Thrash Metal Revival - What the hell happened?

So I was going through my music and glanced upon my nowadays dusting CD collection, when I noticed a few old thrash metal revival bands. Do you remember the thrash revival that was happening ten years ago? It was a brief wave of underground thrash bands that rose up to bring down the ever-prevailing kings of the 2000's, namely the metalcore bands.

I remember those times very well. It was in some ways my prime. I turned 15 in 2005 and thus was I part of that entire decade's ups and downs. Most "true" metalheads like myself did not really appreciate the metalcore scene all that much. In retrospect I've grown to love some bands that were lumped in with that scene (Chimaira, DevilDriver, etc.), but the bulk of it was really bad.

Idols at 16: Megadeth (1986) - Chris Poland, Gar Samuelson, Dave Mustaine, David Ellefson

In 2006 I was a full-blown thrasher. I had grown very fond of 80's thrash in 2005 and by the next year I was listening to it 24/7 (I literally used to sleep with headphones back then). I was fanboying early Megadeth (Peace Sells era) above all else and I particularly took a liking to "rawer" thrash bands. I liked thrash bands with heavy influences from Motörhead, rather than the polished and more technical stuff like Megadeth did with Rust in Peace. I did not, however, follow any modern metal scenes and was totally unaware of what was cooking beneath the surface.

By 2008 something just exploded. From seemingly out of nowhere came hundreds of young new bands that played classic thrash metal. It was like a sonic revolution. For years everybody had been talking about how bad metalcore was and how they hated it, including my own band, but it took several years for anyone to properly react. By the time it came, however, it came down hard and without showing any mercy.

Who doesn't remember that album cover by Fueled By Fire? A thrasher beating up two emo kids. It was badass! Or why not the revival of Ed Repka artworks? You know, the guy who did artwork for some of the genre's best regarded masterpieces. Hell, his artwork was often just as synonymous with a record as the actual band, musicians and music. Sometimes even more so. Thrash metal was truly reborn and kicking ass by 2008. The downfall of classic metalcore had begun.

Warbringer, Evile, Lich King, Bonded By Blood, Hexen, Gama Bomb, Municipal Waste, Suicidal Angels... The list goes on. So many bands, no air time, no major labels, low budgets - but a massive fanbase and a huge thurst for the return of a rebellious saviour. It was like an old scene had returned with new blood overnight. But looking at it in retrospect, it was probably the scene's big mistake.

With so many bands coming from out of nowhere that fast, you suddenly had a bunch of new killer records and live tours to catch. At the same time, however, it became like a ridiculous case of bands adapting to a bunch of copy-and-paste formulas. There simply was next to no originality within the revival scene. Bands sounded closer to being tribute acts of their number one favorite band rather than doing their own thing. Now that is not essentially a bad thing, but when everybody does it that way it gets tiresome quickly.

Before you knew it, the thrash metal revival had gone back to the deepest underground whence it came. It lasted for what, two solid years? Even that long? Talk about 15 minutes of fame. What made the original wave of thrash metal so great was how it was something new, something innovative. It was fresh and dangerous. The problem with the revival was how all those bands and musicians had gained great amounts of skill, only to use it for reproducing a certain sound rather than develop and explore their own creativity. Nobody wants to hear twenty Kreator wankers.

So after coming up real hard and heavy the entire movement basically plummeted right back down the abyss. It went from being one of the coolest things to happen in metal history to being one of the most ridiculous ones. But even though its initial impact didn't have more than a minor lasting relevance, it did ultimately leave another, much greater, impact.

In the wake of the thrash revival's demise there were basically two things that happened. The first one was a door left open, a door for classic heavy metal to make its impending return. Just look at that - it's still there after almost ten years, still going strong and seemingly even stronger in recent years. I'm sure that without the thrash revival happening cirka 2008, we wouldn't have gotten a classic heavy metal revival as early as cirka 2010. I'm certain it would have happened sooner or later, just not as soon as it did. The other thing was that it did indeed bring down the metalcore movement. After all, what relevance has the majority of them had in the 2010's? Next to none!

So what can we possibly learn from this musical history? The way I've put it we should basically just avoid playing music altogether. If you're a skilled musician copying your idols down to the notes and styles, you'll never last. If you're part of a more original subgenre (metalcore) then you simply suck and should call it quits already. But hey, surprise surprise, that's not really what I'm suggesting.

While I wasn't a fan of metalcore back then I can look back at it in retrospect and appreciate those musicians doing their own thing (until they started copying-and-pasting each other that is). The thrash revival seems to be mostly suppressed these days with nobody associating with it. There are a few bands I still listen to from time to time. They still sound as unoriginal as they did back then, but at least they did some great thrash music nonetheless. I love the classic heavy metal revial that rose up from it. There are also a lot more originality within that scene, I believe.

The only thing I'm scared of right now is to see what happens next. We're closing in on the end of this decade, which often means new trends and whatnot lies ahead in the wake of the next one. This decade has been plagued with deathcore and dare I say that it generally sucks way harder than metalcore ever did? And similarily to the thrash revival towards the end of the last decade, we've now got something of an "old school death metal revival" instead. I love death metal. Way more than I love thrash. I don't want to see it end up like the thrash revival did, although I'm pretty sure the death revival has already outlasted it (and has more originality). Time will tell!

My TOP-10 Best Hard Rock & Heavy Metal Vocalists - Male Edition

One thing that's always been kind of strange for me is how huge my love is for the vocals in my music collection, yet I've never cared much for the lyrics of most bands. You see, a band's singer is super important to me since I'm mostly bored by instrumental music (often with lots of guitar wankery), but for some reason I'm always passive to the words. Instead the vocals are essentially just another instrument in the band's blend to me, giving the songs additional melody or perhaps even most of it.

