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onsdag 26 april 2017

European Heavy Metal Is Dying, American Scene Is Blooming

Am I the only metal music fan who's noticed what seems to be a drastic change within the modern heavy metal scene, particularly within the so called NWoTHM (New Wave of Traditional Heavy Metal) movement? Time is seemingly just flying by as we speak. I'm turning 27 in some months from now and it does not feel all that long ago since I was 17.

Let's rewind back to cirka 2007-'09. The whole "retro metal" movement, which we all are very well aquainted with these days, was being bred in the womb of a long-time hatred for the then dominating metalcore scene. From my POV the first old school metal sub-genre that quickly arose was thrash metal. Bands on both sides of the Atlantic were the new saviours of metal. Bands like Evile, Lazarus A.D., Bonded By Blood, to name a few, were all blooming up seemingly out of nowhere only to completely go under the radar a few years later.

In 2010 I personally noted another change within the metal scene. It seemed as if thrash had made a large crack in the metalcore scene, as it was dying in a rapid pace as far as my eyes (and ears) could tell. But it wasn't only the metalcore scene that was now suffering; the thrash revival seemed to have run its course as well. New times were ahead and it was an era of a more slow-to-mid paced style of metal music.

Around 2010 I noticed this explosion in the Swedish metal scene. Suddenly a lot of classic-sounding heavy metal bands popped up everywhere. The most notable one, without a doubt, was the excellent Enforcer who had just dropped their "Diamonds" album that year. I remember being in school and having some computer class. I was listening to Spotify while being bored, just trying to check out some new music. I stumbled upon the cover art and was amazed of its retro design. I quickly pushed play and was completely blown away - it was the best shit I had heard in years.

Enforcer quickly became a well-known name within the sub-genre and gave lots of metal fans hope for the first time in a very, very long time. Other bands such as Steelwing, Katana and In Solitude, only to name a few Swedish bands, followed. Some other bands that had been around for a while got more recognized as well. Some other older bands such as Watain maintained a great relevance as the change happened.

2010-2013 were great years for European heavy metal in my opinion. Lots of bands popped up and a lot of them were pretty damn great as well. The Swedish scene in particular was suddenly a lot more fun, something it hadn't been since the early 90's death metal wave. But as those few years passed by, the scene seemed to become overfed with bands adapting to the retro styles. Bands such as In Solitude and Steelwing were already gone by 2015 and others such as the mighty Enforcer, while still putting out excellent music, just seemed to have had their hype gone quiet.

Meanwhile as the European scene seemed to be dying once more, the American scene has really been stepping up in the past few years. I am the first one to both praise and criticize the American metal scene throughout the past forty years. There are countless of great bands from all American countries, but the US (in particular) has also produced a lot of shitty metal as well as killed scenes (e.g. grunge killed all 80's metal). Where the European scene just seemed to be dying, the American scene all of a sudden started producing a lot of great stuff.

Something I've noticed about the American scene of today is its specific sub-genres. A lot of doom metal, hardcore and old school heavy metal seem to be the largest exports of good music in 2017. While I have a rather hard time thinking of any good European heavy metal in 2016, I can think of a lotta American stuff - Sumerlands, Eternal Champion, Cauldron, Spell, and the list goes on. There's also a strong hardcore-influenced death metal scene going on (sometimes coined "Entombedcore") which I enjoy a lot as well.

Say what you will about American and particularly US metal throughout time. They were largely responsible for hair metal, grunge, metalcore, nu metal - whatever trending metal style you can think of. I'm not necessarily saying that those styles were bad in any way, but they came, conquered, destroyed and ultimately got destroyed by one another. Today, however, the US actually seem to have a lot of diversity rather than just one particular dominating style, and I like that a lot.

European or Swedish pride, whatever, I can be honest and say our scene is (seemingly) dying on the operating table at the moment. The American scene is very healthy and well worth checking out for any metalhead in this day and age.

