European Heavy Metal Is Dying, American Scene Is Blooming

Am I the only metal music fan who's noticed what seems to be a drastic change within the modern heavy metal scene, particularly within the so called NWoTHM (New Wave of Traditional Heavy Metal) movement? Time is seemingly just flying by as we speak. I'm turning 27 in some months from now and it does not feel all that long ago since I was 17.

Let's rewind back to cirka 2007-'09. The whole "retro metal" movement, which we all are very well aquainted with these days, was being bred in the womb of a long-time hatred for the then dominating metalcore scene. From my POV the first old school metal sub-genre that quickly arose was thrash metal. Bands on both sides of the Atlantic were the new saviours of metal. Bands like Evile, Lazarus A.D., Bonded By Blood, to name a few, were all blooming up seemingly out of nowhere only to completely go under the radar a few years later.

In 2010 I personally noted another change within the metal scene. It seemed as if thrash had made a large crack in the metalcore scene, as it was dying in a rapid pace as far as my eyes (and ears) could tell. But it wasn't only the metalcore scene that was now suffering; the thrash revival seemed to have run its course as well. New times were ahead and it was an era of a more slow-to-mid paced style of metal music.

Around 2010 I noticed this explosion in the Swedish metal scene. Suddenly a lot of classic-sounding heavy metal bands popped up everywhere. The most notable one, without a doubt, was the excellent Enforcer who had just dropped their "Diamonds" album that year. I remember being in school and having some computer class. I was listening to Spotify while being bored, just trying to check out some new music. I stumbled upon the cover art and was amazed of its retro design. I quickly pushed play and was completely blown away - it was the best shit I had heard in years.

Enforcer quickly became a well-known name within the sub-genre and gave lots of metal fans hope for the first time in a very, very long time. Other bands such as Steelwing, Katana and In Solitude, only to name a few Swedish bands, followed. Some other bands that had been around for a while got more recognized as well. Some other older bands such as Watain maintained a great relevance as the change happened.

2010-2013 were great years for European heavy metal in my opinion. Lots of bands popped up and a lot of them were pretty damn great as well. The Swedish scene in particular was suddenly a lot more fun, something it hadn't been since the early 90's death metal wave. But as those few years passed by, the scene seemed to become overfed with bands adapting to the retro styles. Bands such as In Solitude and Steelwing were already gone by 2015 and others such as the mighty Enforcer, while still putting out excellent music, just seemed to have had their hype gone quiet.

Meanwhile as the European scene seemed to be dying once more, the American scene has really been stepping up in the past few years. I am the first one to both praise and criticize the American metal scene throughout the past forty years. There are countless of great bands from all American countries, but the US (in particular) has also produced a lot of shitty metal as well as killed scenes (e.g. grunge killed all 80's metal). Where the European scene just seemed to be dying, the American scene all of a sudden started producing a lot of great stuff.

Something I've noticed about the American scene of today is its specific sub-genres. A lot of doom metal, hardcore and old school heavy metal seem to be the largest exports of good music in 2017. While I have a rather hard time thinking of any good European heavy metal in 2016, I can think of a lotta American stuff - Sumerlands, Eternal Champion, Cauldron, Spell, and the list goes on. There's also a strong hardcore-influenced death metal scene going on (sometimes coined "Entombedcore") which I enjoy a lot as well.

Say what you will about American and particularly US metal throughout time. They were largely responsible for hair metal, grunge, metalcore, nu metal - whatever trending metal style you can think of. I'm not necessarily saying that those styles were bad in any way, but they came, conquered, destroyed and ultimately got destroyed by one another. Today, however, the US actually seem to have a lot of diversity rather than just one particular dominating style, and I like that a lot.

European or Swedish pride, whatever, I can be honest and say our scene is (seemingly) dying on the operating table at the moment. The American scene is very healthy and well worth checking out for any metalhead in this day and age.

