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söndag 5 mars 2017

Another 7 Great Metal Records Of 2016

Some of you might have read my top-10 list of the best metal records of 2016, which I posted shortly before last year's end. In that article I mentioned how I haven't really dug too deep into the music released in 2016. Well, I certainly have done a lot of diggin' through last year's releases this year (so far) instead, and guess what - I did find some more great records!

So what I did with my top-10 list was that I chose an actual top-10, but I also mentioned quite a bunch of other records and why they didn't end up within the ten best. Because they were already mentioned (somewhere in the article) I won't include them again. Instead I will simply bunch together another seven great metal records, albeit in no particular order this time, all released in 2016.

I also feel like I could alter my top-10 of 2016 a bit, but I don't really want to or have the energy for it. Just enjoy an additional seven recommendations down below.

  • Tarot - Reflections

Actually kind of more like 70's hard rock, but I'll let it pass as metal (it's got its heavier moments). I definitely feel this like some bastard child between Uriah Heep and Manilla Road, but also with sweet soundscapes/atmospheres reminiscent to that of Deep Purple and Rainbow. A great one!


  • Inquisition - Bloodshed Across The Empyrean Altar Beyond The Celestial Zenith

Black metal wasn't actually my biggest craving in 2016. I'm the kind of music listener who delves into more of one particular style at the time and stay in there until I get bored for the time being. I simply didn't get any larger cravings for black metal last year. This one, however, did eventually show up on my radar and I gave it a try. It's my first listen to this particular band I enjoyed it a lot.


  • Deströyer 666 - Wildfire

I've been aware of this band for a long time and had heard some stuff a bunch of years ago, but I never was an active listener or fan of theirs. This one sounds great, however, as it reminds me of some darker thrash bands as well as bands such as modern-day Watain. Some really great tunes and overall a solid album.


  • Spell - For None And All

Probably my favorite one on this list, and definitely one that would've ended up in my top-10 of 2016 if I had heard this one earlier. Late is better than never though. This stuff is really good. Think of a hard rock-ish heavy metal sound around 1980 (actually anytime between like 1978-'82), like Rush meets Ozzy solo or something along those lines. These guys also recorded the album with analogue equipment, which I think resulted in a great outcome. Fuck Pro-Tools and "Drumkit from hell".


  • Trap Them - Crown Feral

A so-called "Entombed-core" album with relatively short and straight-to-the-point tracks filled with rage and heavy-ass guitars. This shit will totally rip you a new one!


  • Gatecreeper - Sonoran Deprevation

More "Entombed-core" but compared to Trap Them this is somewhat more true to the death metal aesthetics, in my opinion. Lots of heavy double bass assault on this one. If you like metal sounding like a sledgehammer swingin' at your head, this will satisfy your needs.


  • Grey Wolf - Glorious Death

Some old school-style (true) heavy metal. Nothing extra ordinary but does a great job at what it's supposed to be. Definitely better than most modern run-of-the-mill wannabe:s playing old school heavy metal.

onsdag 14 december 2016

Top-10 Best Metal Records of 2016

Today's the day! I'm doing my personal top-10 list of the ten very best metal records of 2016, plus a bonus mention section of those contestants who didn't make the list. Before we start I would like to briefly summarize the year as a whole down below.

2016 has been a very action packed year to say the least. Lots and more lots of metal records coming out this year. In fact, I've had a strong feeling this year's been more productive than the past few years. Something that's been particularly present for metal records this year, I think, is hype. It just seems like 2016 has been a very dedicated metal year.

Lots of people have also been saying it's been a great 30th anniversary year for thrash in particular, whereas 1986 was argubly the best year in thrash history. Many of the bands that released great albums in 1986 have also released great efforts this year, according to many thrashers and metalheads out there.

Personally, however, I've been standing at the crossroads all year. There's been so much coming out this year, including some personally anticipated releases, but I just kind of feel like most of the stuff left more to be desired. That's left me very confused to say the least. On one hand I've got this really rich metal treasure, but on the other hand there aren't really any real treasures in the chest. Do you catch my drift?

Some of the records that came out this year, some of which have even been majorly anticipated by the common metal scene, have simply left me so unimpressed I kind of thought they sucked. Another truth I feel should be told is the year's rather slow start. Yes, a lot of records this year were planned for release later during the year, making the first bunch of months this year particularly uninteresting to me. That, in turn, also left me somewhat uninterested in checking out more new music altogether as the year progressed.

With all that said, maybe the first few months disappointed me so much that my own hype/interest just got "drained". I dunno. What I do know, however, is that I didn't discover nearly as many new records as I should've done because of that. So to all record labels: please plan your releases somewhat more strategically month by month, rather than "nah, we'll drop 'em all this summer."

2016 to me personally has unfortunately been a rather "boring" year for metal, despite a lot of releases including some major names. But here's ten metal albums which left the most marks with me personally:


10. Exumer - The Raging Tides 


One of the best thrash albums of the year, if you ask me. I just love their debut, "Possessed By Fire", which was originally released in 1986! They've now done four albums in total (two in their original run, two since reforming). This is the best one since the debut.


9. Khonsu - The Xun Protectorate


Never heard of these guys before. I happened to stumble upon them as the cover art drew the attention of my eyes, as I'm a solid sci-fi fan. Turned out it was one of those great stumbles. While I'm not entirely sure as to what label these guys as (fuck strict labeling anyway, really), they're along the lines of ... progressive black metal? Whatever, their shit kicks dicks. They actually remind me a lot of a Czechian group called Gorgonea Prima which I really like. A lot of stuff going on here.


8. Amon Amarth - Jomsviking


At first I was rather unimpressed with this one, just like with their previous album "Deciever Of The Gods" (2013), just like so many other fans. As the year has gone by, however, this one actually grew on me a lot. It's definitely the biggest grower of the year for me. I think it's still got a few flawed tracks (including a collaboration with Doro) but also a few epic gems, and those are exactly what I love about Amon Amarth.