Some of my personal recs:

Sumerlands (US)
Eternal Champion (US)
Cauldron (Canada)
Spell (Canada)
Satan's Hallow (US)
Magic Circle (US)
Lucifer's Hammer (Chile)
Khemmis (US)
Natur (US)
Skull Fist (Canada)
Resurrection Kings (US)

fredag 9 december 2016

Top-15 Best Songs: Judas Priest

Welcome to a new series I'm starting here, right now! A top-15 best songs list, because 10 is simply not enough most of the times. Debuting this new series will be the almighty Judas Priest. I will base the list on my personal preference rather than the general one, or which songs are hits or not. Screw that! No further description is really needed so let's get started!

15. Blood Red Skies (1988)


Powerful and epic. Rob Halford vocally in top shape. The productions sucks but it doesn't ruin the song's awesomeness. The song also sounds very good and heavy live on Epitaph (2013).

14. Dissident Aggressor (1977)


The song itself isn't anything special, I think. It's the riff and drums that totally do it for me. One of Priest's finest "harder" metal moments.

13. Diamonds And Rust (1977)


Amazing cover of the Joan Baez song. One of the finest covers of all time, as well. Just listen and feel it for yourself. Outstanding vocal performance from Rob.

12. Out In The Cold (1986)


Another one of Priest's more emotional semi-ballad tracks. I guess I'm just a sucker for those. This live version is also very nice. It says a lot about the song when the band opened up with this in 1986.

11. Victim Of Changes (1975)


The studio version is awesome. Live it's even better. My favortie official release of the song is from the Unleashed In The East live album (1979). This live clip is from the US Festival 1983.

10. You've Got Another Thing Comin' (1982)


This is the closest I get to a "given hit" on this list. Love the biker-esque sound, my kinda shit. Also GTA: Vice City back in 2002. It was the first Priest song I ever loved.

9. Turbo Lover (1986)


In one way this song is actually kind of bad, but in other ways (plural!) it's just fucking awesome! 80's cheesy, guitar synths and an infectiously good chorus. Very driving song. Great solo section.

8. Freewheel Burning (1984)


I had a crazy dream many years ago where I witnessed a cops-and-crooks car chase while I heard this song blast all over the world. High energy, great guitars. The production could be rawer, though.

7. Exiled (2008)


Many fans really disliked the Nostradamus (2008) album, but I loved it from day one. It's actually my favorite Priest record. This song is very powerful, very beautiful. I especially love the last two minutes - great build-up and conclussion.

6. Prophecy (2008)


The opening track from Nostradamus. Just listen to that riff, so heavy. It's like riding a great chopper-style motorcycle while waving around a nasty sledgehammer at people. Fuck! Yeah, that's how I feel when I hear this.

5. The Sentinel (1984)


The guitars! The intro always sounded like you stood staring against a giant concrete wall, just to have the Metallian burst through it when the song kicks off. Such a huge song.

4. Hellrider (2005)


One of those truly perfect Priest songs. Simple but most effective riffing, great dual soloing, driving drums and a catchy chorus. A modern classic from Priest.

3. Beyond The Realms Of Death (1978)


Perfection. I actually almost stole the song title once. My old band made a song back in 2006 and we needed a title. I named it "Beyond Reality Of Death" (no "the", I'm Swedish and that's our own grammatic logic! I was really bad at English back then, as well). I always felt like the title was too familiar, though. Then I realized... haha!

2. Rock Hard, Ride Free (1984)


Another metal biker anthem, just the way I like my Judas Priest. This song never stuck with during the first few years as a fan. It wasn't before a guitarist we used to have in my old band, who loved this song, played it for me and I was instantly sold. Just like that!

1. Desert Plains (1981)


A very mellow track from Priest. Yet another biker anthem, and my favorite one at that. Very emotional, powerful and with an almost dramatic chorus. It sounds like the album cover, I guess. I always imagine myself riding a chopper (motorcycle, of course) on Route 68 or something when I hear this. Anyway, it's my favorite Priest song of all time.