Some of my personal recs:

Sumerlands (US)
Eternal Champion (US)
Cauldron (Canada)
Spell (Canada)
Satan's Hallow (US)
Magic Circle (US)
Lucifer's Hammer (Chile)
Khemmis (US)
Natur (US)
Skull Fist (Canada)
Resurrection Kings (US)

10 of the most disappointing metal albums ever

Have you ever been massively anticipating a band's new album, or discovered a new band whose shit you just seem to absolutely love, only to discover that most of their discography isn't at all the same quality as that which you discovered them through? I can be honest when I say that I rarely get disappointed by an album by bands I like, really just about whatever band it is in question. But sometimes, hell yeah, I have felt failed by my sworn idols.

Now, I really do support artistic freedom. After all - as a musician myself, I'd like to do whatever the fuck I want to do, but sometimes...your supporters just won't accept it. I'm gonna list ten albums down below that I felt disappointed about. This does not necessarily mean that I completely dislike the album, not at all, but simply that it (like really) didn't live up to my expectations, or just felt too different. Here we go...


10. DevilDriver - Beast 

When this album hit in 2011 I wasn't exactly stoked - I wasn't really the bigget DevilDriver fan at that time, yet, but I knew them a little bit and I was fairly new to modern metal, so I figured I'd give 'em a fair chance. Well, after a fair chance I thought it was fair enough to say that it was one big disappointment. I didn't look back on it for several years after that, but these days I'm quite keen on their sound - like 'em a lot. However, while this certainly is not bad by any means, this does not really remain among my favorite DD albums either.


9. Chimaira - Crown Of Phantoms

I started listening to Chimaira in 2009 when they released "The Infection", which is my favorite album of theirs btw. They were, together with Lamb of God, like the first bands of modern metal that I came to appreciate. However, after a lot of touring for "The Infection", half of the band left, including powerhouse drummer Andols Herrick and their most unique addition to their sound, keyboardist/electronics specialist Chris Spicuzza. They made another album, "The Age Of Hell", in 2011 which wasn't really well received (I love it, though), and then both of the bands' longtime guitarists Rob Arnold and Matt DeVries left too.

2013 came and an all-new Chimaira, apart from ever-lasting frontman Mark Hunter, delivered "Crown Of Phantoms". What can I say about it? Some people think it kicks ass while others seem to dislike it. I, personally, just don't feel like it was Chimaira anymore. I mean, it obviously sounds completely like another band to me. The guitars (especially the solo stuff) and drums have different vibes and styles compared to before, which is logical, but just not the same. I simply just didn't like its sound and direction very much, and (un)fortunately(?) they broke up after this album. As I see it, it was for the better - the original band was already gone since a long time, and it didn't sound like Chimaira anymore. Yet, it's fucking sad that they're not around anymore.


8. Mötley Crüe - Theatre Of Pain

After a great debut album in "Too Fast For Love" and even greater follow-up in the legendary "Shout At The Devil", the Crüe traded in the red and black satanic leathers and imagery for happy-colored women's clothing with dots and shit on 'em. I just think their new image spoke for itself in the music as well - having closed the "Shout At The Devil" album with a song called "Danger", it was the last time the Crüe actually sounded and/or appeared dangerous as well. On this one, they just sound like whatever fucking party glam band there ever was. Some tunes are still good though, but I hate most of it.


7. Life of Agony - Ugly

After unleashing the lyrically deep, musically awesome and just ripping debut "River Runs Red" in 1993, as well as some great hardcore demos before it, Brooklyn's LoA released this in 1995. It's not a bad album, but it's fucking let down after the assault the debut provided. This just sounds a lot more "safe" and influenced by alternative/grunge music (something that would only progress further on later albums as well). Mjah, I just never quite felt this album.


6. Iron Maiden - No Prayer For The Dying

I love Iron Maiden but after ten years they released this piece of shit. Yes, I called it that. I'm not a fucking fanboy - if a band, even if I really love 'em, releases a shit record, I will regard it as such. This was a shit record, kind of acknowledged by Steve Harris himself as well, but I was okey with it. Why was I? Because Maiden worked hard for over a decade, provided seven(!) amazing albums throughout the 80's, lost one of their key-writers (and my favorite writer in Maiden) in guitarist Adrian Smith the year before this album. They had a lot to live up to, and they failed this time around. It was understandable after so many years and albums. Sometime there must be a shit record. This was their first one (of very few). They compensated this failure with several amazing albums in the 2000's instead.