7. Fallujah - Dreamless


One word: atmospheric! You know, I was skeptical about this one seeing as I was not really a fan of their sound prior to this one, but lo and behold: this one has some truly amazing soundscapes going on. At times it's progressive metal with jazzy-like guitars and at other times they just rock a U2 kinda vibe (yes, I'm a U2 fan. I love U2). Perhaps the biggest surprise record of the year? Very possibly so.


6. Lucifer's Hammer (Chile) - Beyond The Omens


Okey, so the name is a blatant rip-off from an old legendary band, but if you (can) look past that you'll have yourself a mighty fine heavy metal album right here. This one's one of the absolutely best NWoTHM releases this year, much in the vein of old Maiden, Satan, Angel Witch and other lovely bands from back in the day.


5. Eternal Champion - The Armor Of Ire


This one appeared to me through Blake Ibanez whose work I'm very familiar with (and a fan of) from the Texas hardcore-thrashers Power Trip. This band plays old school (epic) heavy metal. I'd say their spirit/feeling is reminiscent of Manowar while the music is perhaps more towards early Savatage, Manilla Road and Omen. A mighty fine and refreshing old school-influenced release in this day and age of metal, and also a proof that some Americans can still crank out some good ol' heavy metal. The only downside is the album's somewhat short duration - six songs and two instrumental pieces. The biggest upside - I want more!


4. Cauldron - In Ruin


I've always been a somewhat casual fan of Cauldron. They're good but not awesome was what I used to think about 'em. Their previous album "Tomorrow's Lost" (2012) was a real solid album, though. Somehow I never thought they'd do another one like it, why that was I dunno, but four years later they actually returned - and topped it! I was very impressed with this one. The songs are stronger, more energetic, there's more melody and the vibe brings out just about everything I love about 80's heavy metal.


3. Sumerlands - S/T


And the biggest heavy metal bomb of the year is none other than the mighty Sumerlands. A relatively new band, also featuring Arthur Rizk who also plays on the Eternal Champion record. I guess the guy knows his shit like a real pro, making two of the top-5 best records of the year. Without a doubt the guy is the future of metal. This album sounds like a great mix of 80's solo-era Ozzy Osbourne with a touch of Dio (band) as well as Dio-era Sabbath. Further add some Queensrÿche, Savatage and Van Halen into the mix and you've got Sumerlands. The production is also really nice, warm and old school sounding without sounding too clean or too cheap. The best heavy metal album in a long time.


2. Death Angel - The Evil Divide


These dudes together are one of my favorite bands these days. Their last three albums including this one are all killer! While I think I do prefer their previous album slightly more, the ultra-thrasy "The Dream Calls For Blood" (2013), this album's definitely as good as a great follow-up gets. The music is a lot more varied on this album, which I also believe is one of its strongest features, but it also takes the cake for being the best thrash I've heard all this year. I don't think there's any other record from this year which has spun more times than this one. Gongrats guys, you officially won the "thrash of the year"-award from me.


1. Devin Townsend Project - Transcendence


And winner of the year is...*double bass-blast and tom-tom roll attack*... DTP! I'm a long-time fan (for my age) of Devin's and I love a lot of the man's musical work. His last few releases, however, have been somewhat ... less interesting, I think. Particularly "Epicloud" (2012) is an effort I found quite uninteresting and it made his music sound somewhat stuck in a rut, maybe? I wasn't really expecting too much from this album to be honest, but when I finally heard the thing I was blown away! This is truly one of Devin's finest hours (and he's got quite a few) and I absolutely love the "celestial sounds" which dominate this album. The songs are huge, epic, beautiful and together they just make one hell of a musical journey. Congrats Devin and DTP - you are the album of the year!


  • Bonus: Noteworthy mentions and opinions of albums that did not make the list...

DevilDriver - Trust No One

I really liked "Winter Kills" (2013) unlike most fans who seemed not to. This album, however, left a few things to be desired. A bit too safely played and also a bit too repetitive, perhaps? But for being the first album by a whole new line-up, it's pretty solid. The previous album brought more variety to the table. A few great tracks are to be found (particularly "For What It's Worth"), as well.


Testament - Brotherhood Of The Snake

Back in like 2010 or so, I kind of worshipped (old) Testament. They're one of the greatest and most important thrash outfits of all time, but their past three albums have all been kind of "meh" in my opinion. This one didn't really disappoint as my expectations were relatively low, but on the other hand did it not do well in surprising me either. What it did do, however, was making me appreciate "Dark Roots Of Earth" (2012) a lot more (in comparison). It's something, I guess.


Tygers Of Pan Tang - S/T

I still haven't heard this in its entirely yet (I think), but what I did hear so far sounded solid. I'm happy they're still around and rocking.


Hatebreed - The Concrete Confessional

I liked this one a lot but I just don't think it's a top-10 contestor. Best album they've done in a while, though.


VOLA - Inmazes

Don't think I've managed to go through this whole thing yet. It's a bit too djent-y for my taste so I take it in bits and pieces, but it's got some great soundscapes going on which makes it worthy of listening to.


Meshuggah - The Violent Sleep Of Reason

What can I say? Just another Meshuggah album. Nothing more, nothing less.


Vektor - Terminal Redux

People have gone apeshit over this one but I personally just don't hear what's so great about it. "It sounds like Coroner". Hey, I love Coroner. This does not sound like Coroner! Maybe someday, though.


Destruction - Under Attack

I do like some of Destruction's works, both old and more recent, but this one was rather bland.


The Browning - Isolation

Like the case with Meshuggah - just another Browning album. Also somewhat arguable if it's really metal or not. I enjoyed it nonetheless. Just nothing extra ordinary about it.


Vicious Rumors - Concussion Protocol

The same case again - just another Vicious Rumors album (but it's good).