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OK, so that's a wrap! Some people are probably surprised or even disappointed (maybe pissed?!) that I didn't include anything from Painkiller (1990) or British Steel (1980). Don't get me wrong for that, I love those albums. Just not enough, I guess. It was really hard coming up with 15 songs. I'm a huge fan of Priest, even the Ripper albums, so there's really a whole lot to choose from. But this was a fair and honest try, and I hope you enjoyed it.

tisdag 6 december 2016

My Top-10 Best Heavy Metal Albums Of All Time [2016]

On December 13, two years ago, I did my first list consisting of my ten (10) favorite heavy metal albums of all time. I'll tell you; it's fuckin' hard coming up with only ten albums which are supposedly the ten best. I have 3300-something played artists on my Last.fm, with the majority of the artists being some kind of metal. Then have in mind most of them did at least a few to many albums each, as well. That's quite a lot to choose from.

Another thing I did which I found rather weird was how I chose one album to represent the artists respectively as a whole. Looking back on it now, it's more like a "best heavy metal artist and their best albums respectively"-list. With that said, I decided to re-make a list and actually keep true to the list's purpose. Besides, my opinions have changed a bit during the last two years. So here ... we ... go!

Extra note: Only classic heavy and traditional metal, and NWoBHM will be included in this list. Not the "general understanding" that heavy metal means "all" metal.

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10. Saxon - Innocence Is No Excuse (1985)

Saxon is one of the greatest, hardest working and long-lived classic NWoBHM bands ever. They have made a large amount of records and still to this day they put out a record every two years. Another great feature of theirs is that they never put out a bad album. Some albums were obviously not-as-good as others, but I never disliked or got truly disappointed by a Saxon album. I feel secure when I say they're the only band on this list to have that feature.

Speaking of this particular choice of album. It's probably what you'd call their "second most commercial" release. The winner being Destiny (1988), of course. This was an attempt to break into the American market, which ultimately didn't succeed. I think it's still very much British heavy metal here, with a few touches of American influences. It's mostly the production that sounds American - huge arena-like soundscape, but that's exactly one of the features I love about 80's metal - lots of reverb all around. The songs just sound so huge on this record.

9. Iron Maiden - Somewhere In Time (1986)

My first favorite band for a few years when I first started listening to heavy metal. I'll love Iron Maiden to death, but I do think the massive hype around them is overrated. I mean, in the long run their stuff just tends to be somewhat repetitive, especially Steve's songs although his the master at writing epic songs. But Maiden still deserves a lot of credit for what they've done throughout their career.

I'm one of those fans who prefer the old stuff. Mostly because I love the actual 80's sound so much, and I also think Bruce's voice was in much better shape back in his younger day. But one thing that was so great about Maiden in the 80's was how they constantly evolved into something better, in my opinion. This album was where they truly reached their peek in my book. I just love the sci-fi themed Blade Runner-esque setting from the cover art to the guitar-synths gracing the musical landscape.

8. Madison - Diamond Mistress (1984)

One of those more "odd" or "unheard" choices on this list, I imagine. Madison was an old Swedish band much in the vein of Priest, Maiden and speed metal. They only did two records with this being the first one. Their second album, unfortunately, followed the band Europe's success and did a glam metal album, which was rather bad.

This album was a great heavy metal. From the fast guitars and drums to the young and somewhat naive, but still great vocals from Göran Edman (later in John Norum and Yngwie Malmsteen's bands respectively, and more). Like many other Swedish bands in the 80's, there are also hints of ABBA influences in the bands music. As a Swede, you can kind of here that as you largely grow up with ABBA here (for reasons I'll leave obvious). It's just an amazing record!


7. Accept - Balls To The Wall (1983)

Accept is probably my favorite band coming from Germany, and there are a lot to chose from. They had a really great run in the 80's, not so much in the 90's, but then again in the 2010's (or currently). Just like with many other bands in this list, they've had such great records it's rather hard choosing one as the better. This has got to be it for me, however, as I just love the heavy sound of it. The drums in particular are real heavy and kick-ass.

The songs on this album are all great. Perhaps there isn't a real "hit", if you want to call it that, but as an album in its whole I think it's one of the strongest ones ever made. The guitars are heavy and loud, drums pounding, bass deep and Udo's vocals are in great shape. Udo even manages to do the album's ballad "Winter Dream" without sounding out of place, despite his unique vocal style.