Another thing about my preference is that I'm, like a true Swede/Scandinavian, prefer things to be "lagom" (meaning "just enough" in Swedish). I'm actually not that huge on some vocalists' styles like a lot of people tend to be. I don't like things to feel or sound overcooked. If a singer is in some way "overpowering" a band, then I'd like the band to be more overpowered as well. An example of this is a band like DragonForce - they simply take everything to the extremes. That's how I like it. Either do it extremely or do it stripped down, like AC/DC, but don't mix 'em.

So now you have a good idea about how I like and listen to singers in hard rock and heavy metal music. I might come across as picky but that's how I am. This list is not made to satisfy any of your tastes. It's my personal taste and I'm just sharing because the discussion is always interesting to me.

Let's dive into it!

10. Devin Townsend (Strapping Young Lad, Devin Townsend Project, solo)

Devin has one of the most dedicated fanbases in the world but it seems like his vocals are somewhat underrated to me. If you speak with fellow fans of Devin they tend to praise his music, which certainly is great and very unique, but his vocal work plays such a huge part in what he does. With one of the most versatile voices in the business, he pretty much masters anything he tries on. Most of all, however, he does it exactly where it works and enhances the music.


9. Dave Meniketti (Y&T, solo)

One of the most powerful rock voices there are. Dave and his main band Y&T are both criminally underrated. Ever heard "Summertime Girls"? Forget that, it was a one-time thing. Y&T is so much rawer and rocking than that. Try stuff like "Black Tiger" and "Mean Streak" instead and hear for yourself. Not only is the music great but Dave outmatches any similar vocalists from bands of their scene back in the day. Radio played a lot of lighter stuff like Night Ranger, Journey and whatnot, when in reality they should've cranked Y&T up to ten.


8. Mark Osegueda (Death Angel, Metal Allegiance)

I used to think that Joey Belladonna of Anthrax was thrash metal's finest vocalist, but in recent years after three excellent Death Angel records I've changed my mind. Mark Osegueda has done what most vocalists do opposite - he became much better with age. The guy was never bad by any means. I think his early vocals on masterpieces like "The Ultra-Violence" was some great thrash vocals, but he's simply become more than a thrash screamer - now he's a singer. His voice sounds better than ever these days while still maintaining those essential thrash barks. Simply the best voice in thrash.


7. Rob Halford (Judas Priest, Fight, Halford, 2wo)

Rob Halford needs no introduction. Anyone who doesn't know him or Judas Priest is basically wearing a large sign over their face that says "poser". But what is it that makes Rob such a badass vocalist? His extreme range? Yes, and no. While he had an insane range and high octave in his youth, it was always the way he executed them that made me love his style. He uses what fits the music right and nothing else. His almost talkative style in "Electric Eye" is so fitting it's just killer, but his non-stop screaming in "Screaming For Vengenace" works just as perfectly for that one song. But best of all is how his voice has aged - with grace and great maturity, even if it's not as powerful anymore.


6. Joey Tempest (Europe, solo)

I was a massive Europe fan back in my teens and it was all because of Joey Tempest's voice and John Norum's killer guitar playing. "The Final Countdown" is a decent enough record but the band's first two are great hard rock albums. The band's latest three records or so are great as well, even if they sound a lot closer to Deep Purple and Rainbow these days. But Joey's voice is simply one of the best to come out of the Swedish scene. Perhaps he's not that versatile with it, but instead his voice suits anything the band ever played, from their early heavy metal days to their most AOR-ish sound.


5. Ozzy Osbourne (Black Sabbath, solo)

If you've read posts on this blog before, chances are good you've seen how big a fan I am of Ozzy's. The man and his music, solo as with Black Sabbath, is my dearest number one of all time. There's just something about him. But what about his voice? His voice has perhaps never been a technically "good" voice in that matter, but it's certainly unique. Well, you obviously should know this already regardless of being a fan or not. For me, however, that uniqueness is just that great. What makes his voice even greater is that he's great at coming up with memorable melodies, as well as always having killer musicians to back him up.


4. Bob Catley (Magnum, Avantasia, solo)

Another terribly underrated vocalist from an underrated band. Magnum is simply one of the finest hard rock/AOR bands ever to grace this earth. Guitarist Tony Clarkin might be the band's chief songwriter and creative force, but Bob Catley's melodically powerful voice is what makes the songs sound magic. He's just that kind of singer that makes your listening experience blissful. If you're not familiar with him, or if you've only heard him in Avantasia (which is not really my cup of tea tbh), then you should definitely check out Magnum. Particularly the 80's and more recent stuff.


3. Mike Patton (Faith No More, Mr. Bungle, Fantomas, Tomahawk)

This man should need no further introduction to anyone who's not living beneath a rock. Much like Devin Townsend, Mike Patton is a multitasker and mad creative force. Apart from Devin, however, Mike is much more oriented in the vocal department above all else. While he creates music of all kinds with all kinds of instruments and gear, it's always his voice that is the main focus. He's even done music exclusively made with his voice. His work with Faith No More and Mr. Bungle are my personal favorites and to be widely recommended. You'd definitely be in for a crazy treat.


2. Ronnie James Dio (Dio, Black Sabbath, Rainbow, Elf)

There only one word for this man: legendary. What he lacked in physical height he made up for a hundred times in vocal prowess. In my opinion there's just no one else that can match him. His voice was not only powerful but also extremely melodic, elegant and full of emotion. It was like an epic storyteller's voice. The bands and music he got to sing over was also a perfect match. He's just one of those vocalists who could front any heavy metal band and make it sound awesome. Inferior to none when it comes to metal music.