Metallica - Hardwired...To Self-Destruct

I've seen this on several lists already (no wonder). Some first spots as expected as well, 'cause it's Metallica after all, you know? But in all honesty though, when they announced this I didn't know what to expect. I liked "Death Magnetic" (2008) but it wasn't awesome. However, I do think they did a solid one with this album. A few tracks are kind of "meh", but some others are really nice with a good variety, and Thrash(y)tallica is always nostalgic and welcome to me, so...yeah.


Megadeth - Dystopia

I liked "United Abominations" (2007) a lot, and you know what? It was the last Megadeth album I liked a lot. This one is better than the previous two crappy outputs by MegaDave, but way overhyped and not nearly as good as all the fanboys make it out to be. The title-track was the best Megadeth song in years, though. Love that one!


Anthrax - For All Kings

Most disappointing album of the year for me. It just sounds boring to my ears. And for fuck's sake, can the new lead guitarist try to at least look happy on stage once in a while. The guy always looks like he despises being in the band. Joey sounds great, though.


Revocation - Great Is Our Sin

A solid release but they've done better ones. This one simply didn't make the list.


Denner / Shermann - Masters Of Evil

The first full-lenght release from these Danish guitar masters in quite a while. A satisfying album no doubt, but it does fall somewhat short in comparison the duo's previous works (I guess mostly because the vocals - we all want KD, obviously).


Oceans Of Slumber - Winter

This one's the coolest modern female-fronted metal I've heard in quite a while. Why didn't it make top-10? I guess I just enjoyed the actual top-10 a bit more.


Khemmis - Hunted

It's been many years since I last had a something of an interest in doom metal. Don't ask me why 'cause the riffs and sound are usually crushing, but I guess the slow tempo just bores me too much in the long run. You know, I'm a huge Black Sabbath fan so that's pretty much all the "doom" I need. I used to be a big Candlemass fan back in the day as well, but I haven't listened to them for ten years now. These guys, however, actually made doom metal kind of interesting to my ears again.



There are tons and tons more of metal records released this year. I haven't gone through an ounce of them all yet. If a record wasn't mentioned it's because;

  1. It simply blew.
  2. I forgot about it.
  3. I haven't heard it at all.
  4. It wasn't anything particular or noteworthy in my opinion.
I hope you enjoyed the list!

Cheers!

tisdag 6 december 2016

My Top-10 Best Heavy Metal Albums Of All Time [2016]

On December 13, two years ago, I did my first list consisting of my ten (10) favorite heavy metal albums of all time. I'll tell you; it's fuckin' hard coming up with only ten albums which are supposedly the ten best. I have 3300-something played artists on my Last.fm, with the majority of the artists being some kind of metal. Then have in mind most of them did at least a few to many albums each, as well. That's quite a lot to choose from.

Another thing I did which I found rather weird was how I chose one album to represent the artists respectively as a whole. Looking back on it now, it's more like a "best heavy metal artist and their best albums respectively"-list. With that said, I decided to re-make a list and actually keep true to the list's purpose. Besides, my opinions have changed a bit during the last two years. So here ... we ... go!

Extra note: Only classic heavy and traditional metal, and NWoBHM will be included in this list. Not the "general understanding" that heavy metal means "all" metal.

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10. Saxon - Innocence Is No Excuse (1985)

Saxon is one of the greatest, hardest working and long-lived classic NWoBHM bands ever. They have made a large amount of records and still to this day they put out a record every two years. Another great feature of theirs is that they never put out a bad album. Some albums were obviously not-as-good as others, but I never disliked or got truly disappointed by a Saxon album. I feel secure when I say they're the only band on this list to have that feature.

Speaking of this particular choice of album. It's probably what you'd call their "second most commercial" release. The winner being Destiny (1988), of course. This was an attempt to break into the American market, which ultimately didn't succeed. I think it's still very much British heavy metal here, with a few touches of American influences. It's mostly the production that sounds American - huge arena-like soundscape, but that's exactly one of the features I love about 80's metal - lots of reverb all around. The songs just sound so huge on this record.

9. Iron Maiden - Somewhere In Time (1986)

My first favorite band for a few years when I first started listening to heavy metal. I'll love Iron Maiden to death, but I do think the massive hype around them is overrated. I mean, in the long run their stuff just tends to be somewhat repetitive, especially Steve's songs although his the master at writing epic songs. But Maiden still deserves a lot of credit for what they've done throughout their career.

I'm one of those fans who prefer the old stuff. Mostly because I love the actual 80's sound so much, and I also think Bruce's voice was in much better shape back in his younger day. But one thing that was so great about Maiden in the 80's was how they constantly evolved into something better, in my opinion. This album was where they truly reached their peek in my book. I just love the sci-fi themed Blade Runner-esque setting from the cover art to the guitar-synths gracing the musical landscape.

8. Madison - Diamond Mistress (1984)

One of those more "odd" or "unheard" choices on this list, I imagine. Madison was an old Swedish band much in the vein of Priest, Maiden and speed metal. They only did two records with this being the first one. Their second album, unfortunately, followed the band Europe's success and did a glam metal album, which was rather bad.

This album was a great heavy metal. From the fast guitars and drums to the young and somewhat naive, but still great vocals from Göran Edman (later in John Norum and Yngwie Malmsteen's bands respectively, and more). Like many other Swedish bands in the 80's, there are also hints of ABBA influences in the bands music. As a Swede, you can kind of here that as you largely grow up with ABBA here (for reasons I'll leave obvious). It's just an amazing record!


7. Accept - Balls To The Wall (1983)

Accept is probably my favorite band coming from Germany, and there are a lot to chose from. They had a really great run in the 80's, not so much in the 90's, but then again in the 2010's (or currently). Just like with many other bands in this list, they've had such great records it's rather hard choosing one as the better. This has got to be it for me, however, as I just love the heavy sound of it. The drums in particular are real heavy and kick-ass.