5. Megadeth - Th1rt3en

Dave Mustaine and his many different setups of company have been riding a lengthy roller-coaster when it comes to good and bad albums. They started off greatly with some awesome thrash albums in the 80's, then they made the highly acclaimed "Rust In Peace" which I actually never were very fond of, before jumpin' on Metallica's "black album-train" like so many others. They did the melodic "Youthanasia" in 1994 which I love, but after that they fucking lost it - well, until 2004's "The System Has Failed" anyway.

Dave and some of his companies did "United Abominations" and "Endgame" in the late 00's which I really liked as well, but after those came "Th1rt3en" - a mix of re-worked old vault songs as well as some new stuff, if I remember correctly. Well, I'd like to think that there was a reason for much of this material to have been scrapped before - and much of it should've just stayed that way.

This whole album is just a mix of aged turds that Dave and co. in vain tried to polish up. Some stuff here, especially lyrics, make me fucking cringe. I cannot shake the thought that this is the same mastermind who wrote "Peace Sells", "In My Darkest Hour" or "A Tout Le Monde". This album is just plain fucking crap, and fans were surprised by how shitty "Super Collider" was. Let me tell you, after this piece of crap I didn't expect anything from "Super Collider" at all, but I actually prefer that one over this seasoned crap collection. At least that was experimental and explored new ideas, for better or (probably) worse.


4. Danzig - Skeletons

Glenn Danzig - legendary frontman and musician - love the guy's works - from the Misfits to, well, Danzig. He announced in, like, 2011 or something already, that he was working on a covers album. I didn't think much about it, his music hadn't been all that great since 1994, even if I did really enjoy "6:66 Satan's Child" and "Deth Red Sabaoth".

Anyway, this album was finally released in 2015 - so it was at least four years in the making. Let's just say that... Glenn is cool, he's still got a nice voice, but his fucking band (especially Tommy Victor of Prong on guitar) is just so wrong for Danzig's music, not to mention that Glenn's own production skills sound like shite. Half of the covers on here aren't that interesting or good either, unfortunately. Let's just say that it was a too long wait for almost nothing. Glenn should stick to making originals - his original arrangements for covers on this album were the only good ones as well.


3. Spread Eagle - Open To The Public

Not many people know this band but they were a sleaze band that came out with their most excellent debut in 1990. Think a punkier and/or thrashier version of Skid Row, even if you think of "Slave To The Grind". These guys were from NYC, not L.A. They were raw - not polished.

Anyway, their debut went by pretty much unnoticed, which is a real fucking shame (it's actually my favorite album of genre glam/sleaze - ever). Three years later they release their follow-up and ultimately last album - "(Spread Eagle -) Open To The Public" (ha, that's funny). The first song is really cool, I like a lot, but after that one is just one endless fucking shitfest of boring songs leaning more towards alternative crap than their original sound. Disappointing to say the least.


2. Fate - Cruisin' For A Bruisin'

These guys are from Denmark and released a really nice debut in 1985. It was actually Hank Shermann from Mercyful Fate who went on to form this band after MF disbanded, but it's not the same musical style. These guys were more towards the same sound as, let's say early Europe, early Bon Jovi, and such likes. However, the guitar tone and style was just the same as on MF's "Don't Break The Oath" album, so it was still fucking cool. Next they did another album where the guitar was turned down a lot in favor of keyboards, you figure the rest. It was an okey album but Hank Shermann left after that one in 1986.

Now, fast forward to 1988 and Fate's third album - this sausage fest. I have honestly don't listened to this album too many times throughout the years, and I will let the reason for that be obvious. I'll just tell you - if you hate Bon Jovi's "Slippery When Wet", Europe's "Out Of This World", or...whatever, then you'll fucking hate this one too. It's just one of the shittiest records I've ever heard, and a most disappoint album (and direction) after their great debut three years prior to this one. Fear not though, Fate actually redeemed themselves already in 1990, and also in latter years, with several (at least) solid albums again.