1. Freddie Mercury (Queen, solo)

What can I say? If Ronnie James Dio was untouchable in heavy metal, then Freddie Mercury was the equivalent in possibly all other musical styles. Queen played a lot of different styles and Freddie mastered them all. I'm not a huge fan of Queen itself but when I do listen to them, I listen to the amazing voice of the great, late Freddie Mercury.

10 Bands & Albums That Defined The Late 2000's Metal Scene For Me

Lately I've been on a nostalgia binge, listening to some specific bands from my late teens back in the years 2007-2009. The thing with my music listening is that I'm a "genre dweller" - I get in mood for a specific genre which I will listen to for a few months straight. I don't know why that is, but it's how my musical mind and cravings work since forever.

So why the late 2000's? It was a very special time with many unique experiences, dark as colorful ones. Without diving too deep into details, let's just say I was in my best teen years (17-19), playing in a band, havings fun with friends, seeing girls, playing video games and, of course, listening to a lot of metal. Naturally some bands just left a deeper mark than others, seeing as my music often works as a soundtrack for life.

This time period was also where I had finally left my comfort zone. Back in 2006 I was what I call an "ass-tight conservative metalhead", meaning I only listened to specific metal and/or bands. My thing was strictly sticking to 80's metal only. Mostly because it was, and still is, the number one metal sound I love and consume.

Another thing, however, was my distaste for modern metal during the 2000's. I just thought there were too many whiny emo bands and inseparable metalcore bands at that time. I ended up judging the entire metal scene for being that way. Around 2007 things started to change for me as some modern bands started to go more "old school" or "real metal". It opened my mind up to new bands and music that I had previously ditched.

With that said, here are 10 bands that defined the late 2000's for me, specifically the years 2007-2009, and what albums that I first discovered and/or loved the most by these bands respectively. Let's go!

• Machine Head

Album: The Blackening

As far as I can recall, Machine Head was probably the first modern metal band to help me break out of my conservative view on metal music. The funny thing about it, however, was that it wasn't their then-new album The Blackening that did it - it was their debut album Burn My Eyes. My love for Pantera at the time made me dig into the early Machine Head stuff, which later led me to their newer material.

My buddy Big D played The Blackening back at his place when I visited at some point and I noticed the thrashy riffing and great soloing. After that, I was hooked. The band as a whole has been kind of hit-or-miss for me, as I really can't stand their nu metal phase, but their early as well as latter day stuff is definitely something I'm a fan of.

• Cavalera Conspiracy

Album: Inflikted

I have fond memories of this project and release getting unleashed upon all of us. The much anticipated reunion between the Cavalera brothers was probably one of the biggest hypes of 2008. My buddy Big D and I, who were huge Cavalera-era Sepultura fans, were ecstatic about it. When the album's debut single "Sanctuary" dropped, I remember hitting play for the first time and we just lost our shit.

These days I can feel like this particular album, or even the project as a whole, maybe wasn't as good as I initially thought it was. The years haven't been as kind to it as it's been to lots of other releases from that era. Inflikted and Soulfly's Conquer were the last "Max Cavalera albums" I truly enjoyed. Ironically, however, the modern Sepultura has surpassed Max's projects during this decade, which is something I never thought would happen back in 2008.

• DragonForce

Album: Ultra Beatdown

I was probably one of very few people who never got into the whole Guitar Hero craze that strongly defined the mid-to-late 2000's. Nonetheless did I know DragonForce from that particular franchise. I don't recall much regarding of what I initially thought about them, but when I discovered the Ultra Beatdown in early 2009 I really fell for the video game-esque album art. I was hooked!

Sure, there were some cheese, wankery and other weird stuff going on in DragonForce's music at the time, but I kind of took a liking to their crazy-sounding Nintendo metal. I'm normally not a fan of power metal (except for Helloween), but something just works very well with DF for me. It's like a beam of pure energy that hits you up and gives you a kick. These days I am a pretty big fan of DF and I even like their current singer even more. The Ultra Beatdown, however, kind of remains a favorite album for me. Whether it's nostalgia speaking or not, I'm not quite sure of.

• Chimaira

Album: The Infection

I remember hearing Chimaira a few times throughout the mid-2000's as they were somewhat "more metal" than other bands in their genre. I agreed. It wasn't before 2009, however, when the band released their somewhat conflicting album The Infection that I truly took a liking to them. I remember playing the zombie game Left 4 Dead a lot at the time and I thought the album cover reminded me of the game (the music fitted well with the game as well).

I know some fans don't like this album all that much while others love it. It was too slow, too doomy and whatever for some people, but that's what I personally love about it. For me it's just the ultimate Chimaira album, even though I love most of their stuff except for the debut and, to some extent, also the last album Mark Hunter did with all-new members. A very heavy but also sadly overlooked/underrated band within the genre and scene at the time.

• Strapping Young Lad

Album: Alien

I loved few, if any, modern bands of the mid-2000's as much as I loved SYL. The extreme metal machine by mastermind Devin Townsend had it all - a mix of brutality, melody, atmosphere and humour. I sadly can't recall how I got into the band, but I suppose it was either through my buddy Big D or through Sweden Rock Magazine. When I first listened to Alien, which I'm fairly certain was the first album I heard, I just loved how crushing it sounded.

Throughout the years since I have continued to listen to this band a lot, as well as Devin Townsend's other endeavours. These days I tend to fancy their 1997 album City above all others, but SYL's 2000's material is still some of my favorite brutal metal of all time. It's just a shame that Devin's got bad feelings and memories about that time period in his life, as I think none of his other projects have been quite as kick-ass.