The songs on this album are all great. Perhaps there isn't a real "hit", if you want to call it that, but as an album in its whole I think it's one of the strongest ones ever made. The guitars are heavy and loud, drums pounding, bass deep and Udo's vocals are in great shape. Udo even manages to do the album's ballad "Winter Dream" without sounding out of place, despite his unique vocal style.


6. Enforcer - From Beyond (2015)

I would suppose a lot of you are familiar with the Swedish band Enforcer which is currently very active and rocking throughout the world. They're a young band taking on the very best of old school metal. The recipes are all available today and Enforcer just takes that opportunity to re-do and refine the recipes, in my opinion. For not being one of the "old originals", I think they're very competent in what they're doing. Without a doubt the best band among the "revival/retro bands" these days, because they simply make it sound original again. #makeheavymetalgreatagain






5. Judas Priest - Nostradamus (2008)

I'm a huge Priest fan and love most of their catalogue except for the Tim "Ripper" records. I've got nothing against the fact that it's Ripper who sings on the two albums in question, I just didn't like the actual music on them. Other than that, I love everthing from Priest's 70's stuff to their modern stuff.

So here I come and present a rather strange choice in most fans' eyes, I suppose? The truth is, when I bought this album soon after its release, I've been amazed by it ever since. I've always thought that keyboards add a lot more to records, if done properly of course, but who can deny the quality work from a master such as Don Airey (Ozzy, Rainbow, Deep Purple, Priest, etc.)? This two-disc release is just an epic musical journey which I love to experience. It's like all the greatest JP ingredients being enhanced. Master craftmanship.


4. Black Sabbath - Sabbath Bloody Sabbath (1973)

The almighty (Black) Sabbath, the "start of it all", as we say. Tony Iommi a.k.a. the riff maker no. 1 has driven this band to great heights throughout its career, whether it being musical or commercial heights. It doesn't matter, I love all eras of Sab and I'm a fan of all their records, even though some are not up-to-par with some others, like with most bands.

I had a really hard time choosing a favorite from Sabbath, because I love so many of them dearly, but I always keep going back to this particular one. I honestly can't say why that is exactly, but the music is just great and perhaps there are one or two extra special songs which are dear to me. It's hard to say. Nonetheless, it's an amzing record from an amazing band and it's a great record to experience the band through.



3. Dio - Holy Diver (1983)

Dio (the band) is one of my favorites of all time, and so is Ronnie's amazing voice. Everything from the raw guitar riffs, live-feel drumming, stellar bass and keyboard soundscapes. It's a band that really managed to make their music sound like "pictures", if you know what I mean? It's impossible to just listen to the music itself. You hear it and it's like making up your own fantasy movie with Dio's music as its soundtrack, and that's exactly what I love about their music.

There are many great records done by this band and I've been going back and forth throughout the years about which one is my favorite. Right now, it's this one, but at some points I favored other albums (note, plural). They were such an amazing band and RJD is actually my very favorite vocalist. The man had such an emotional and powerful voice, and it truly saddens me that we'll never hear his voice grace some new wonderful heavy metal again.

2. Mercyful Fate - Don't Break The Oath (1984)

The most sinister and evil heavy metal album ever made. This is one of those few gems that are just flawless. Everything from King Diamond's ghostly falsetto to his darker and twisted screams. All that in company with some amazing and Judas Priest-esque twin guitars, courtesy of Hank Shermann and Michael Denner. I just simply love their style and sound, and I've never heard any more evil-sounding guitars on a heavy metal album than those found here. The ultra-distorted guitar sound is just mindblowing and most unique, as I've never heard any other band using this particular sound before or after (some black metal bands have come close, though).

This one is one of the most definitive, perfect and most amazing metal albums of all time, no matter what sub-genre we're talking. It's got all of the essential ingredients of what defines a great heavy metal record. From the classic and powerful cover art, which just suits the musical content perfectly, to every band members' creative efforts and skills. This is one of those truly immortal classics, and also one of my true holy grails in my vinyl collection.

1. Ozzy Osbourne - Diary Of A Madman (1981)

And number one ...*drum roll*...*tss!*... Ozzy Osbourne! The Godfather of heavy metal, and the one and only who made my interest for heavy metal explode back in 2002. I owe so much to Ozzy, his music and the countless hours I've been enjoying his legacy, from Sabbath to his most recent solo stuff. However, my favorite work of his lies in his 80's solo career, or more specifically up till the No More Tears album. Most of his records up till that point was awesome, with the exception of Bark At The Moon (whose title-track is still kick-ass as fuck).

This album is the perfect example of what I love about Ozzy's music: his unique voice (in awesome shape on this record, just listen to "You Can't Kill Rock 'n' Roll"), his musicians (particularly the amazing Randy Rhoads) and the songs themselves. This is truly the man's finest hour, especially with his own singing efforts in mind. This is the one album I'd chose to have with me on a deserted island.

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Honorable mentions (bands) which were ultimately rejected for not quite meeting the list's criteria or simply outdone:

Motörhead - (Several)
Danzig - Danzig (1988)
Twisted Sister - Come Out And Play (1985)
Tygers Of Pan Tang - Spellbound (1981)
Thin Lizzy - Thunder And Lightning (1983)
Ozzy, Sabbath, Dio, Priest, Saxon, Maiden, Enforcer - (More choices)

torsdag 3 mars 2016

10 of the most disappointing metal albums ever

Have you ever been massively anticipating a band's new album, or discovered a new band whose shit you just seem to absolutely love, only to discover that most of their discography isn't at all the same quality as that which you discovered them through? I can be honest when I say that I rarely get disappointed by an album by bands I like, really just about whatever band it is in question. But sometimes, hell yeah, I have felt failed by my sworn idols.

