In retrospect: MOTÖRHEAD

Hello and welcome to a new episode in my retrospect series. I believe this is my third installment and the first of 2017. I'm not gonna waste anytime so I'ma get straight to it: I'll cover Motörhead's entire career, album-to-album, where I somewhat rank 'em and comment on them all.

Remember, it's just my personal opinion and it's not as an absolute statement for everybody. OK? Let's go!

• 1977: S/T

Comment: The start of Motörhead a very punk-fueled one at that. If memory serves me correctly, this was the first Motörhead CD I ever bought. Some leather edition about 10-ish years ago, possibly a few more years back. With that said, it never was a favorite album. Maybe even my least favorite. Their sound was still in the construction phase at this point, which means better things were to come.

Favorite track: Motorhead

• 1978: Overkill

Comment: A most classic release. This is also what I kind of tend to view as their true debut album. Their sound was really shaping up on this album, which is evident as you can listen to this and some other album from ten or twenty, even thirty years ahead, and clearly you'll hear it's the same band. One of my favorite Motörhead records although not quite the favorite one.

Favorite track: Metropolis

• 1979: Bomber

Comment: There's a high probability that this one's my favorite Motörhead record, at least out of the old/early ones. I really like the songs on here and I always felt like this album was viewed as somewhat "mediocre" by Motörhead standards. A lot of the tracks sure were missing on their compilation albums throughout the years. Whatever the case be, I totally like this album. A lot. The album cover also fascinated me as a kid. My dad used to have this CD in the car all the time. The bomber plane always looked as hell to my eyes.

Favorite track: Talking Head

• 1980: Ace of Spades

Comment: Such a classic in many ways. You know, when talking about bands' most popular (or best selling) albums as being their best works, I usually beg to differ. There are so many cases with bands where the most obvious album is not their best. In the case of Motörhead, however, if anyone says this album is their best, I would completely understand why. Although not my favorite of theirs, it's really good. Legendary.

Favorite track: The Chase Is Better Than The Catch

• 1982: Iron Fist

Comment: Classic album but for what reason? It's not bad by any means but put up against the previous albums, apart from the debut (possibly), it's not really any contest about which album is the worst. It's got a few great numbers but overall somewhat inconsistent.

Favorite track: (Don't Need) Religion

• 1983: Another Perfect Day

Comment: First album without "Fast" Eddie Clarke on guitar, and the first and only album featuring Brian Robertson from Thin Lizzy. Another record in the same kind of quality-vein to that of its predecessor. As far as the line-up change went, however, the band got a lot more melodic which sounds cool and refreshing. At the same time I'm pretty happy it only lasted one album, as I don't see this melodic Motörhead sound being very interesting in the long run. This album is unfortunately also plagued with a real shitty production.

Favorite track: One Track Mind

• 1984: No Remorse (new songs)

Comment: While this is a compilation album it featured no less than four new songs (not counting an additional two single B-sides). Those four songs, including my all-time Motörhead fave (listed below), also introduced another new line-up for the band. Entered did the band's long-timer Phil Campbell as well as Würzel, who was with the band for a good 10+ year run. The songs are all great in my opinion and all-in-all this is one of the best (and few interesting) compilation albums ever made.

Favorite track: Killed By Death

• 1986: Orgasmatron

Comment: I like this album a lot. It's not perfect by any means but it's got some of the band's most killer songs. Some of the other songs, however, are kind of filler-like. The great songs do make up for that anyway. Overall one of my higher-ranking albums of their career, even if the production is uneven a lot of the time.

Favorite track: Mean Machine

• 1987: Rock 'n' Roll

Comment: The band's last 80's studio effort is argubly also their worst album up till that point. While Motörhead never did any outright bad albums, this one is really a pushing contestor for that spot. I just never got into this one very much. The songs are overall just pretty boring by Motörhead standards. A few stand-outs are to be found as usual though.

Favorite track: All For You

• 1991: 1916

Comment: At the time it was Motörhead's first album in four years and some things had noticably changed. First off, this album is really a major step up from the band's previous album, but it's also a musically more varied album than earlier efforts. The typical Motörhead sound is to be found on here, but also that typical early 90's hard rock sound in a few tracks. Some other tracks experiment with keyboards and other different sounds for Motörhead. All-in-all a good album. My understanding is that both the band and fans like(d) this one a lot. For me, however, it stands as one of their "middle" albums.