• Trivium

Album: Shogun

When Trivium burst out on the scene with their 2005 album Ascendancy, I was naturally one of those people who hated it (because I heard "Dying In Your Arms" and thought they were emo af). When I went to see Iron Maiden live in 2006 they had Trivium as their support act. Needless to say I wasn't exactly thrilled about it. Unbeknownst to me, however, they had grown their hair out and just released The Crusade, from which album they mostly picked the songs off.

My concert experience with Trivium changed my mind and I found The Crusade to be quite a decent album, even though the Metallica plagiarism was painfully obvious. But when Shogun later dropped in 2008, things really hit the fan. The album was Trivum going for their equivalent to Machine Head's The Blackening, except with a possibly even better end result. I still love that album to this day and I just find it sad that none of their subsequent albums haven't been nearly as good in my opinion.

• Megadeth

Album: United Abominations

I was a huge Megadeth since my earliest days of becoming a metalhead but I always tended to stick to their earliest albums (Peace Sells ... But Who's Buying? always being the great favorite). Some of Megadeth's albums, however, always sounded rather mediocre to me, with their late 90's and early 2000's albums coming to mind in particular. The System Has Failed showed great promise but I always felt that Dave wasn't quite "there" yet. Something was still missing.

When United Abominations was coming out I remember being extremely hyped because the cover art looked kick-ass. I also remember hearing "Sleepwalker" some time before the album dropped, solidifying my hype as the much needed return-to-form for the band. The album was everything I wished for. The only downside was the unnecessary re-recording of "A Tout Le Monde". When the band followed up with Endgame in 2009 it was even cooler, but after that they would descend into mediocrity once more.

• Lamb of God

Album: Wrath

My buddy Alex got me into LoG back in 2008 because he was a big fan of Chris Adler's drumming style (which kind of makes the band in some ways). Since I was listening to a lot of Pantera at the time, the style of LoG's music was a natural fit for me. I remember being kind of lukewarm towards the 2006 effort Sacrament, which I still am to this day, but I really liked 2004's Ashes Of The Wake. Shortly after I started listening to the band, however, they announced Wrath which got me hyped.

I remember the album being marketed as being more "raw" and very aggressive (duh), which I didn't object against. I had a rough time the last few weeks before it dropped, being so hyped it drove me nuts. When the album finally landed on the shelf I went and bought it, played it and got my ass kicked. It became my favorite LoG album and it's managed to uphold that title ever since (VII: Sturm Und Drang came close, though).

• Devin Townsend Project

Album: Addicted

After listening to SYL for a few years I naturally followed Devin Townsend into his next project, which happened to be his as-of-now defunct Devin Townsend Project. I remember the project initially being intended for four different releases, with Ki being the first and later followed by Addicted, both in 2009. The former never did much for me. I know a lot of people love it, including by buddy Big D, but it's always been too mellow and too instrumental for my taste.

Addicted was a whole nother story. I remember my first few times listening to it, thinking about how it sounded as if SYL had become a pop band. I love 80's pop music and to my ears, Devin's music has always had some strange 80's "undertones" to it. I fell in love with the album except for one or two songs, but the good ones were really great. It remained my favorite DTP release until 2016's Transcendence, which is one of Devin's top-3 most fantastic outputs in my opinion.

• Dethklok

Album: Dethalbum II

It took me a long time before checking out Metalocalypse. By the time Dethalbum II arrived, I had only watched whatever scenes my buddy Big D had showed me. For two years, however, he had tried to get me into 2007's The Dethalbum but to little avail. I just didn't get the fuzz or like its production style/sound. The successor sounded a whole lot better production-wise and the songs appealed to me a whole lot more.

In a way I find my relationship to Dethklok's music a bit ironic. I didn't like the first album which so many people hyped and praised. The second album seemed to be not as well-embraced, but it was the one I got completely hooked to. Then a few years later the third album arrived, by which time I had watched the show dedicatedly, and I didn't really like that one either (the drums and guitars sounded thin and farty af). The third album also seemed to be more loved than the second one to me. For me, however, nothing comes close to Dethalbum II and it was a damn fine album in my opinion.

Black Sabbath: All Albums Ranked Worst To Best

Black Sabbath might just be the most important band of all time to me. My parents grew up listening to Sabbath, Ozzy, Dio and all that stuff during the 80's, then I got to grow up with all that stuff during the 90's and early 2000's. By 2002, I had become interested in music myself and metal was, of course, the best shit in the world.

So where did I start off? It was Ozzy and his solo stuff that really got me into music as a whole, but with him Sabbath obviously followed. From there I discovered Dio (the band) and his previous works with Rainbow. I also kept an open mind towards the post-Dio eras of Sabbath and thus discovered that both Ian Gillan and Glenn Hughes used to be in Deep Purple. You know, the list just goes on and on.

With Black Sabbath essentially being the centerpiece of my entire musical world, I just had to make one of these lists for their albums. That is all of their albums, i.e. anything labeled "Black Sabbath" which have guitars performed by Tony Iommi. So, let's begin!

Classic Sabbath: Geezer, Ozzy, Tony, Bill

19: Forbidden (1995)

 Last place and thus the worst album of Black Sabbath's career is none other than, surprise surprise, 1995's Forbidden. It's definitely the most disliked album of their career by the fan-base in general, and for quite obvious reasons in my opinion. I don't really find the album particularly bad like many others do. For instance, I don't really have a problem with the album's mix which tend to be a real earsore to some fans. I just think it lacks a lot of the essential things that make a Sabbath album being Black Sabbath. It sounds like one of those typically dated mid-90's metal records which tried too hard to be up-to-date at the time.