1. Mötley Crüe - Dr. Feelgood

And the winner of this shitfest sausage makarov blöjkaka is the very same band that is now also officially listen twice on this list: Mötley Crüe. First off, let me tell you. I am a huge fan of the Crüe's first two albums as well as "Girls, Girls, Girls", but obviously "Theatre Of Pain" wasn't on par with those to my ears, and this album...well.

Let me just put it like this: when a formerly constantly drugged-out band did a few great records, and they all of sudden decide to get sober to do an album, it can only end in one way: this way. And let me tell you, the Crüe's music lost all of its fucking balls when the drugs went out of the picture. This is truly the most disappointing record I've ever heard in my life. I just think Mötley Crüe should be junkies, that's the way they did great music. This shit is just lame, like glam metal for middle-aged moms who'd like to party while believing themselves to still be 20 when they're really 40. Fuck this shit.

Top-10 Best Metal Records By Each Year 1980-1995

I decided to put together a list of my favorite ten metal records of each year for every year between 1980-1995. Well, I tried anyway. It was easier said than done, but I managed and I think it turned out somewhat accurately presentable. I simply chose the years 1980-1995 because those are the years from which most of my music has come from.

To do an extended list beyond 1995 would be a rather difficult task as I found the 2000's in particular to provide little metal of interest, with Chimaira, Lamb of God and DevilDriver a few worthy of mention. Even for the 1970's it would be quite hard to find ten albums for each year, because I simply never really fell that much in love with the 70's sound, and it would only be the obvious bands like AC/DC, Sabbath, Priest, and so on.

Anyway, here is my list of my favorite 10 records of each year between the years 1980 to 1995. It will be an overall collection of metal - heavy, NWoBHM, thrash, death, black, etc. Anything that I simply love and regard as something extraordinary from those individual years will be listed by their release years down below.

I hope you enjoy my personal favorites-list, even if some of the choices are nothing unique or surprising, though I hope you'll find some surprises at least and perhaps even introduce some new bands to y'all.

Later //J.

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This list is presented in a somewhat correct order. The top-listed records for each year is my favorite album of that year, but after that there's not necessarily a certain order. To be honest - it's way too hard to actually rank them in a certain order.

1980:

Black Sabbath – Heaven And Hell

Saxon – Wheels Of Steel

Motörhead – Ace of Spades

Ozzy Osbourne – Blizzard of Ozz

Iron Maiden – S/T

Diamond Head – Lightning To The Nations

Judas Priest – British Steel

AC/DC – Back In Black

Angel Witch – S/T

Tygers Of Pan Tang – Wild Cat


Comment: The start of the almighty 80's. Musically this was a very important year for music (overall), but especially for us metal fans - it was gonna change and expand the metal scene forever. However, apart from a few albums on this list that I will forever regard as some of the very best metal records of all time, the best was yet to come in later years.
 

1981:

Ozzy Osbourne – Diary Of A Madman

Black Sabbath – Mob Rules

Tygers Of Pan Tang – Spellbound

Iron Maiden – Killers

Mötley Crüe – Too Fast For Love

Accept – Breaker

Venom – Welcome To Hell

Van Halen – Fair Warning

Def Leppard – High ‘n’ Dry

Thin Lizzy – Renegade


Comment: An improvement from the previous year, which still was a damn good one. Ozzy makes his best album ever (imo), Sab release their best one with Dio, and Tygers release their best album as well. I'll let this top-10 speak for itself.

1982:

Judas Priest – Screaming For Vengeance

Accept – Restless And Wild

Plasmatics – Coup d’Etat

Iron Maiden – The Number Of The Beast

Diamond Head – Borrowed Time

Venom – Black Metal

Scorpions – Blackout

Motörhead – Iron Fist

MSG – Assault Attack

Kiss – Creatures Of The Night


Comment: Not much change here, around the same quality as '81. Some bands (Motörhead) do, however, release some less-good albums than before. Overall this year maybe wasn't as strong as the previous two anyway. This list kind of marks the finest moments of the year, and I think that was pretty much "it". NWoBHM was already on a downfall and American heavy metal was slowly starting to arise.