Now, I really do support artistic freedom. After all - as a musician myself, I'd like to do whatever the fuck I want to do, but sometimes...your supporters just won't accept it. I'm gonna list ten albums down below that I felt disappointed about. This does not necessarily mean that I completely dislike the album, not at all, but simply that it (like really) didn't live up to my expectations, or just felt too different. Here we go...


10. DevilDriver - Beast 

When this album hit in 2011 I wasn't exactly stoked - I wasn't really the bigget DevilDriver fan at that time, yet, but I knew them a little bit and I was fairly new to modern metal, so I figured I'd give 'em a fair chance. Well, after a fair chance I thought it was fair enough to say that it was one big disappointment. I didn't look back on it for several years after that, but these days I'm quite keen on their sound - like 'em a lot. However, while this certainly is not bad by any means, this does not really remain among my favorite DD albums either.


9. Chimaira - Crown Of Phantoms

I started listening to Chimaira in 2009 when they released "The Infection", which is my favorite album of theirs btw. They were, together with Lamb of God, like the first bands of modern metal that I came to appreciate. However, after a lot of touring for "The Infection", half of the band left, including powerhouse drummer Andols Herrick and their most unique addition to their sound, keyboardist/electronics specialist Chris Spicuzza. They made another album, "The Age Of Hell", in 2011 which wasn't really well received (I love it, though), and then both of the bands' longtime guitarists Rob Arnold and Matt DeVries left too.

2013 came and an all-new Chimaira, apart from ever-lasting frontman Mark Hunter, delivered "Crown Of Phantoms". What can I say about it? Some people think it kicks ass while others seem to dislike it. I, personally, just don't feel like it was Chimaira anymore. I mean, it obviously sounds completely like another band to me. The guitars (especially the solo stuff) and drums have different vibes and styles compared to before, which is logical, but just not the same. I simply just didn't like its sound and direction very much, and (un)fortunately(?) they broke up after this album. As I see it, it was for the better - the original band was already gone since a long time, and it didn't sound like Chimaira anymore. Yet, it's fucking sad that they're not around anymore.


8. Mötley Crüe - Theatre Of Pain

After a great debut album in "Too Fast For Love" and even greater follow-up in the legendary "Shout At The Devil", the Crüe traded in the red and black satanic leathers and imagery for happy-colored women's clothing with dots and shit on 'em. I just think their new image spoke for itself in the music as well - having closed the "Shout At The Devil" album with a song called "Danger", it was the last time the Crüe actually sounded and/or appeared dangerous as well. On this one, they just sound like whatever fucking party glam band there ever was. Some tunes are still good though, but I hate most of it.


7. Life of Agony - Ugly

After unleashing the lyrically deep, musically awesome and just ripping debut "River Runs Red" in 1993, as well as some great hardcore demos before it, Brooklyn's LoA released this in 1995. It's not a bad album, but it's fucking let down after the assault the debut provided. This just sounds a lot more "safe" and influenced by alternative/grunge music (something that would only progress further on later albums as well). Mjah, I just never quite felt this album.


6. Iron Maiden - No Prayer For The Dying

I love Iron Maiden but after ten years they released this piece of shit. Yes, I called it that. I'm not a fucking fanboy - if a band, even if I really love 'em, releases a shit record, I will regard it as such. This was a shit record, kind of acknowledged by Steve Harris himself as well, but I was okey with it. Why was I? Because Maiden worked hard for over a decade, provided seven(!) amazing albums throughout the 80's, lost one of their key-writers (and my favorite writer in Maiden) in guitarist Adrian Smith the year before this album. They had a lot to live up to, and they failed this time around. It was understandable after so many years and albums. Sometime there must be a shit record. This was their first one (of very few). They compensated this failure with several amazing albums in the 2000's instead.


5. Megadeth - Th1rt3en

Dave Mustaine and his many different setups of company have been riding a lengthy roller-coaster when it comes to good and bad albums. They started off greatly with some awesome thrash albums in the 80's, then they made the highly acclaimed "Rust In Peace" which I actually never were very fond of, before jumpin' on Metallica's "black album-train" like so many others. They did the melodic "Youthanasia" in 1994 which I love, but after that they fucking lost it - well, until 2004's "The System Has Failed" anyway.

Dave and some of his companies did "United Abominations" and "Endgame" in the late 00's which I really liked as well, but after those came "Th1rt3en" - a mix of re-worked old vault songs as well as some new stuff, if I remember correctly. Well, I'd like to think that there was a reason for much of this material to have been scrapped before - and much of it should've just stayed that way.

This whole album is just a mix of aged turds that Dave and co. in vain tried to polish up. Some stuff here, especially lyrics, make me fucking cringe. I cannot shake the thought that this is the same mastermind who wrote "Peace Sells", "In My Darkest Hour" or "A Tout Le Monde". This album is just plain fucking crap, and fans were surprised by how shitty "Super Collider" was. Let me tell you, after this piece of crap I didn't expect anything from "Super Collider" at all, but I actually prefer that one over this seasoned crap collection. At least that was experimental and explored new ideas, for better or (probably) worse.


4. Danzig - Skeletons

Glenn Danzig - legendary frontman and musician - love the guy's works - from the Misfits to, well, Danzig. He announced in, like, 2011 or something already, that he was working on a covers album. I didn't think much about it, his music hadn't been all that great since 1994, even if I did really enjoy "6:66 Satan's Child" and "Deth Red Sabaoth".

Anyway, this album was finally released in 2015 - so it was at least four years in the making. Let's just say that... Glenn is cool, he's still got a nice voice, but his fucking band (especially Tommy Victor of Prong on guitar) is just so wrong for Danzig's music, not to mention that Glenn's own production skills sound like shite. Half of the covers on here aren't that interesting or good either, unfortunately. Let's just say that it was a too long wait for almost nothing. Glenn should stick to making originals - his original arrangements for covers on this album were the only good ones as well.


3. Spread Eagle - Open To The Public

Not many people know this band but they were a sleaze band that came out with their most excellent debut in 1990. Think a punkier and/or thrashier version of Skid Row, even if you think of "Slave To The Grind". These guys were from NYC, not L.A. They were raw - not polished.