Favorite track: Love Me Forever

• 1992: March Ör Die

Comment: For the second and final time "Philthy Animal" Taylor was gone from the band. Performing on only one track on this album, the rest was done by the great Tommy Aldridge. The album, however, is something of a disaster for the band's standards. Once again a major step down. In a way, this is also reflected in the awkward album cover's depiction of Snaggletooth.

Favorite track: I Ain't No Nice Guy (feat. Ozzy Osbourne & Slash)

• 1993: Bastards

Comment: One word - finally! At the time this was the band's strongest work since 1986. Possibly even 1980! This album also saw Mikkey Dee taking on the drumkit, which he obviously maintained until the band's end. This album is very well done in most ways possible. The cover art is simple but effective. The songs are great. The production is better than in a long time. Overall just very well done. One of my favorite Motörhead records.

Favorite track: Devils

• 1995: Sacrifice

Comment: A step down from the previous album but understandable considering how good it was. This one shows the band taking on a rawer style once more, somewhat blending the sounds of the previous album and their early efforts. It's overall very riff-heavy and is something of a start to what the band would sound like in the 2000's. Ultimately one of their middle albums for me and also the last one featuring Würzel (and the band as a four-piece). It's a good album but not a masterpiece. Great album cover by the way, penis-tongue and all.

Favorite track: Sacrifice

• 1996: Overnight Sensation

Comment: The band's first album as a three-piece since 1982 showcases the band's longest and final line-up continuing down the path of the previous two albums. It's heavy, smashing, catchy and nicely produced. The album cover is not a favorite of mine (where's Snaggletooth?) and the album always struck me as somewhat overlooked. It's definitely one of the band's best 90's albums and also a top-10 of their career, at least.

Favorite track: I Don't Believe A Word

• 1998: Snake Bite Love

Comment: Widely regarded by many as the band's worst album. Even Mikkey Dee has expressed some dissatisfaction with this one. It's truly not one of the band's better albums in my opinion. Quite the opposite indeed, actually. But while it's not bad in general music standards, it certainly takes the cake for being a bottom-3 album for Motörhead. It's definitely their worst from the 90's, if not their entire career.

Favorite song: Love For Sale

• 2000: We Are Motörhead

Comment: Definitely a good step up from its predecessor but still somewhat short of quality songs compared to most the band's other catalogue. It's an alright album I suppose but not something I usually think of and/or crank when in the mood for some Motörhead rock 'n' roll.

Favorite track: We Are Motörhead

• 2002: Hammered

Comment: This album was totally fresh out of the studio when I got into the band. I remember having and wearing a pin with the album cover, which I thought was cool as hell. The album itself, however, is something of a continuation down the road of mediocrity for Motörhead. It's better than the previous two albums but not much more than that. Its production is also a sign of the times - early 2000's cheap-sounding digital recording. It just doesn't sound very good to my ears and I'm sure these songs fared a lot better live than on this record.

Favorite track: No Remorse

• 2004: Inferno

Comment: This one came out when I was a young newbie fan of Motörhead and thus it holds a really special place in my Motörhead heart. It's not only the nostalgia factor that makes this album so great for me. The music is also real good! It was the best album they had done since 1993 and one of the best albums of their entire career. I remember crankin' these songs over and over back in the day and I still find myself doing the same thing 13 years later. Badass album title. I love the album cover as well. Truly a great record.

Favorite track: Fight

• 2006: Kiss Of Death

Comment: While a step down from the previous (once again this is understandable from my p.o.v.) it's still a very good album. It definitely showed promise that Motörhead was seemingly going stronger than they'd done in the late 90's and early 2000's. This album was also the second album to be produced by Cameron Webb, who entered on the previous album and ultimately did all of their subsequent albums as well. This album definitely keeps up sonically with the previous album and also manages to differ some in sound and songs.