Favorite track: Kiss of Death


18. Born Again (1983)

The sole album featuring then former Deep Purple vocalist Ian Gillan on vocals. This was where Sabbath kind of started to fall away from the public eye and it's quite easy to hear why. There's nothing wrong with Ian Gillan and his vocals at all, but he belongs in Deep Purple and not Black Sabbath. With that said, the bulk of the album itself was kind of lackluster and its horrible mix didn't help any of it one bit. It's still got a few great tunes, though.

Favorite track: The Dark/Zero The Hero

1983-'84: Ian Gillan, Tony Iommi, (touring drummer) Bev Bevan, Geezer Butler

17. 13 (2013)

Sabbath's first Ozzy-fronted album in 35 years just didn't quite fare all too well with me. If I'm being completely honest, then I think it's actually a really boring album. It does nothing for me. On top of that there is no Bill Ward playing drums. Yes, I am the super-biased kind of fan. After all, if anything without Ozzy no longer is "Black Sabbath", then how can it be without Bill Ward? It was always Ozzy, Tony, Geezer and Bill. That was Black Sabbath. This isn't. Whatever. Then we have Rick Rubin's awful production. It just sounds raw in the most plastic way and, of course, it's also brick-walled to high heaven. I hate the guy's production work. Ultimately I could've just lived without this "reunion album".

Favorite track: Methademic


16. Cross Purposes (1994)

At this point it already starts to get difficult to chose where to rank a few of the lesser great albums which remain. I'd say that everything from this one and below is pretty effin' great and only gets better and better, but you know, I decided to do this so I've got to make up my mind. This album, which really is quite cool, gets the 17th place for sounding a bit too dated. It's a good heavy metal record but it also sounds like a typical product of its time.

Favorite track: Cross of Thorns


15. Never Say Die! (1978)

Another album that's been quite bashed throughout the years. Initially I wasn't too fond of it either, but it has really grown with me in recent years. It sure is different from the earlier stuff with Ozzy but I for one welcome the evolving change of their sound at the time. There are some seriously overlooked gems on this record.

Favorite track: Junior's Eyes


14. Tyr (1990)

This is quite an interesting and unusual Sabbath release. First off, it's with the most excellent (and majorly underrated) Tony Martin on vocals, but it's also the only Black Sabbath to rely more on viking themes rather than christian ones. As a Swede I find these lyrical themes quite interesting and Tony Martin was also a good writer of lyrics. The one thing that makes it a less awesome Sabbath record, however, is how it tends to sound more like a power metal band rather than Black Sabbath. It's not really anything wrong with it. I mean, they pull it off masterfully, but it's not what I want or expect(ed) from a Sabbath record.

Favorite track: Anno Mundi

1990: Tony Martin, Tony Iommi, Cozy Powell, Neil Murray

13. Vol. 4 (1972)

I know this one has a very dedicated fan-base who believes that it's Sabbath's very finest hour. I on the other hand always felt like it was lacking something. It was their fourth album in the span of two years and I think that it shows to some extent. Less memorable songs and the mix sounds more  primitive in a rushed kind of way. It's still a great record, don't get me wrong, but just not one of my favorites.

Favorite track: Snowblind


12. Dehumanizer (1992)

Sabbath's reunion album with Ronnie James Dio, at the time, and it's the heaviest shit they've cranked out since the mid 70's. The album itself, however, falls somewhat short in comparison to the earlier Sabbath records with Dio on vocals, as well as Dio's own solo material at the time. It's doomy and heavy as all fuck, but it just doesn't quite cut it anyway. It's one of those scenarios where you are just left like you expected something more.

Favorite track: Master of Reality


11. Seventh Star (1986)

It's up for debate whether this one should really be regarded as a Sabbath album or not. It was initially intended as Tony Iommi's first solo album, but record labels tend to be money hungry cunts without any respect for integrity. Still, seeing as Tony was the sole original member for most of the time after 1984, I view this as a Sabbath release anyway. It is quite different compared to most of the band's other albums, though. It's got a very melodic heavy metal sound which is quite typical of its time, but it's the exact kind of 80's sound I fucking love. Besides, Tony's rocking a mean guitar tone on this one.

Favorite track: Danger Zone

1986: Dave Spitz, Glenn Hughes, Tony Iommi, Eric Singer, Geoff Nicholls

10. Technical Ecstasy (1976)

I always thought this album was unfairly underrated for an Ozzy-Sabbath record. I love the bulk of this one, with a few exceptions. To me this is just another great Sabbath record, albeit a bit experimental but in a good way. Some moments on this one reminds me of Queen, in a good way. Some other stuff sounds like the typical riff-heavy Sabbath we all love. Bill Ward also proved to be a great singer on this record.

Favorite track: You Won't Change Me


9. Heaven And Hell (1980)

At this point it's become really hard to decide where to place the remaining albums. As classic and great as this record is, and I truly love it, it's got a few moments which don't hold up quite as well as the others. Regardless, it's more or less a flawless record and the band performs exceptionally. Bill Ward hits those drums like a beast and Dio's vocals are just as amazing as ever.

Favorite track: Die Young

1980: Bill Ward, Ronnie James Dio, Tony Iomii, Geezer Butler

8. Headless Cross (1989)

Another album with the excellent Tony Martin on vocals. Sadly I don't think this album would made it as far up in ranks on most other fans' lists. I am a fan of Black Sabbath regardless of what era we're talking. Tony Martin's voice is one of my favorites of all time as well. This album is yet another slightly different kind of record for Sab, as it features some typical AOR-esque influences which were popular at the time. I guess one way to describe it would be a "satanic Whitesnake and/or Blue Murder". There certainly are some traits of those kinda bands on this record, while still sounding like Sabbath of course. Tony Iommi also brings out some of his greatest guitar work on this one.