Anyway, their debut went by pretty much unnoticed, which is a real fucking shame (it's actually my favorite album of genre glam/sleaze - ever). Three years later they release their follow-up and ultimately last album - "(Spread Eagle -) Open To The Public" (ha, that's funny). The first song is really cool, I like a lot, but after that one is just one endless fucking shitfest of boring songs leaning more towards alternative crap than their original sound. Disappointing to say the least.


2. Fate - Cruisin' For A Bruisin'

These guys are from Denmark and released a really nice debut in 1985. It was actually Hank Shermann from Mercyful Fate who went on to form this band after MF disbanded, but it's not the same musical style. These guys were more towards the same sound as, let's say early Europe, early Bon Jovi, and such likes. However, the guitar tone and style was just the same as on MF's "Don't Break The Oath" album, so it was still fucking cool. Next they did another album where the guitar was turned down a lot in favor of keyboards, you figure the rest. It was an okey album but Hank Shermann left after that one in 1986.

Now, fast forward to 1988 and Fate's third album - this sausage fest. I have honestly don't listened to this album too many times throughout the years, and I will let the reason for that be obvious. I'll just tell you - if you hate Bon Jovi's "Slippery When Wet", Europe's "Out Of This World", or...whatever, then you'll fucking hate this one too. It's just one of the shittiest records I've ever heard, and a most disappoint album (and direction) after their great debut three years prior to this one. Fear not though, Fate actually redeemed themselves already in 1990, and also in latter years, with several (at least) solid albums again.


1. Mötley Crüe - Dr. Feelgood

And the winner of this shitfest sausage makarov blöjkaka is the very same band that is now also officially listen twice on this list: Mötley Crüe. First off, let me tell you. I am a huge fan of the Crüe's first two albums as well as "Girls, Girls, Girls", but obviously "Theatre Of Pain" wasn't on par with those to my ears, and this album...well.

Let me just put it like this: when a formerly constantly drugged-out band did a few great records, and they all of sudden decide to get sober to do an album, it can only end in one way: this way. And let me tell you, the Crüe's music lost all of its fucking balls when the drugs went out of the picture. This is truly the most disappointing record I've ever heard in my life. I just think Mötley Crüe should be junkies, that's the way they did great music. This shit is just lame, like glam metal for middle-aged moms who'd like to party while believing themselves to still be 20 when they're really 40. Fuck this shit.

söndag 14 februari 2016

Top-10 Best Metal Records By Each Year 1980-1995

I decided to put together a list of my favorite ten metal records of each year for every year between 1980-1995. Well, I tried anyway. It was easier said than done, but I managed and I think it turned out somewhat accurately presentable. I simply chose the years 1980-1995 because those are the years from which most of my music has come from.

To do an extended list beyond 1995 would be a rather difficult task as I found the 2000's in particular to provide little metal of interest, with Chimaira, Lamb of God and DevilDriver a few worthy of mention. Even for the 1970's it would be quite hard to find ten albums for each year, because I simply never really fell that much in love with the 70's sound, and it would only be the obvious bands like AC/DC, Sabbath, Priest, and so on.

Anyway, here is my list of my favorite 10 records of each year between the years 1980 to 1995. It will be an overall collection of metal - heavy, NWoBHM, thrash, death, black, etc. Anything that I simply love and regard as something extraordinary from those individual years will be listed by their release years down below.

I hope you enjoy my personal favorites-list, even if some of the choices are nothing unique or surprising, though I hope you'll find some surprises at least and perhaps even introduce some new bands to y'all.

Later //J.

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This list is presented in a somewhat correct order. The top-listed records for each year is my favorite album of that year, but after that there's not necessarily a certain order. To be honest - it's way too hard to actually rank them in a certain order.



1980:


Black Sabbath – Heaven And Hell

Saxon – Wheels Of Steel

Motörhead – Ace of Spades

Ozzy Osbourne – Blizzard of Ozz

Iron Maiden – S/T

Diamond Head – Lightning To The Nations

Judas Priest – British Steel

AC/DC – Back In Black

Angel Witch – S/T

Tygers Of Pan Tang – Wild Cat


Comment: The start of the almighty 80's. Musically this was a very important year for music (overall), but especially for us metal fans - it was gonna change and expand the metal scene forever. However, apart from a few albums on this list that I will forever regard as some of the very best metal records of all time, the best was yet to come in later years.
 



1981:


Ozzy Osbourne – Diary Of A Madman

Black Sabbath – Mob Rules

Tygers Of Pan Tang – Spellbound

Iron Maiden – Killers

Mötley Crüe – Too Fast For Love

Accept – Breaker

Venom – Welcome To Hell

Van Halen – Fair Warning

Def Leppard – High ‘n’ Dry

Thin Lizzy – Renegade


Comment: An improvement from the previous year, which still was a damn good one. Ozzy makes his best album ever (imo), Sab release their best one with Dio, and Tygers release their best album as well. I'll let this top-10 speak for itself.



1982:


Judas Priest – Screaming For Vengeance

Accept – Restless And Wild

Plasmatics – Coup d’Etat

Iron Maiden – The Number Of The Beast

Diamond Head – Borrowed Time

Venom – Black Metal

Scorpions – Blackout

Motörhead – Iron Fist

MSG – Assault Attack

Kiss – Creatures Of The Night


Comment: Not much change here, around the same quality as '81. Some bands (Motörhead) do, however, release some less-good albums than before. Overall this year maybe wasn't as strong as the previous two anyway. This list kind of marks the finest moments of the year, and I think that was pretty much "it". NWoBHM was already on a downfall and American heavy metal was slowly starting to arise.