6. Enforcer - From Beyond (2015)

I would suppose a lot of you are familiar with the Swedish band Enforcer which is currently very active and rocking throughout the world. They're a young band taking on the very best of old school metal. The recipes are all available today and Enforcer just takes that opportunity to re-do and refine the recipes, in my opinion. For not being one of the "old originals", I think they're very competent in what they're doing. Without a doubt the best band among the "revival/retro bands" these days, because they simply make it sound original again. #makeheavymetalgreatagain






5. Judas Priest - Nostradamus (2008)

I'm a huge Priest fan and love most of their catalogue except for the Tim "Ripper" records. I've got nothing against the fact that it's Ripper who sings on the two albums in question, I just didn't like the actual music on them. Other than that, I love everthing from Priest's 70's stuff to their modern stuff.

So here I come and present a rather strange choice in most fans' eyes, I suppose? The truth is, when I bought this album soon after its release, I've been amazed by it ever since. I've always thought that keyboards add a lot more to records, if done properly of course, but who can deny the quality work from a master such as Don Airey (Ozzy, Rainbow, Deep Purple, Priest, etc.)? This two-disc release is just an epic musical journey which I love to experience. It's like all the greatest JP ingredients being enhanced. Master craftmanship.


4. Black Sabbath - Sabbath Bloody Sabbath (1973)

The almighty (Black) Sabbath, the "start of it all", as we say. Tony Iommi a.k.a. the riff maker no. 1 has driven this band to great heights throughout its career, whether it being musical or commercial heights. It doesn't matter, I love all eras of Sab and I'm a fan of all their records, even though some are not up-to-par with some others, like with most bands.

I had a really hard time choosing a favorite from Sabbath, because I love so many of them dearly, but I always keep going back to this particular one. I honestly can't say why that is exactly, but the music is just great and perhaps there are one or two extra special songs which are dear to me. It's hard to say. Nonetheless, it's an amzing record from an amazing band and it's a great record to experience the band through.



3. Dio - Holy Diver (1983)

Dio (the band) is one of my favorites of all time, and so is Ronnie's amazing voice. Everything from the raw guitar riffs, live-feel drumming, stellar bass and keyboard soundscapes. It's a band that really managed to make their music sound like "pictures", if you know what I mean? It's impossible to just listen to the music itself. You hear it and it's like making up your own fantasy movie with Dio's music as its soundtrack, and that's exactly what I love about their music.

There are many great records done by this band and I've been going back and forth throughout the years about which one is my favorite. Right now, it's this one, but at some points I favored other albums (note, plural). They were such an amazing band and RJD is actually my very favorite vocalist. The man had such an emotional and powerful voice, and it truly saddens me that we'll never hear his voice grace some new wonderful heavy metal again.

2. Mercyful Fate - Don't Break The Oath (1984)

The most sinister and evil heavy metal album ever made. This is one of those few gems that are just flawless. Everything from King Diamond's ghostly falsetto to his darker and twisted screams. All that in company with some amazing and Judas Priest-esque twin guitars, courtesy of Hank Shermann and Michael Denner. I just simply love their style and sound, and I've never heard any more evil-sounding guitars on a heavy metal album than those found here. The ultra-distorted guitar sound is just mindblowing and most unique, as I've never heard any other band using this particular sound before or after (some black metal bands have come close, though).

This one is one of the most definitive, perfect and most amazing metal albums of all time, no matter what sub-genre we're talking. It's got all of the essential ingredients of what defines a great heavy metal record. From the classic and powerful cover art, which just suits the musical content perfectly, to every band members' creative efforts and skills. This is one of those truly immortal classics, and also one of my true holy grails in my vinyl collection.

1. Ozzy Osbourne - Diary Of A Madman (1981)

And number one ...*drum roll*...*tss!*... Ozzy Osbourne! The Godfather of heavy metal, and the one and only who made my interest for heavy metal explode back in 2002. I owe so much to Ozzy, his music and the countless hours I've been enjoying his legacy, from Sabbath to his most recent solo stuff. However, my favorite work of his lies in his 80's solo career, or more specifically up till the No More Tears album. Most of his records up till that point was awesome, with the exception of Bark At The Moon (whose title-track is still kick-ass as fuck).