Favorite track: When Death Calls


7. Black Sabbath (1970)

Black Sabbath's debut album is as classic as it gets. It also marks something of the "official" birth of heavy metal. It's without doubt one of the greatest records of all time, still it ends up on 7th place on my list. I really think that says something about it, the band and the overall quality and impact of their music. The title-track, as well as the first Sabbath track, amazed me in a way no other song has ever done when I first heard it. I didn't really know any metal at that point, nor any other "extreme music" for that matter. I was 12 in 2002 and heard it for the first time. It could've been 1970 for all I know. To me it was so dark and sinister in a really uncomforting way, yet so chilling and amazing.

Favorite track: Black Sabbath


6. Paranoid (1970)

"How come you place this as low as 6th?! It's the best!!" Well, first off, I am a Black Sabbath fan. I listen to everything they ever put out, not just this one album. Unfortunately, it seems like this is the only album a large majority of listeners go for. Looking at Last.fm, for instace, confirms this as well. I dunno. It's their "hit record" for sure, but these songs were never their "hits" to me personally. I always liked a lot of other songs more. As fuckin' great as this record is, it's just not that extra ordinary special to me.

Favorite track: Electric Funeral


5. The Eternal Idol (1987)

"Watt fockin' album's thiz?!" You see the title above. It's also the first album with Tony Martin. Inititially this was going to feature the late Ray Gillen on vocals but I'm glad they ended up with Tony Martin instead, seeing as I like his voice slightly more. Possibly the most underrated album of Sab's entire catalogue. It's not perfect but it's a damn good record. Powerful vocals, riffs and solos. Some more notable background keyboards as well. The mix is pretty much the only downside about this one. It sounds more like a rough mix rather than a finished product. I dunno. It works but it could've sounded better. The songs, however, are really good in my opinion. I just love this album!

Favorite song: Ancient Warrior


4. Mob Rules (1981)

My favorite Sab album with Dio on vocals. Just a great heavy metal record. Unfortunately it's a somewhat underrated/overlooked one as well. The band themselves, as well as fans, seem to think lesser of this compared to Heaven And Hell. I always thought this was a better record and the songs are really fuckin' good. Some more doom and groove on this one. I guess that appeals to me more. Vinny Appice is also one of my favorite drummers. The best drummer Sabbath ever had after Bill Ward.

Favorite track: Voodoo


3. Master of Reality (1971)

For a long time this used to be my favorite Sab album. I guess I wore it out to a slight extent while the top two grew on me more. Nonetheless this is still an amazing album to my ears. The songs with their heavy riffs, Ozzy's trademark vocals and the excellent rhythm section with Bill and Geezer is just a perfect combination. Definitely one of the most classic metal albums of all time.

Favorite track: Children of the Grave


2. Sabbath Bloody Sabbath (1973)

This one also used to be my favorite for a while. This one had more variety than the previous records without going into the quite experimental routes which later Ozzy-Sabbath records did. It's just an amazingly mastercrafted piece of music. Ozzy also reached his vocal peak around this period of time and I always loved his nasally ways of singing.

Favorite track: Spiral Architect


1. Sabotage (1975)

And the winner is none other than this masterpiece right here. Initially it wasn't made favorite, as I've already pointed out, but it has grown and grown and grown on me over the years and it's just grandeur. Every single note is nothing but perfection. It's just the perfect Sabbath album in all ways imaginable. It's got great songs, a great flow and all the members are really peaking performance-wise. It's just a perfect mix of everything Sabbath was with Ozzy during the 70's.

Favorite song: Megalomania

That's a wrap, folks! I hope you enjoyed my list! And remember, it's just my personal opinions. Nothing to get butthurt over if they don't agree with your own.

Black Sabbath might be over now but their music and legacy will live on. Whereas their run has ended, my has merely begun. But at least I know that they will run with me until the day my own run ends, and hopefully beyond as well!

European Heavy Metal Is Dying, American Scene Is Blooming

Am I the only metal music fan who's noticed what seems to be a drastic change within the modern heavy metal scene, particularly within the so called NWoTHM (New Wave of Traditional Heavy Metal) movement? Time is seemingly just flying by as we speak. I'm turning 27 in some months from now and it does not feel all that long ago since I was 17.

Let's rewind back to cirka 2007-'09. The whole "retro metal" movement, which we all are very well aquainted with these days, was being bred in the womb of a long-time hatred for the then dominating metalcore scene. From my POV the first old school metal sub-genre that quickly arose was thrash metal. Bands on both sides of the Atlantic were the new saviours of metal. Bands like Evile, Lazarus A.D., Bonded By Blood, to name a few, were all blooming up seemingly out of nowhere only to completely go under the radar a few years later.

In 2010 I personally noted another change within the metal scene. It seemed as if thrash had made a large crack in the metalcore scene, as it was dying in a rapid pace as far as my eyes (and ears) could tell. But it wasn't only the metalcore scene that was now suffering; the thrash revival seemed to have run its course as well. New times were ahead and it was an era of a more slow-to-mid paced style of metal music.

Around 2010 I noticed this explosion in the Swedish metal scene. Suddenly a lot of classic-sounding heavy metal bands popped up everywhere. The most notable one, without a doubt, was the excellent Enforcer who had just dropped their "Diamonds" album that year. I remember being in school and having some computer class. I was listening to Spotify while being bored, just trying to check out some new music. I stumbled upon the cover art and was amazed of its retro design. I quickly pushed play and was completely blown away - it was the best shit I had heard in years.

