10 Bands & Albums That Defined The Late 2000's Metal Scene For Me

Lately I've been on a nostalgia binge, listening to some specific bands from my late teens back in the years 2007-2009. The thing with my music listening is that I'm a "genre dweller" - I get in mood for a specific genre which I will listen to for a few months straight. I don't know why that is, but it's how my musical mind and cravings work since forever.

So why the late 2000's? It was a very special time with many unique experiences, dark as colorful ones. Without diving too deep into details, let's just say I was in my best teen years (17-19), playing in a band, havings fun with friends, seeing girls, playing video games and, of course, listening to a lot of metal. Naturally some bands just left a deeper mark than others, seeing as my music often works as a soundtrack for life.

This time period was also where I had finally left my comfort zone. Back in 2006 I was what I call an "ass-tight conservative metalhead", meaning I only listened to specific metal and/or bands. My thing was strictly sticking to 80's metal only. Mostly because it was, and still is, the number one metal sound I love and consume.

Another thing, however, was my distaste for modern metal during the 2000's. I just thought there were too many whiny emo bands and inseparable metalcore bands at that time. I ended up judging the entire metal scene for being that way. Around 2007 things started to change for me as some modern bands started to go more "old school" or "real metal". It opened my mind up to new bands and music that I had previously ditched.

With that said, here are 10 bands that defined the late 2000's for me, specifically the years 2007-2009, and what albums that I first discovered and/or loved the most by these bands respectively. Let's go!

• Machine Head

Album: The Blackening

As far as I can recall, Machine Head was probably the first modern metal band to help me break out of my conservative view on metal music. The funny thing about it, however, was that it wasn't their then-new album The Blackening that did it - it was their debut album Burn My Eyes. My love for Pantera at the time made me dig into the early Machine Head stuff, which later led me to their newer material.

My buddy Big D played The Blackening back at his place when I visited at some point and I noticed the thrashy riffing and great soloing. After that, I was hooked. The band as a whole has been kind of hit-or-miss for me, as I really can't stand their nu metal phase, but their early as well as latter day stuff is definitely something I'm a fan of.

• Cavalera Conspiracy

Album: Inflikted

I have fond memories of this project and release getting unleashed upon all of us. The much anticipated reunion between the Cavalera brothers was probably one of the biggest hypes of 2008. My buddy Big D and I, who were huge Cavalera-era Sepultura fans, were ecstatic about it. When the album's debut single "Sanctuary" dropped, I remember hitting play for the first time and we just lost our shit.

These days I can feel like this particular album, or even the project as a whole, maybe wasn't as good as I initially thought it was. The years haven't been as kind to it as it's been to lots of other releases from that era. Inflikted and Soulfly's Conquer were the last "Max Cavalera albums" I truly enjoyed. Ironically, however, the modern Sepultura has surpassed Max's projects during this decade, which is something I never thought would happen back in 2008.

• DragonForce

Album: Ultra Beatdown

I was probably one of very few people who never got into the whole Guitar Hero craze that strongly defined the mid-to-late 2000's. Nonetheless did I know DragonForce from that particular franchise. I don't recall much regarding of what I initially thought about them, but when I discovered the Ultra Beatdown in early 2009 I really fell for the video game-esque album art. I was hooked!

Sure, there were some cheese, wankery and other weird stuff going on in DragonForce's music at the time, but I kind of took a liking to their crazy-sounding Nintendo metal. I'm normally not a fan of power metal (except for Helloween), but something just works very well with DF for me. It's like a beam of pure energy that hits you up and gives you a kick. These days I am a pretty big fan of DF and I even like their current singer even more. The Ultra Beatdown, however, kind of remains a favorite album for me. Whether it's nostalgia speaking or not, I'm not quite sure of.

• Chimaira

Album: The Infection

I remember hearing Chimaira a few times throughout the mid-2000's as they were somewhat "more metal" than other bands in their genre. I agreed. It wasn't before 2009, however, when the band released their somewhat conflicting album The Infection that I truly took a liking to them. I remember playing the zombie game Left 4 Dead a lot at the time and I thought the album cover reminded me of the game (the music fitted well with the game as well).

I know some fans don't like this album all that much while others love it. It was too slow, too doomy and whatever for some people, but that's what I personally love about it. For me it's just the ultimate Chimaira album, even though I love most of their stuff except for the debut and, to some extent, also the last album Mark Hunter did with all-new members. A very heavy but also sadly overlooked/underrated band within the genre and scene at the time.