1983:

Accept – Balls To The Wall

Dio – Holy Diver

Def Leppard – Pyromania

Mercyful Fate – Melissa

Ozzy Osbourne – Bark At The Moon

Thin Lizzy – Thunder And Lightning

Mötley Crüe – Shout At The Devil

Slayer – Show No Mercy

Iron Maiden – Peace Of Mind

Exciter – Heavy Metal Maniac


Comment: Wow! This was quite a year! A very rich year musically. Many bands release their finest albums this year (Accept, Mötley Crüe, Dio...) while there are a lot of interesting newcomers (Exciter, Slayer, Mercyful Fate...). A good year, a very good year indeed.
 

1984:

Mercyful Fate – Don’t Break The Oath

W.A.S.P. – S/T

Judas Priest – Defenders Of The Faith

Dio – The Last In Line

Madison – Diamond Mistress

Warlock – Burning The Witches

Metallica – Ride The Lightning

Queensrÿche – The Warning

Iron Maiden – Powerslave

Ratt – Out Of The Cellar


Comment: Wow!, pt. 2. Not much changes quality-wise from the previous year. Bands like Dio, Priest and Maiden continue to put out really strong records, while newcomers W.A.S.P., Warlock, Queensrÿche and Ratt releases great debut (full-length) albums. Metallica keeps on changing the metal industry and Mercyful Fate releases their very best record, as well as one of the most sinister metal records of all time.

1985:

Saxon – Innocence Is No Excuse

Anthrax – Spreading The Disease

Slayer – Hell Awaits

Twisted Sister – Come Out And Play

Dio – Sacred Heart

Fate – S/T

Treat – Scratch And Bite

Ratt – Invasion Of Your Privacy

Celtic Frost – To Mega Therion

Warlock - Hellbound


Comment: After the excellent '83 and '84, or simply after a great half-decade of metal bands/records, I always felt that 1985 was kind of a "sabbatical year" for metal. Yes, the quality dropped quite a bit I have to admit, with some bands (Dio, Ratt, Warlock...) releasing not-as-strong albums as previously. But the biggest thing is that it just felt like a like a poor year, if counting actual records released during the year. I guess most bands just were getting really big and toured throughout, or that they needed their first lengthier break in many years. Not a bad year, but perhaps the weakest year of the decade.

1986:

Iron Maiden – Somewhere In Time

Dark Angel – Darkness Descends

Ozzy Osbourne – The Ultimate Sin

Crimson Glory – S/T

Metallica – Master Of Puppets

Megadeth – Peace Sells…But Who’s Buying?

Queensrÿche – Rage For Order

Cinderella – Night Songs

Onslaught – The Force

Kreator – Pleasure To Kill


Comment: Wow!, pt. 3. After the kind of "pause" year of '85, the musical quality returned this year with a lot of awesome records. Not only just that either, but now the latter half of the 80's will be a change from the previous half. Almost gone is the NWoBHM scene, at least as far as any releases worth of mention go (only Maiden pretty much continue to be relevant or good/appreciated). Thrash metal makes an official entry and this also marks the strongest year in thrash metal records. Opposite thrash we now also start to see an increase of glam metal bands, with only a few like Cinderella that are of any greater (musical) interest to me personally.

1987:

King Diamond – Abigail

Dio – Dream Evil

Testament – The Legacy

Guns N’ Roses – Appetite For Destruction

Bathory – Under The Sign Of The Black Mark

Coroner – R.I.P.

Overkill – Taking Over

Savatage – Hall Of The Mountain King

Anthrax – Among The Living

Death Angel – The Ultra-Violence


Comment: Another really strong and interesting year, although not quite as strong as '86. The thrash vs. glam battle is still a bit on the rise, although it's already quite big. You know, it's just metalheads in a fucking nutshell - you can't like everything, like I do, but you must choose sides. If not, then you're either a poser (glam) or a fucking hobo (thrash). Fuck that. I rage and fight to thrash, and I fuck and party to glam.