Enforcer quickly became a well-known name within the sub-genre and gave lots of metal fans hope for the first time in a very, very long time. Other bands such as Steelwing, Katana and In Solitude, only to name a few Swedish bands, followed. Some other bands that had been around for a while got more recognized as well. Some other older bands such as Watain maintained a great relevance as the change happened.

2010-2013 were great years for European heavy metal in my opinion. Lots of bands popped up and a lot of them were pretty damn great as well. The Swedish scene in particular was suddenly a lot more fun, something it hadn't been since the early 90's death metal wave. But as those few years passed by, the scene seemed to become overfed with bands adapting to the retro styles. Bands such as In Solitude and Steelwing were already gone by 2015 and others such as the mighty Enforcer, while still putting out excellent music, just seemed to have had their hype gone quiet.

Meanwhile as the European scene seemed to be dying once more, the American scene has really been stepping up in the past few years. I am the first one to both praise and criticize the American metal scene throughout the past forty years. There are countless of great bands from all American countries, but the US (in particular) has also produced a lot of shitty metal as well as killed scenes (e.g. grunge killed all 80's metal). Where the European scene just seemed to be dying, the American scene all of a sudden started producing a lot of great stuff.

Something I've noticed about the American scene of today is its specific sub-genres. A lot of doom metal, hardcore and old school heavy metal seem to be the largest exports of good music in 2017. While I have a rather hard time thinking of any good European heavy metal in 2016, I can think of a lotta American stuff - Sumerlands, Eternal Champion, Cauldron, Spell, and the list goes on. There's also a strong hardcore-influenced death metal scene going on (sometimes coined "Entombedcore") which I enjoy a lot as well.

Say what you will about American and particularly US metal throughout time. They were largely responsible for hair metal, grunge, metalcore, nu metal - whatever trending metal style you can think of. I'm not necessarily saying that those styles were bad in any way, but they came, conquered, destroyed and ultimately got destroyed by one another. Today, however, the US actually seem to have a lot of diversity rather than just one particular dominating style, and I like that a lot.

European or Swedish pride, whatever, I can be honest and say our scene is (seemingly) dying on the operating table at the moment. The American scene is very healthy and well worth checking out for any metalhead in this day and age.

Some of my personal recs:

Sumerlands (US)
Eternal Champion (US)
Cauldron (Canada)
Spell (Canada)
Satan's Hallow (US)
Magic Circle (US)
Lucifer's Hammer (Chile)
Khemmis (US)
Natur (US)
Skull Fist (Canada)
Resurrection Kings (US)

Top-10 Favorite Sleazy Hard Rock & Glam/Hair Metal Bands

Anyone who's been reading this blog before will know what an open-minded kind of metal listener I am. During my early days of exploring and discovering metal music, my biggest genres were NWoBHM, thrash and typical glam/hair metal. Just like with any metal sub-genre there were some bands which I liked in particular and some others not so much at all.

During my first five years as a metalhead I was still somewhat of a casual listener to hair metal and similar sounds. I pretty much stuck to the more obvious choices - GN'R, the Crüe, and so on - as I spent so much time discovering all kinds of metal sub-genres during those years. Around 2008, however, I really got into this particular style of metal and I kinda considered myself a "hair metalhead" between 2008 and 2010.

For two years there I really dug into the genre and all of its largely unnoticed bands. I quickly realized that my favorite era of hair metal was 1988-1992, where the genre kind of bloomed better than ever, but with many great bands unfortunately slippin' under the radar due to the success of thrash and death metal, but also particularly (and obviously) grunge in the early 90's.

I will now present to you: ten of the greatest bands in glam/hair metal and sleazy hard rock music, all according to my personal taste. I hope you enjoy!

Starting at...

10. Mötley Crüe

Comment: The kings when it comes to glam metal and for good reason. Nikki Sixx sure knows how to make great songs, but at the same time I can't really say that I'm a huge fan of all the Crüe's albums. I'm the kind of fan who jammed "Too Fast For Love" a lot, truly loved "Shout At The Devil", was confused by "Theatre Of Pain", thought "Girls, Girls, Girls" was misunderstood, and absolutely hated "Dr. Feelgood" (ironically enough felt very bad about it). I'll just leave it at that.


9. Ratt

Comment: Possibly the best guitar tone of the genre. I just love that crispy guitar sound! The guitar work is overall great as well, accompanied by some very distinctive vocals and great grooves. Ratt is just one very solid band in the genre. Particularly the first two full-length albums are great.


8. Skid Row

Comment: Back in my teens I wanted to be Sebastian Bach (or have his looks at least) to get the chicks. Around 2009 my buddy started calling me "Seb Bach" because of my long and straight blonde-ish hair and feminine face features. It felt good, in a way. But it was not all about Bach either. Skid Row's one of the best bands in the genre. The debut is great but "Slave To The Grind" stepped up things even further. I just love how heavy it is.


7. Warrior Soul

Comment: With no disrespect meant against these guys, I'm aware they might not really qualify for this genre. Seeing as they are often put in the same batch as these bands, however, I will use that to my advantage of praising them. Hailing out of NYC, a city I've got an obsession with and a dream of moving to, I just love the dark and gutter-y vibe to their sound. It's hard and straight to the point. The lyrical themes are also real, unlike most bands in this genre who are - well, honestly - quite a bunch of posers and love failures.


6. Cinderella

Comment: Something with this band is just perfection to me. The vocals, guitars and vibes are all there. They are great at combining gutter-rockers with really good ballads. I usually despise a lot of glam ballads because of how cheesy they are, but Cinderella are just pros at their craft. "Night Songs" and "Long Cold Winter" are two of the genre's very best albums.