Favorite track: Trigger

• 2008: Motörizer

Comment: Out of the band's latter day albums (2004-2015), this one is my least favorite. Upon release it didn't fare as well with me as the previous two did. These days I have pretty much the same opinion about it. I dunno what it is, but it just doesn't quite cut it for me. I mean, this album is a beast! It's filled with fast three-ish minute tracks which makes it more intense than any Motörhead album in a long time, possibly ever. At the same time I just think most of the songs are missing something. While not a bad album by any means, it definitely is down somewhere in between the middle-to-bottom listed Motörhead albums in my book.

Favorite track: Heroes

• 2010: The Wörld Is Yours

Comment: After its predecessor and being somewhat into other musical styles back around 2010, I remember not being too anticipated about this release. Regardless, it's Motörhead and I obviously picked it up anyway. I remember my initial opinion being somewhat unimpressed, like it was a mediocre effort from the gang. In the years since its release, however, it's been a real grower on me. Maybe it was because I actually got more back into a lot of old school sounds again, or maybe its quality just struck upon me over time. Anyway, it's definitely a solid album even if it's not quite among their best works. Some of the band's greatest latter day songs are to be found on this one. Great production as well.

Favorite track: Devils In My Head

• 2013: Aftershock

Comment: At the time of this album's release my days of exploring new music had vaned a lot. My mind was totally back in old school mode and Motörhead was once more very interesting. I remember thinking a few things about this one. First thing was the album cover and how lightly colored it was. It definitely felt "out of character" for Motörhead in my opinion. Second was the album title which I found to be great. The last thing was the actual music. This album is a great Motörhead record, the best since 2004 and overall one of my higher ranking albums of theirs. The art work, to me, displayed a slight change which I think is present in the songs. It's very much a Motörhead record but it's still different in some way. I just like this one a lot. If this was the "aftershock", I don't think I even wanna know what the actual main shock was. I wouldn't be able to brave it.

Favorite track: Coup De Grace

• 2015: Bad Magic

Comment: And so we're down to the last album by Motörhead. This one was in several ways a quite strange album, I believe. I remember as it was being released, I was thinking about how Lemmy just keeps on going and going. As the album was released, however, we got some clarification. For the first time we got proof that the man indeed is growing old. For the first time ever we all got to hear Lemmy's voice now obviously aged. Shortly after the release, as we all now know, the man started to experience serious health issues. Then just like that - Lemmy was gone. This album, in a way, showed Lemmy being aware of his mortality. At least that's what I believe. Some songs on here are so hauntingly suggesting that was the case anyway. It's like Lemmy bid his farewells and just went out the way he wanted. It's a great album in my opinion. Definitely a worthy swansong album.

Favorite song: When The Sky Comes Looking For You

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So that was my retrospect of Motörhead and their career. While I did not include a hell of a lotta live and compilation albums, the studio releases are the most essential to bring. Motörhead had a great career, that much is sure. They had their fair share of ups and downs just like every other band out there, but they never made one truly bad album. That's more than I can say for the majority of bands I listen to.

Motörhead is one of my all-time favorite bands. They were one of the first bands I ever got into and they've had such a huge impact on my life growing up. Lemmy always was an iconic inspiration for me. Not a rolemodel by any means, but definitely a huge inspiration in life.

My father also once told me (while drunk) how I was conceived to the song "Fire Fire" from Ace Of Spades. It doesn't surprise me one bit seeing as he's a huge fan himself. During my upbringing he would listen to Motörhead a whole lot. Maybe that's why I have suge a huge love for Motörhead? I bas basically nutured on their music my entire upbringing.

Thank you Lemmy for all the great music!

Top-15 Best Songs: Judas Priest

Welcome to a new series I'm starting here, right now! A top-15 best songs list, because 10 is simply not enough most of the times. Debuting this new series will be the almighty Judas Priest. I will base the list on my personal preference rather than the general one, or which songs are hits or not. Screw that! No further description is really needed so let's get started!

15. Blood Red Skies (1988)

Powerful and epic. Rob Halford vocally in top shape. The productions sucks but it doesn't ruin the song's awesomeness. The song also sounds very good and heavy live on Epitaph (2013).