1983:


Accept – Balls To The Wall

Dio – Holy Diver

Def Leppard – Pyromania

Mercyful Fate – Melissa

Ozzy Osbourne – Bark At The Moon

Thin Lizzy – Thunder And Lightning

Mötley Crüe – Shout At The Devil

Slayer – Show No Mercy

Iron Maiden – Peace Of Mind

Exciter – Heavy Metal Maniac


Comment: Wow! This was quite a year! A very rich year musically. Many bands release their finest albums this year (Accept, Mötley Crüe, Dio...) while there are a lot of interesting newcomers (Exciter, Slayer, Mercyful Fate...). A good year, a very good year indeed.
 



1984:


Mercyful Fate – Don’t Break The Oath

W.A.S.P. – S/T

Judas Priest – Defenders Of The Faith

Dio – The Last In Line

Madison – Diamond Mistress

Warlock – Burning The Witches

Metallica – Ride The Lightning

Queensrÿche – The Warning

Iron Maiden – Powerslave

Ratt – Out Of The Cellar


Comment: Wow!, pt. 2. Not much changes quality-wise from the previous year. Bands like Dio, Priest and Maiden continue to put out really strong records, while newcomers W.A.S.P., Warlock, Queensrÿche and Ratt releases great debut (full-length) albums. Metallica keeps on changing the metal industry and Mercyful Fate releases their very best record, as well as one of the most sinister metal records of all time.



1985:


Saxon – Innocence Is No Excuse

Anthrax – Spreading The Disease

Slayer – Hell Awaits

Twisted Sister – Come Out And Play

Dio – Sacred Heart

Fate – S/T

Treat – Scratch And Bite

Ratt – Invasion Of Your Privacy

Celtic Frost – To Mega Therion

Warlock - Hellbound


Comment: After the excellent '83 and '84, or simply after a great half-decade of metal bands/records, I always felt that 1985 was kind of a "sabbatical year" for metal. Yes, the quality dropped quite a bit I have to admit, with some bands (Dio, Ratt, Warlock...) releasing not-as-strong albums as previously. But the biggest thing is that it just felt like a like a poor year, if counting actual records released during the year. I guess most bands just were getting really big and toured throughout, or that they needed their first lengthier break in many years. Not a bad year, but perhaps the weakest year of the decade.



1986:


Iron Maiden – Somewhere In Time

Dark Angel – Darkness Descends

Ozzy Osbourne – The Ultimate Sin

Crimson Glory – S/T

Metallica – Master Of Puppets

Megadeth – Peace Sells…But Who’s Buying?

Queensrÿche – Rage For Order

Cinderella – Night Songs

Onslaught – The Force

Kreator – Pleasure To Kill


Comment: Wow!, pt. 3. After the kind of "pause" year of '85, the musical quality returned this year with a lot of awesome records. Not only just that either, but now the latter half of the 80's will be a change from the previous half. Almost gone is the NWoBHM scene, at least as far as any releases worth of mention go (only Maiden pretty much continue to be relevant or good/appreciated). Thrash metal makes an official entry and this also marks the strongest year in thrash metal records. Opposite thrash we now also start to see an increase of glam metal bands, with only a few like Cinderella that are of any greater (musical) interest to me personally.



1987:


King Diamond – Abigail

Dio – Dream Evil

Testament – The Legacy

Guns N’ Roses – Appetite For Destruction

Bathory – Under The Sign Of The Black Mark

Coroner – R.I.P.

Overkill – Taking Over

Savatage – Hall Of The Mountain King

Anthrax – Among The Living

Death Angel – The Ultra-Violence


Comment: Another really strong and interesting year, although not quite as strong as '86. The thrash vs. glam battle is still a bit on the rise, although it's already quite big. You know, it's just metalheads in a fucking nutshell - you can't like everything, like I do, but you must choose sides. If not, then you're either a poser (glam) or a fucking hobo (thrash). Fuck that. I rage and fight to thrash, and I fuck and party to glam.



1988:


Ozzy Osbourne – No Rest For The Wicked

Danzig – S/T

Testament – The New Order

Bathory – Blood Fire Death

Vicious Rumors – Digital Dictator

Jane’s Addiction – Nothing’s Shocking

Metallica - …And Justice For All

Overkill – Under The Influence

Anthrax – State Of Euphoria

Crimson Glory – Transcendence


Comment: For many years I thought of this year to be somewhat of an "odd" year, I couldn't quite wrap my mind around what I thought of it. I guess I did in fact not like the music released this year that much, but in latter years I've really discovered or rethought my feelings of what was actually released in '88. These days I really think it was a good year in metal music, although not the best year of the decade. Some new favorite bands of mine like Danzig and Jane's Addiciton really came through this year, and Bathory semi-started a new era.



1989:


W.A.S.P. – The Headless Children

Faith No More – The Real Thing

Cro-Mags – Best Wishes

Coroner – No More Color

Sepultura – Beneath The Remains

Overkill – The Years Of Decay

The Almighty – Blood, Fire & Love

Babylon A.D. – S/T

Black Sabbath – Headless Cross

Blue Murder – S/T


Comment: Last year of the great 80's. Not the decade's strongest year, but an improvement from the previous year, perhaps over '87 as well. The thrash vs. glam battle is at its largest at this point and I would probably think that few was expecting what was lying around the corner, waiting... Anyway, while there were simply too many bands in (particularly) the thrash and glam scenes to count, some of the more unnoticed bands (The Almighty, Babylon A.D., Coroner...) of both sub-genres released some of the best albums of the year. Bands like Faith No More, W.A.S.P. and Sepultura release their strongest works (imo), while Black Sabbath makes their best record in many years.