1988:

Ozzy Osbourne – No Rest For The Wicked

Danzig – S/T

Testament – The New Order

Bathory – Blood Fire Death

Vicious Rumors – Digital Dictator

Jane’s Addiction – Nothing’s Shocking

Metallica - …And Justice For All

Overkill – Under The Influence

Anthrax – State Of Euphoria

Crimson Glory – Transcendence


Comment: For many years I thought of this year to be somewhat of an "odd" year, I couldn't quite wrap my mind around what I thought of it. I guess I did in fact not like the music released this year that much, but in latter years I've really discovered or rethought my feelings of what was actually released in '88. These days I really think it was a good year in metal music, although not the best year of the decade. Some new favorite bands of mine like Danzig and Jane's Addiciton really came through this year, and Bathory semi-started a new era.

1989:

W.A.S.P. – The Headless Children

Faith No More – The Real Thing

Cro-Mags – Best Wishes

Coroner – No More Color

Sepultura – Beneath The Remains

Overkill – The Years Of Decay

The Almighty – Blood, Fire & Love

Babylon A.D. – S/T

Black Sabbath – Headless Cross

Blue Murder – S/T


Comment: Last year of the great 80's. Not the decade's strongest year, but an improvement from the previous year, perhaps over '87 as well. The thrash vs. glam battle is at its largest at this point and I would probably think that few was expecting what was lying around the corner, waiting... Anyway, while there were simply too many bands in (particularly) the thrash and glam scenes to count, some of the more unnoticed bands (The Almighty, Babylon A.D., Coroner...) of both sub-genres released some of the best albums of the year. Bands like Faith No More, W.A.S.P. and Sepultura release their strongest works (imo), while Black Sabbath makes their best record in many years.

1990:

Alice in Chains – Facelift

Spread Eagle – S/T

Danzig – II: Lucifuge

Anthrax – Persistence Of Time

Entombed – Left Hand Path

Nocturnus – The Key

Sleeze Beez – Screwed Blued & Tattooed

Warrior Soul – Last Decade Dead Century

Jane’s Addiction – Ritual De Lo Habitual

Pantera – Cowboys From Hell


Comment: With the 80's officially over and the 90's started, I figure many people were expecting some huge changes to all kinds of media. In metal, there were some larger changes indeed, but I would say that they had already been developed in the last years of the 80's, and just kind of broke out of the underground during this year. Of course I'm talkin' about death metal. Thrash metal is pretty much a thing of the passed 80's now, and death metal is its successor - freshly so. I would also argue, I think, that this year was the best year in death metal? Anyway, death metal and alternative music (Faith No More, Jane's Addiciton, etc.) are at large as the 90's kick off, but soon there will be another uprising as we all know.

1991:

Dismember – Like An Ever Flowing Stream

Mordred – In This Life

Entombed – Clandestine

Overkill – Horrorscope

Type O Negative – Slow, Deep & Hard

Skid Row – Slave To The Grind

Ozzy Osbourne – No More Tears

Coroner – Mental Vortex

Mr. Bungle – S/T

Sepultura - Arise


Comment: Grunge. Well, fuck that. I never were a big fan of grunge. It just felt like a shittier style of...everything. You know, the grunge bands just never appealed to me (apart from the heavy and awesome Alice in Chains...and earlier Soundgarden). Grunge just exploded in '91 thanks to fucking Nirvana. While it actually was a strong year in the metal music department, all that was pretty much overshadowed by Nirvana, Soundgarden and some others. They were like shittier versions of punk bands, of rock bands, of metal bands. Just fucking...shit.

This year was like the final nail in the coffin for most glam and thrash bands still lurking around, and death metal was largely held back because of this musical change as well, and don't even get me started on fucking Metallica and the Red Hot Chili Peppers and what they did to the scene during this year.