14. Dissident Aggressor (1977)

The song itself isn't anything special, I think. It's the riff and drums that totally do it for me. One of Priest's finest "harder" metal moments.

13. Diamonds And Rust (1977)

Amazing cover of the Joan Baez song. One of the finest covers of all time, as well. Just listen and feel it for yourself. Outstanding vocal performance from Rob.

12. Out In The Cold (1986)

Another one of Priest's more emotional semi-ballad tracks. I guess I'm just a sucker for those. This live version is also very nice. It says a lot about the song when the band opened up with this in 1986.

11. Victim Of Changes (1975)

The studio version is awesome. Live it's even better. My favortie official release of the song is from the Unleashed In The East live album (1979). This live clip is from the US Festival 1983.

10. You've Got Another Thing Comin' (1982)

This is the closest I get to a "given hit" on this list. Love the biker-esque sound, my kinda shit. Also GTA: Vice City back in 2002. It was the first Priest song I ever loved.

9. Turbo Lover (1986)

In one way this song is actually kind of bad, but in other ways (plural!) it's just fucking awesome! 80's cheesy, guitar synths and an infectiously good chorus. Very driving song. Great solo section.

8. Freewheel Burning (1984)

I had a crazy dream many years ago where I witnessed a cops-and-crooks car chase while I heard this song blast all over the world. High energy, great guitars. The production could be rawer, though.

7. Exiled (2008)

Many fans really disliked the Nostradamus (2008) album, but I loved it from day one. It's actually my favorite Priest record. This song is very powerful, very beautiful. I especially love the last two minutes - great build-up and conclussion.

6. Prophecy (2008)

The opening track from Nostradamus. Just listen to that riff, so heavy. It's like riding a great chopper-style motorcycle while waving around a nasty sledgehammer at people. Fuck! Yeah, that's how I feel when I hear this.

5. The Sentinel (1984)

The guitars! The intro always sounded like you stood staring against a giant concrete wall, just to have the Metallian burst through it when the song kicks off. Such a huge song.

4. Hellrider (2005)

One of those truly perfect Priest songs. Simple but most effective riffing, great dual soloing, driving drums and a catchy chorus. A modern classic from Priest.

3. Beyond The Realms Of Death (1978)

Perfection. I actually almost stole the song title once. My old band made a song back in 2006 and we needed a title. I named it "Beyond Reality Of Death" (no "the", I'm Swedish and that's our own grammatic logic! I was really bad at English back then, as well). I always felt like the title was too familiar, though. Then I realized... haha!

2. Rock Hard, Ride Free (1984)

Another metal biker anthem, just the way I like my Judas Priest. This song never stuck with during the first few years as a fan. It wasn't before a guitarist we used to have in my old band, who loved this song, played it for me and I was instantly sold. Just like that!

1. Desert Plains (1981)

A very mellow track from Priest. Yet another biker anthem, and my favorite one at that. Very emotional, powerful and with an almost dramatic chorus. It sounds like the album cover, I guess. I always imagine myself riding a chopper (motorcycle, of course) on Route 68 or something when I hear this. Anyway, it's my favorite Priest song of all time.

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OK, so that's a wrap! Some people are probably surprised or even disappointed (maybe pissed?!) that I didn't include anything from Painkiller (1990) or British Steel (1980). Don't get me wrong for that, I love those albums. Just not enough, I guess. It was really hard coming up with 15 songs. I'm a huge fan of Priest, even the Ripper albums, so there's really a whole lot to choose from. But this was a fair and honest try, and I hope you enjoyed it.

My Top-10 Best Heavy Metal Albums Of All Time [2016]

On December 13, two years ago, I did my first list consisting of my ten (10) favorite heavy metal albums of all time. I'll tell you; it's fuckin' hard coming up with only ten albums which are supposedly the ten best. I have 3300-something played artists on my Last.fm, with the majority of the artists being some kind of metal. Then have in mind most of them did at least a few to many albums each, as well. That's quite a lot to choose from.

Another thing I did which I found rather weird was how I chose one album to represent the artists respectively as a whole. Looking back on it now, it's more like a "best heavy metal artist and their best albums respectively"-list. With that said, I decided to re-make a list and actually keep true to the list's purpose. Besides, my opinions have changed a bit during the last two years. So here ... we ... go!