This album is the perfect example of what I love about Ozzy's music: his unique voice (in awesome shape on this record, just listen to "You Can't Kill Rock 'n' Roll"), his musicians (particularly the amazing Randy Rhoads) and the songs themselves. This is truly the man's finest hour, especially with his own singing efforts in mind. This is the one album I'd chose to have with me on a deserted island.

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Honorable mentions (bands) which were ultimately rejected for not quite meeting the list's criteria or simply outdone:

Motörhead - (Several)
Danzig - Danzig (1988)
Twisted Sister - Come Out And Play (1985)
Tygers Of Pan Tang - Spellbound (1981)
Thin Lizzy - Thunder And Lightning (1983)
Ozzy, Sabbath, Dio, Priest, Saxon, Maiden, Enforcer - (More choices)

lördag 5 november 2016

10 Epic Metal Songs

Today I'm gonna be tackling ten of the most epic metal songs I know. By epic I don't necessarily mean in its literal sense, e.g. songs with lots of orchestral strings and huge soundscapes and whatnot. In my view, an "epic song" can mean it's just a huge, bombastic, great composition. Like the song is a journey, or has a great build-up which makes it moody and powerful.

Bear in mind, though... This is not a list of chronological order, nor a list of the "10 best". It's simply just a collection of ten favorite epic songs of mine. But why keep on draggin' this out, let's get started!


10. Power Trip - The Hammer Of Doubt


Probably the best riff-mad thrash/hardcore act out there today. This is the closer on the band's debut. Eerie intro with an old movie sample put in, riff fest, hardcore-thrashy breakdowns, and then a fading intro of just bliss. "Manifest Decimation", in-fucking-deed.


9. Bathory - Blood On Ice


Bathory, or Quorthon, didn't exactly fall short on epic numbers. Very much the opposite in fact. However, this one always was close to me. You can really the spirit of this song come to life.


8. Faith No More - The Real Thing


Although this excellent band is argubly most known for their song called "Epic", I as a fan always found many of their album tracks to be of better value. This is without a doubt my favorite FNM song. Pretty long, quite repetitive, but very powerful.


7. Jane's Addiction - Three Days


Probably not a song non-fans would recognize or associate this band with, but for fans this is not rarely their most ultimate track. "Three Days" has been said to be made of three songs put together, each of all describing one of three days which the band's lead singer experienced (I believe the album art also depicts this, but don't take my word for it).


6. Iron Maiden - Hallowed By Thy Name


Maiden certainly is another of those bands which doesn't fall short on epic songs. This is undeniably the most known classic epic piece from them, and for good reason.


5. Type O Negative - Love You To Death


A case of a song perhaps not being epic in its literal sense, but there's no other love song which is more powerful than this, in my opinion. This is truly one of my favorite songs of all time. Just listen, feel the build, and all the fucking whiney emos from ten years ago could only wish to make something as powerful, real and genuine as this. This, this is love and heartbreak truly put into music.


4. Devin Townsend - The Death Of Music


Closing Devin Townsend's first solo album, Ocean Machine, it's just a clear proof of what amazing talent this man would come to provide for the twenty years ahead (so far). It's a long and repetitive piece, but very powerful and emotional. The end game of it is just the epitome of epicness. This live clip only further proves it, as the man himself has goosebumps singing his own words. That's how epic this is.


3. Black Sabbath - Black Sabbath


Black Sabbath, one of the truly best bands of all time, if not the very best. The first album, the first song, the title track. No other band in history launched their musical career in a better way than Sabbath. This song is the birth of metal.


2. Amon Amarth - Embrace Of The Endless Ocean


I know a lot of people has got shit to say about this band, and quite frankly I don't care. I fucking love Amon Amarth! People do, however, seem to miss out on the greater tracks of theirs, only focusing on tracks which were made singles/into music videos. It makes me a bit angry with them, as this song is better than anything they ever put on video. My family descends from ancient swedes so maybe I am just biased, but I really feel the sorrowful yet courageous last journey of vikings in this.


1. Watain - Waters Of Ain



Without a doubt the most epic song of all time. No more words are needed.

tisdag 24 maj 2016

Top-10 Most Overrated Metal Bands

Yo everybody! I've been listening to a lot of stuff lately, particularly thrash metal, and I've been thinking a lot of how some bands are really overrated. Particularly in thrash there are many bands to be found that meet that criteria. I'm sure you're already on to a few of those which I'm about to talk about. But instead of dragging my shit any further, let's start looking the actual overrated metal bands (of all styles).