• Strapping Young Lad

Album: Alien

I loved few, if any, modern bands of the mid-2000's as much as I loved SYL. The extreme metal machine by mastermind Devin Townsend had it all - a mix of brutality, melody, atmosphere and humour. I sadly can't recall how I got into the band, but I suppose it was either through my buddy Big D or through Sweden Rock Magazine. When I first listened to Alien, which I'm fairly certain was the first album I heard, I just loved how crushing it sounded.

Throughout the years since I have continued to listen to this band a lot, as well as Devin Townsend's other endeavours. These days I tend to fancy their 1997 album City above all others, but SYL's 2000's material is still some of my favorite brutal metal of all time. It's just a shame that Devin's got bad feelings and memories about that time period in his life, as I think none of his other projects have been quite as kick-ass.

• Trivium

Album: Shogun

When Trivium burst out on the scene with their 2005 album Ascendancy, I was naturally one of those people who hated it (because I heard "Dying In Your Arms" and thought they were emo af). When I went to see Iron Maiden live in 2006 they had Trivium as their support act. Needless to say I wasn't exactly thrilled about it. Unbeknownst to me, however, they had grown their hair out and just released The Crusade, from which album they mostly picked the songs off.

My concert experience with Trivium changed my mind and I found The Crusade to be quite a decent album, even though the Metallica plagiarism was painfully obvious. But when Shogun later dropped in 2008, things really hit the fan. The album was Trivum going for their equivalent to Machine Head's The Blackening, except with a possibly even better end result. I still love that album to this day and I just find it sad that none of their subsequent albums haven't been nearly as good in my opinion.

• Megadeth

Album: United Abominations

I was a huge Megadeth since my earliest days of becoming a metalhead but I always tended to stick to their earliest albums (Peace Sells ... But Who's Buying? always being the great favorite). Some of Megadeth's albums, however, always sounded rather mediocre to me, with their late 90's and early 2000's albums coming to mind in particular. The System Has Failed showed great promise but I always felt that Dave wasn't quite "there" yet. Something was still missing.

When United Abominations was coming out I remember being extremely hyped because the cover art looked kick-ass. I also remember hearing "Sleepwalker" some time before the album dropped, solidifying my hype as the much needed return-to-form for the band. The album was everything I wished for. The only downside was the unnecessary re-recording of "A Tout Le Monde". When the band followed up with Endgame in 2009 it was even cooler, but after that they would descend into mediocrity once more.

• Lamb of God

Album: Wrath

My buddy Alex got me into LoG back in 2008 because he was a big fan of Chris Adler's drumming style (which kind of makes the band in some ways). Since I was listening to a lot of Pantera at the time, the style of LoG's music was a natural fit for me. I remember being kind of lukewarm towards the 2006 effort Sacrament, which I still am to this day, but I really liked 2004's Ashes Of The Wake. Shortly after I started listening to the band, however, they announced Wrath which got me hyped.

I remember the album being marketed as being more "raw" and very aggressive (duh), which I didn't object against. I had a rough time the last few weeks before it dropped, being so hyped it drove me nuts. When the album finally landed on the shelf I went and bought it, played it and got my ass kicked. It became my favorite LoG album and it's managed to uphold that title ever since (VII: Sturm Und Drang came close, though).

• Devin Townsend Project

Album: Addicted

After listening to SYL for a few years I naturally followed Devin Townsend into his next project, which happened to be his as-of-now defunct Devin Townsend Project. I remember the project initially being intended for four different releases, with Ki being the first and later followed by Addicted, both in 2009. The former never did much for me. I know a lot of people love it, including by buddy Big D, but it's always been too mellow and too instrumental for my taste.

Addicted was a whole nother story. I remember my first few times listening to it, thinking about how it sounded as if SYL had become a pop band. I love 80's pop music and to my ears, Devin's music has always had some strange 80's "undertones" to it. I fell in love with the album except for one or two songs, but the good ones were really great. It remained my favorite DTP release until 2016's Transcendence, which is one of Devin's top-3 most fantastic outputs in my opinion.

• Dethklok

Album: Dethalbum II

It took me a long time before checking out Metalocalypse. By the time Dethalbum II arrived, I had only watched whatever scenes my buddy Big D had showed me. For two years, however, he had tried to get me into 2007's The Dethalbum but to little avail. I just didn't get the fuzz or like its production style/sound. The successor sounded a whole lot better production-wise and the songs appealed to me a whole lot more.

In a way I find my relationship to Dethklok's music a bit ironic. I didn't like the first album which so many people hyped and praised. The second album seemed to be not as well-embraced, but it was the one I got completely hooked to. Then a few years later the third album arrived, by which time I had watched the show dedicatedly, and I didn't really like that one either (the drums and guitars sounded thin and farty af). The third album also seemed to be more loved than the second one to me. For me, however, nothing comes close to Dethalbum II and it was a damn fine album in my opinion.