Glory (US) - Overlooked
These guys had it all - music, production, vocalist, label, etc. Something went wrong along the way, however, with possibly the record label (Roadrunner Records) being right on paper, but not in practice? They did two albums during the 80's both of which sounded great, and they had an amazing vocalist in the late Midnight (yes, that's simply what he called himself). Truth to be told, I even think he's my favorite power/progressive metal singer of all time. Halford, Kiske, Tate... Non of them beats Midnight in my opinion.
Whatever fans they managed to get seemed to be very much into the band, as their first two works are generally hailed as masterpieces of their sub-genre, yet still when listening to or mentioning them, no one knows what the fuck you're talking about. Strange and sad. These guys were like a mastercrafted Queensrÿche if the latter is just a novice band.
7. Death Angel (US) - Underrated
If you would expand the Big 4 into the Big 8 instead, Death Angel would likely enter it along with Testament, Overkill and Exodus, albeit on place 8 I guess. That just doesn't sound fair to my ears, since DA fucking wrings and torns 'em to out to shreds (any DA fan should see what I did there).
Any thrash fan are likely to be aware of their infamous debut "The Ultra-Violence" from 1987. After that one, fans are a bit divided when it comes to the quality of the band's next albums. But in latter years, I really think they were reborn. From 2010's "Relentless Retribution" and on, the band has just been on fire on every album, and today they also stand out as perhaps the best old school thrashers doing new albums. Particularly vocalist Mike Osegueda remains in great shape vocally today, much more so than any other major thrash band vocalist I can think of from the old bands.
6. God Forbid (US) - Overlooked
One of the bands included in the NWoAHM (New Wave of American Heavy Metal) movement, a.k.a. metalcore. These guys were great and had a pretty unique sound going on, which I personally would call a mix of Chimaira, Mastodon and thrash bands. It's a shame these guys didn't make it, but I suppose they were overshadowed by the likes of Lamb of God and all the emo shit-bands back in the 00's. They also got better by every album, with their last two being their best (and thrashiest) works to my ears.
5. Saigon Kick (US) - Overlooked
Although they managed to make a Gold-selling single in "Love Is On The Way" from their second album, their actual full-length albums did not do nearly as good. With that said, I guess they were potentially quite successful, but just otherwise overlooked since they came just as hair metal was becoming passé and grunge had exploded (fuck you, Nirvana).
While their sound was rooted in typical hair metal of the times, they stuck out by having unique influences and touches to their sound. They do sound like they took Skid Row's sound as a base, then spiced it up with a weirdness and poetical touch of The Doors, the joy of Jane's Addiction and the hard edge of Warrior Soul (which is another massively underrated band, btw). This stuff was experimental hair metal, in a way, and should've appealed to more people than it did.
4. Magnum (UK) - Overlooked
I absolutely love this band! If you're American, I would not even be surprised if you don't know what the hell Magnum is - I would rather expect it. It seems these guys went by mostly unnoticed in the US market throughout their entire c. 40-year-old career. They are, however, well-known and loved in the UK, Germany and the Scandinavian countries. Hell, here in Sweden, hard rock fans are always fans of the band, and for obvious reason.
They started off as a rather progressive rock band in the mid-70's or so, at least that's when they recorded their debut album "Kingdom Of Madness", but it wasn't released until 1978 - in the midst of punk conquering the UK. In the early 80's they got some opening slots for Ozzy Osbourne and Whitesnake which gave the band some recognition in Europe, and later got somewhat of a brake in 1985 with the excellent "On A Storyteller's Night". The band at this time had become more of an AOR-oriented Queen-meets-Thin Lizzy hybrid, and they would later receive a Gold record in the UK for their "Wings Of Heaven" (1988) album, which I ironically find to be their least-good record.
They're still growing strong to this day, releasing albums regularly and maintaining a solid progressive-esque hard rock sound. Oh, and Bob Catley is a truly underrated vocalist!
3. Chimaira (US) - Underrated
Without a doubt the best and thus also (sadly) most underrated band of the NWoAHM movement. They did kind of scratch the surface, but could never manage to rise to the level of Lamb of God, Machine Head or Trivium. Instead, they were a little more harder in their sound, whereas their metal elements were harder than any other bands, and likewise with the hardcore elements. They also had a groove to their sound, albeit not as groovy as MH or particularly LoG. What helped Chimaira stand out from the masses were their electronical elements, where they incorporated light use of keyboards, and a lot of sound effects, for loss of a better description.
They released six albums and an EP in total, where I love anything apart from their first and last albums. Everything in between is, more or less, gold to my ears. They also constantly evolved from record to record, which is another feat I really like about them. Too bad the kids in the scene either were too emo or too mainstream to really dig into these guys other than carefully scratching their surface.
2. Nocturnus (US) - Overlooked
Classic Tampa death metal that is pretty well-known for fans of the genre, I suppose, but for the larger death metal crowd, they're mostly overlooked. Featuring former early-days Morbid Angel drummer Mike Browning on drums (and also vocals on the debut, "The Key"), it kind of sounds reminiscent to the likes of Morbid Angel. The difference that makes them stand out, however, are heavy use of sci-fi keyboards. That's right, Nocturnus is sci-fi influenced death metal with strong and atmospheric keyboards. These guys apparently influenced bands like Children of Bodom a lot, but these guys are a lot better in my opinion.
Their career was ultimately rather shortlived, only lasting two albums and an EP before splitting in 1993 or so. Tensions arose within the band, particularly between main-man Mike Browning and the others, leading them to infamously go behind his back, acquiring the rights to the band name and all, and later firing him from the band he himself founded. Total dick mode if you ask me, but maybe the guy (Browning) was an ass, I don't know. Still, that's a fucking dick move. However, the remaining band did eventually reunite and release another album in 2000 called "Ethereal Tomb", but I don't really like that one at all. Biggest reason for it? Mike Browning's missing, and so is the original (good) sound with him.
1. Mordred (US) - Overlooked
Number one this time around is none other than the truly massively overlooked band Mordred. Hailing from the San Fransisco bay area, they started out as some kind of true heavy metal band, like Manowar or whatever. At least that's the impression I've got from what I've heard and seen. Later, however, they did some line-up changes and voila - it was 1989 and thrash metal was at its peak. But Mordred wasn't just a thrash band all of a sudden. On the rise was also funk metal, with Red Hot Chili Peppers popularizing the sound, which in 1989 would also be further popularized by Faith No More.
Mordred made a distinctive sound for themselves by incorporating bay area-thrash with funk metal. A real nice mix if you ask me, as it gives the sound this groovy feeling while also being fast, hard and intense. However, the band's debut was more of a pure thrash album which experimented with funk on a few tracks. It wasn't until 1991's excellent "In This Life" that the band really incorporated funk fully into their sound, and boy did it sound cool!
Like too many other bands at the time, however, the band had suddenly launched its sound the midst of the grunge outbreak (once again, fuck you Nirvana). Sure, Faith No More was huge at the time (though they sounded like a lot of other styles besides just funk) and RHCP would become massively popular with "Blood Sugar Sex Magik", but still Mordred went by mostly unnoticed. Maybe their thrash elements were their death sentence, as that sub-genre was pretty much passé at the time.
They would go on to release a great EP in 1992, and one last full-length in 1994 featuring a new vocalist. I never listened too much to that album, though. It just wasn't the same for me without their "classic" singer Scott Holderby's nasal rapping and thrash rambling. He's quite the frontman, so... Anyway, as of 2016 (or '15 at least), the band was once again active and due for an EP release. This, however, still remains unreleased as of right now, and I haven't heard anything in a long time now.