Extra note: Only classic heavy and traditional metal, and NWoBHM will be included in this list. Not the "general understanding" that heavy metal means "all" metal.

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10. Saxon - Innocence Is No Excuse (1985)

Saxon is one of the greatest, hardest working and long-lived classic NWoBHM bands ever. They have made a large amount of records and still to this day they put out a record every two years. Another great feature of theirs is that they never put out a bad album. Some albums were obviously not-as-good as others, but I never disliked or got truly disappointed by a Saxon album. I feel secure when I say they're the only band on this list to have that feature.

Speaking of this particular choice of album. It's probably what you'd call their "second most commercial" release. The winner being Destiny (1988), of course. This was an attempt to break into the American market, which ultimately didn't succeed. I think it's still very much British heavy metal here, with a few touches of American influences. It's mostly the production that sounds American - huge arena-like soundscape, but that's exactly one of the features I love about 80's metal - lots of reverb all around. The songs just sound so huge on this record.

9. Iron Maiden - Somewhere In Time (1986)

My first favorite band for a few years when I first started listening to heavy metal. I'll love Iron Maiden to death, but I do think the massive hype around them is overrated. I mean, in the long run their stuff just tends to be somewhat repetitive, especially Steve's songs although his the master at writing epic songs. But Maiden still deserves a lot of credit for what they've done throughout their career.

I'm one of those fans who prefer the old stuff. Mostly because I love the actual 80's sound so much, and I also think Bruce's voice was in much better shape back in his younger day. But one thing that was so great about Maiden in the 80's was how they constantly evolved into something better, in my opinion. This album was where they truly reached their peek in my book. I just love the sci-fi themed Blade Runner-esque setting from the cover art to the guitar-synths gracing the musical landscape.

8. Madison - Diamond Mistress (1984)

One of those more "odd" or "unheard" choices on this list, I imagine. Madison was an old Swedish band much in the vein of Priest, Maiden and speed metal. They only did two records with this being the first one. Their second album, unfortunately, followed the band Europe's success and did a glam metal album, which was rather bad.

This album was a great heavy metal. From the fast guitars and drums to the young and somewhat naive, but still great vocals from Göran Edman (later in John Norum and Yngwie Malmsteen's bands respectively, and more). Like many other Swedish bands in the 80's, there are also hints of ABBA influences in the bands music. As a Swede, you can kind of here that as you largely grow up with ABBA here (for reasons I'll leave obvious). It's just an amazing record!


7. Accept - Balls To The Wall (1983)

Accept is probably my favorite band coming from Germany, and there are a lot to chose from. They had a really great run in the 80's, not so much in the 90's, but then again in the 2010's (or currently). Just like with many other bands in this list, they've had such great records it's rather hard choosing one as the better. This has got to be it for me, however, as I just love the heavy sound of it. The drums in particular are real heavy and kick-ass.

The songs on this album are all great. Perhaps there isn't a real "hit", if you want to call it that, but as an album in its whole I think it's one of the strongest ones ever made. The guitars are heavy and loud, drums pounding, bass deep and Udo's vocals are in great shape. Udo even manages to do the album's ballad "Winter Dream" without sounding out of place, despite his unique vocal style.


6. Enforcer - From Beyond (2015)

I would suppose a lot of you are familiar with the Swedish band Enforcer which is currently very active and rocking throughout the world. They're a young band taking on the very best of old school metal. The recipes are all available today and Enforcer just takes that opportunity to re-do and refine the recipes, in my opinion. For not being one of the "old originals", I think they're very competent in what they're doing. Without a doubt the best band among the "revival/retro bands" these days, because they simply make it sound original again. #makeheavymetalgreatagain






5. Judas Priest - Nostradamus (2008)

I'm a huge Priest fan and love most of their catalogue except for the Tim "Ripper" records. I've got nothing against the fact that it's Ripper who sings on the two albums in question, I just didn't like the actual music on them. Other than that, I love everthing from Priest's 70's stuff to their modern stuff.