1992:

Faith No More – Angel Dust

Danzig – III: How The Gods Kill

Alice in Chains – Dirt

Cro-Mags – Alpha Omega

Fear Factory – Soul Of A New Machine

W.A.S.P. – The Crimson Idol

Saigon Kick – The Lizard
Malevolent Creation - Retribution
Pantera – Vulgar Display Of Power

Rage Against The Machine – S/T

Comment: Grunge is still at large, unfortunately. Most of the last few (notable) traces of glam and thrash bands are to be found in this year - many of them released their final albums (at the time) and broke-up. If not, they changed to adapt to the style that Metallica had made famous the previous year (Testament, Megadeth, etc.). Fortunately for me, a few bands managed to actually held back grunge a bit and showed 'em how it's done. Faith No More and newcomers RATM and Fear Factory were all modern, but were not grunge bands but instead mixes of several other styles that would prove to be very, if not more so than grunge, influential to future bands of the 90's.

1993:

Life of Agony – River Runs Red

Carcass – Heartwork

Dismember – Indecent & Obscene

Coroner – Grin

Benediction – Transcend The Rubicon

Dio – Strange Highways

Dissection – The Somberlain

Saigon Kick – Water

Death – Individual Thought Patterns

Type O Negative – Bloody Kisses


Comment: While grunge was still the biggest thing at this point, together with Metallica and RHCP of course, there actually were opportunities for other styles to shine again. Many of the greatest death metal records were released in this year, many of which were rather successful. Some other bands such as the crossover-groovy Life of Agony and the gothic Type O Negative really came on and put in new influences for future groove and alternative bands respectively. Not an exceptional year, but a very good one nonetheless. Oh, and fuck grunge.

1994:

Septic Flesh – Mystic Places Of Dawn

Machine Head – Burn My Eyes

Megadeth – Youthanasia

Danzig – 4p

Bolt Thrower - …For Victory

Running Wild – Black Hand Inn

Testament – Low

Darkthrone – Transilvanian Hunger

Pantera – Far Beyond Driven

Body Count – Born Dead


Comment: R.I.P. Kurt Cobain, and pretty much the whole grunge scene with you. While I never were a big fan of Nirvana, or most other grunge bands, I did not have anything against people like Kurt Cobain personally. But with his tragic death, so went grunge with him, kind of. I guess that is just the sad reality of people - they fanboy/girl one person rather than the actual legacy of his/her. I really do believe so was the case with Kurt as well. I mean, what are the odds?  He died - grunge died. There were lots of better grunge bands than Nirvana, but he was like the God of it, and when he was gone, so was the whole musical genre basically.

Besides grunge's last breaths, death metal was not really prevailing this year either. Instead the year was rather filled with new styles such as rap/nu metal, groove metal and some more underground black metal stuff that was slowly rising up.

1995:

Face Down - Mindfield

Fear Factory – Demanufacture

Dissection – Storm Of The Light’s Bain

The Gathering - Mandylion
Death – Symbolic

Hate Squad – I.Q. Zero

Dismember – Massive Killing Capacity

White Zombie – Astro-Creep 2000

Grip Inc. – Power Of Inner Strength

Suffocation - Pierced From Within


Comment: The last awesome year of the 90's, to me. After this year, I honestly have a rather hard time finding more than ten albums a year that appealed to me, at least until 2003. I know I could find it for 1996 and 1997 as well, but it's just, literally, scraping the good out of the pile of shit.

1995 showed us as well as set the bars for what the remainder of the 90's would pretty much come to be like. We get more groove metal as well as industrial metal, which at this point had become a popular (and rather commercial) style of metal. Death metal is pretty much over, at least as far as records worthy of listening to goes. Death, the band that pretty much started the whole sub-genre, are the last to be really good at it, so at least that was a fitting touch. 

Otherwise there not really overly much of interest during this year in my opinion. I really do like the massively overlooked bands like Face Down, Hate Squad and Grip Inc. - all of who played groove/post-thrash metal. The Gathering's "Mandylion" was also a rather simplistic but just wonderful and beautiful album that expanded the goth scene.

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I hope you enjoyed my lists and thoughts about the years. Check out my new list that covers the years 2003-2015, if you did enjoy this one. Peace!