5. The Almighty

Comment: One truly underrated band in my opinion. These guys were, according to themselves but also somewhat accurately put, a bunch of Motörhead wannabes. With that said, I love their first two albums - "Blood, Fire & Love" and "Soul Destruction" - which are great sleazy hair metal. The rest of their albums, however, changed in musical styles and did not fare too well me though.


4. Sleeze Beez

Comment: These guys hailed from the Netherlands but they sounded very much like genuine L.A. hair metal, albeit better than a lot of those bands. Their sound was quite heavy and definitely rockin' with a high energy level. Great songs, great vocals. "Screwed Blued & Tattooed" and "Powertool" are two of the best albums you can get your hands on.


3. Saigon Kick

Comment: A very unique band within the genre. They actually covered a lot more musical styles than just typical hair metal of the time, which is something I enjoy a lot. Any fan of these guys will know what I'm talking about. On a single album they would go between playing thrash-y hair metal to acoustic ballads to funk to soul-esque stuff. They were rather musically entertaining as they made anything turn out great. The first album is the most pure hair metal release they did, but I'd really recommend anyone of their first four(!) albums, which I think is saying a lot.


2. W.A.S.P.

Comment: It's been well-discussed over the years whether they are glam or simple heavy metal. Considering they dressed like trannies and made glam-esque music on their first three efforts, I'd definitely include them as a glam metal band, even if they actually were rather heavy. There's just something magic about 'em. Blackie Lawless voice is so haunting and one of the best voices I know. His voice's also aged gracefully in my opinion. Just an amazing band with many truly great albums under their belt.


1. Spread Eagle

Comment: And the winner are these guys from NYC. These guys came too late, debuting in 1990 and basically failed to make an impact in the then-dying hair metal scene. It's kinda funny that they would take the first spot considering they only made two albums, with one of them (the debut) being fuckin' awesome while the second is no good at all (in my opinion as well as many others'). Quite interesting, I think. But at the same time it's just a proof of exactly how good the debut is! Think of a rawer and heavier Skid Row and you've got these guys. Too bad they never did any more good stuff.

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So that was my top-10 favorite glam/hair metal and sleazy hard rock bands. I think it's safe to say that I definitely prefer the heavier bands in the genre, and also the bands with the least amount of make-up and emptied cans of hairspray. Not that most of those "girlie" hair metal bands (if I may call 'em that) were bad or anything, I just like the bands that, obviously, were into heavier sounds. As far as hair metal hairdos go, I definitely like it on band members in bands such as Vixen. Not so much Poison or Tigertailz. Chicks with big 80's hair are great. The males just looked like my grandmas.

Just my five cents thrown here. I hope you enjoyed the list at least! Maybe there was some surprising choices and maybe even a new band or two to check out? I hope so!

Another 7 Great Metal Records Of 2016

Some of you might have read my top-10 list of the best metal records of 2016, which I posted shortly before last year's end. In that article I mentioned how I haven't really dug too deep into the music released in 2016. Well, I certainly have done a lot of diggin' through last year's releases this year (so far) instead, and guess what - I did find some more great records!

So what I did with my top-10 list was that I chose an actual top-10, but I also mentioned quite a bunch of other records and why they didn't end up within the ten best. Because they were already mentioned (somewhere in the article) I won't include them again. Instead I will simply bunch together another seven great metal records, albeit in no particular order this time, all released in 2016.

I also feel like I could alter my top-10 of 2016 a bit, but I don't really want to or have the energy for it. Just enjoy an additional seven recommendations down below.

• Tarot - Reflections

Actually kind of more like 70's hard rock, but I'll let it pass as metal (it's got its heavier moments). I definitely feel this like some bastard child between Uriah Heep and Manilla Road, but also with sweet soundscapes/atmospheres reminiscent to that of Deep Purple and Rainbow. A great one!

• Inquisition - Bloodshed Across The Empyrean Altar Beyond The Celestial Zenith

Black metal wasn't actually my biggest craving in 2016. I'm the kind of music listener who delves into more of one particular style at the time and stay in there until I get bored for the time being. I simply didn't get any larger cravings for black metal last year. This one, however, did eventually show up on my radar and I gave it a try. It's my first listen to this particular band I enjoyed it a lot.

• Deströyer 666 - Wildfire

I've been aware of this band for a long time and had heard some stuff a bunch of years ago, but I never was an active listener or fan of theirs. This one sounds great, however, as it reminds me of some darker thrash bands as well as bands such as modern-day Watain. Some really great tunes and overall a solid album.

• Spell - For None And All

Probably my favorite one on this list, and definitely one that would've ended up in my top-10 of 2016 if I had heard this one earlier. Late is better than never though. This stuff is really good. Think of a hard rock-ish heavy metal sound around 1980 (actually anytime between like 1978-'82), like Rush meets Ozzy solo or something along those lines. These guys also recorded the album with analogue equipment, which I think resulted in a great outcome. Fuck Pro-Tools and "Drumkit from hell".

• Trap Them - Crown Feral

A so-called "Entombed-core" album with relatively short and straight-to-the-point tracks filled with rage and heavy-ass guitars. This shit will totally rip you a new one!

• Gatecreeper - Sonoran Deprevation

More "Entombed-core" but compared to Trap Them this is somewhat more true to the death metal aesthetics, in my opinion. Lots of heavy double bass assault on this one. If you like metal sounding like a sledgehammer swingin' at your head, this will satisfy your needs.

• Grey Wolf - Glorious Death

Some old school-style (true) heavy metal. Nothing extra ordinary but does a great job at what it's supposed to be. Definitely better than most modern run-of-the-mill wannabe:s playing old school heavy metal.