1990:


Alice in Chains – Facelift

Spread Eagle – S/T

Danzig – II: Lucifuge

Anthrax – Persistence Of Time

Entombed – Left Hand Path

Nocturnus – The Key

Sleeze Beez – Screwed Blued & Tattooed

Warrior Soul – Last Decade Dead Century

Jane’s Addiction – Ritual De Lo Habitual

Pantera – Cowboys From Hell


Comment: With the 80's officially over and the 90's started, I figure many people were expecting some huge changes to all kinds of media. In metal, there were some larger changes indeed, but I would say that they had already been developed in the last years of the 80's, and just kind of broke out of the underground during this year. Of course I'm talkin' about death metal. Thrash metal is pretty much a thing of the passed 80's now, and death metal is its successor - freshly so. I would also argue, I think, that this year was the best year in death metal? Anyway, death metal and alternative music (Faith No More, Jane's Addiciton, etc.) are at large as the 90's kick off, but soon there will be another uprising as we all know.



1991:


Dismember – Like An Ever Flowing Stream

Mordred – In This Life

Entombed – Clandestine

Overkill – Horrorscope

Type O Negative – Slow, Deep & Hard

Skid Row – Slave To The Grind

Ozzy Osbourne – No More Tears

Coroner – Mental Vortex

Mr. Bungle – S/T

Sepultura - Arise


Comment: Grunge. Well, fuck that. I never were a big fan of grunge. It just felt like a shittier style of...everything. You know, the grunge bands just never appealed to me (apart from the heavy and awesome Alice in Chains...and earlier Soundgarden). Grunge just exploded in '91 thanks to fucking Nirvana. While it actually was a strong year in the metal music department, all that was pretty much overshadowed by Nirvana, Soundgarden and some others. They were like shittier versions of punk bands, of rock bands, of metal bands. Just fucking...shit.

This year was like the final nail in the coffin for most glam and thrash bands still lurking around, and death metal was largely held back because of this musical change as well, and don't even get me started on fucking Metallica and the Red Hot Chili Peppers and what they did to the scene during this year.



1992:


Faith No More – Angel Dust

Danzig – III: How The Gods Kill

Alice in Chains – Dirt

Cro-Mags – Alpha Omega

Fear Factory – Soul Of A New Machine

W.A.S.P. – The Crimson Idol


Saigon Kick – The Lizard
Malevolent Creation - Retribution
Pantera – Vulgar Display Of Power

Rage Against The Machine – S/T



Comment: Grunge is still at large, unfortunately. Most of the last few (notable) traces of glam and thrash bands are to be found in this year - many of them released their final albums (at the time) and broke-up. If not, they changed to adapt to the style that Metallica had made famous the previous year (Testament, Megadeth, etc.). Fortunately for me, a few bands managed to actually held back grunge a bit and showed 'em how it's done. Faith No More and newcomers RATM and Fear Factory were all modern, but were not grunge bands but instead mixes of several other styles that would prove to be very, if not more so than grunge, influential to future bands of the 90's.



1993:


Life of Agony – River Runs Red

Carcass – Heartwork

Dismember – Indecent & Obscene

Coroner – Grin

Benediction – Transcend The Rubicon

Dio – Strange Highways

Dissection – The Somberlain

Saigon Kick – Water

Death – Individual Thought Patterns

Type O Negative – Bloody Kisses


Comment: While grunge was still the biggest thing at this point, together with Metallica and RHCP of course, there actually were opportunities for other styles to shine again. Many of the greatest death metal records were released in this year, many of which were rather successful. Some other bands such as the crossover-groovy Life of Agony and the gothic Type O Negative really came on and put in new influences for future groove and alternative bands respectively. Not an exceptional year, but a very good one nonetheless. Oh, and fuck grunge.



1994:


Septic Flesh – Mystic Places Of Dawn

Machine Head – Burn My Eyes

Megadeth – Youthanasia

Danzig – 4p

Bolt Thrower - …For Victory

Running Wild – Black Hand Inn

Testament – Low

Darkthrone – Transilvanian Hunger

Pantera – Far Beyond Driven

Body Count – Born Dead


Comment: R.I.P. Kurt Cobain, and pretty much the whole grunge scene with you. While I never were a big fan of Nirvana, or most other grunge bands, I did not have anything against people like Kurt Cobain personally. But with his tragic death, so went grunge with him, kind of. I guess that is just the sad reality of people - they fanboy/girl one person rather than the actual legacy of his/her. I really do believe so was the case with Kurt as well. I mean, what are the odds?  He died - grunge died. There were lots of better grunge bands than Nirvana, but he was like the God of it, and when he was gone, so was the whole musical genre basically.

Besides grunge's last breaths, death metal was not really prevailing this year either. Instead the year was rather filled with new styles such as rap/nu metal, groove metal and some more underground black metal stuff that was slowly rising up.



1995:


Face Down - Mindfield

Fear Factory – Demanufacture

Dissection – Storm Of The Light’s Bain

The Gathering - Mandylion
Death – Symbolic

Hate Squad – I.Q. Zero

Dismember – Massive Killing Capacity

White Zombie – Astro-Creep 2000


Grip Inc. – Power Of Inner Strength

Suffocation - Pierced From Within


Comment: The last awesome year of the 90's, to me. After this year, I honestly have a rather hard time finding more than ten albums a year that appealed to me, at least until 2003. I know I could find it for 1996 and 1997 as well, but it's just, literally, scraping the good out of the pile of shit.

1995 showed us as well as set the bars for what the remainder of the 90's would pretty much come to be like. We get more groove metal as well as industrial metal, which at this point had become a popular (and rather commercial) style of metal. Death metal is pretty much over, at least as far as records worthy of listening to goes. Death, the band that pretty much started the whole sub-genre, are the last to be really good at it, so at least that was a fitting touch. 

Otherwise there not really overly much of interest during this year in my opinion. I really do like the massively overlooked bands like Face Down, Hate Squad and Grip Inc. - all of who played groove/post-thrash metal. The Gathering's "Mandylion" was also a rather simplistic but just wonderful and beautiful album that expanded the goth scene.

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I hope you enjoyed my lists and thoughts about the years. Check out my new list that covers the years 2003-2015, if you did enjoy this one. Peace!