So here I come and present a rather strange choice in most fans' eyes, I suppose? The truth is, when I bought this album soon after its release, I've been amazed by it ever since. I've always thought that keyboards add a lot more to records, if done properly of course, but who can deny the quality work from a master such as Don Airey (Ozzy, Rainbow, Deep Purple, Priest, etc.)? This two-disc release is just an epic musical journey which I love to experience. It's like all the greatest JP ingredients being enhanced. Master craftmanship.


4. Black Sabbath - Sabbath Bloody Sabbath (1973)

The almighty (Black) Sabbath, the "start of it all", as we say. Tony Iommi a.k.a. the riff maker no. 1 has driven this band to great heights throughout its career, whether it being musical or commercial heights. It doesn't matter, I love all eras of Sab and I'm a fan of all their records, even though some are not up-to-par with some others, like with most bands.

I had a really hard time choosing a favorite from Sabbath, because I love so many of them dearly, but I always keep going back to this particular one. I honestly can't say why that is exactly, but the music is just great and perhaps there are one or two extra special songs which are dear to me. It's hard to say. Nonetheless, it's an amzing record from an amazing band and it's a great record to experience the band through.



3. Dio - Holy Diver (1983)

Dio (the band) is one of my favorites of all time, and so is Ronnie's amazing voice. Everything from the raw guitar riffs, live-feel drumming, stellar bass and keyboard soundscapes. It's a band that really managed to make their music sound like "pictures", if you know what I mean? It's impossible to just listen to the music itself. You hear it and it's like making up your own fantasy movie with Dio's music as its soundtrack, and that's exactly what I love about their music.

There are many great records done by this band and I've been going back and forth throughout the years about which one is my favorite. Right now, it's this one, but at some points I favored other albums (note, plural). They were such an amazing band and RJD is actually my very favorite vocalist. The man had such an emotional and powerful voice, and it truly saddens me that we'll never hear his voice grace some new wonderful heavy metal again.

2. Mercyful Fate - Don't Break The Oath (1984)

The most sinister and evil heavy metal album ever made. This is one of those few gems that are just flawless. Everything from King Diamond's ghostly falsetto to his darker and twisted screams. All that in company with some amazing and Judas Priest-esque twin guitars, courtesy of Hank Shermann and Michael Denner. I just simply love their style and sound, and I've never heard any more evil-sounding guitars on a heavy metal album than those found here. The ultra-distorted guitar sound is just mindblowing and most unique, as I've never heard any other band using this particular sound before or after (some black metal bands have come close, though).

This one is one of the most definitive, perfect and most amazing metal albums of all time, no matter what sub-genre we're talking. It's got all of the essential ingredients of what defines a great heavy metal record. From the classic and powerful cover art, which just suits the musical content perfectly, to every band members' creative efforts and skills. This is one of those truly immortal classics, and also one of my true holy grails in my vinyl collection.

1. Ozzy Osbourne - Diary Of A Madman (1981)

And number one ...*drum roll*...*tss!*... Ozzy Osbourne! The Godfather of heavy metal, and the one and only who made my interest for heavy metal explode back in 2002. I owe so much to Ozzy, his music and the countless hours I've been enjoying his legacy, from Sabbath to his most recent solo stuff. However, my favorite work of his lies in his 80's solo career, or more specifically up till the No More Tears album. Most of his records up till that point was awesome, with the exception of Bark At The Moon (whose title-track is still kick-ass as fuck).

This album is the perfect example of what I love about Ozzy's music: his unique voice (in awesome shape on this record, just listen to "You Can't Kill Rock 'n' Roll"), his musicians (particularly the amazing Randy Rhoads) and the songs themselves. This is truly the man's finest hour, especially with his own singing efforts in mind. This is the one album I'd chose to have with me on a deserted island.

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Honorable mentions (bands) which were ultimately rejected for not quite meeting the list's criteria or simply outdone:

Motörhead - (Several)
Danzig - Danzig (1988)
Twisted Sister - Come Out And Play (1985)
Tygers Of Pan Tang - Spellbound (1981)
Thin Lizzy - Thunder And Lightning (1983)
Ozzy, Sabbath, Dio, Priest, Saxon, Maiden, Enforcer - (More choices)