***Just note***This list doesn't necessarily intend to make these bands appear as bad ones. Just overrated in some kind of sense, which I will also describe in their descriptions respectively.

***Extra note***If you xpected to see some shitty band that is missing, then maybe it's just so shitty that I simply don't listen to it altogether. Examples: Limb Bizkit, FFDP, Slipknot, etc.


10. Iron Maiden

To start off this list I'll go with my very first favorite band in metal. Now, Iron Maiden is awesome, most of us agree on that, but many of us also cannot deny the fact that they're very, very repetitive. I mean, how many galloping bass lines can you make songs out of? Many, apparently. Also, let me just point out that my favorite songwriter in Maiden is Adrian Smith.


9. Sepultura

Another great band ... until "Roots" came along. I absolutely love Sepultura pre-"Chaos A.D." and post-"Kairos", but most of those records in between there were not at all my kind of metal, and my opinion says that I don't understand how "Roots" (in particular) could become so popular.


8. Van Halen

An absolutely amazing quartet of musicians, both the Van Roth and Van Hagar eras, although I never ever liked the Van Hagar era. I listened a lot to these guys during my first few years as a headbanger, and while they're perhaps not that "metal", they still apply to us metalheads, I believe. But what happened is that they did an awesome debut record, and went straight downhill after that. The other David Lee Roth-fronted albums all had a few songs each of interest, but not really that much worthy of noting (although the musicianship was always great).


7. Kreator

Three words plus one equals? "Pleasure To Kill" = awesome. I love that record. The one before it, the debut, was pretty okey as well. However, after PTK I just don't know what the fuck happened. I just find the rest of their stuff to be very boring thrash. Also, "Extreme Aggression" is one of those classic examples of what kind of sound/production a metal record should not have. It just strips away all the weight from the music. It's supposed to sound heavy, right? Well, it fucking doesn't.


6. Morbid Angel

Much like the Kreator of death metal to me. "Altars Of Madness", of course, is an awesome classic. After that I just thought they lost it. I know many people like a few more records they did, but I just don't think they could ever match the success of their debut ever again.


5. Metallica

"Oh, what an obvious choice!", I can hear you thinking. Well, people are right about Metallica being overrated. Partially. Their first four are fucking awesome, I will always love them. However, post-"...And Justice For All" they've been most mediocre or outright bad. I mean, I understand why people love the first four albums, but that's not enough to make them as big as they indeed are. So yes, they are one of the most overrated metal bands. Plain and simple.


4. Sodom

Oooo, now I'm starting to invade on dangerous territory. I am very well aware of how much appreciated Sodom are with metal fans, but I simply could never really understand the fuzz about them. I found it even harder after hearing "Agent Orange", their perhaps most loved and well-known record, because to me it just sounds like a manifest of stolen riffs. I can hear Megadeth, Sacred Reich and other stuff in that. They just never came along as very original to me. With that said there still are some stuff I appreciate, like "Tapping The Vein" for instance. That one is pretty cool.


3. Exodus

Now I'm slowly conquering just about every thrasher's closed-minded ego here. If any band on this list were plain out bad, then that one band certainly is Exodus. I can honestly say that I've never ever understood what so many people see in their music. To me, they just sound so goddamn fucking boring. Unimaginative riffs, uninspired songs, and worst of all are the extremely cartoonish B-rate vocals a'la Bobby "Blitz" Ellsworth (Overkill) style.All I can say whenever I hear Steve "Zetro" Souza, at least in Exodus (he was pretty good in Tenet), is "thank Satan that Testament got Chuck Billy instead". I honestly did not even think that the widely acclaimed "Bonded By Blood" album was anything special. Thanks but no thanks, Exodus.


2. Slayer

And now I've officially pissed off every metal around the world. Well, honestly, I know I don't have. I actually think it's relatively common to see metalheads express their distaste for Slayer these days. Not that I don't like 'em, fuck no, I love Slayer! Don't get me wrong, they're fucking awesome! I especially love the "Hell Awaits" album, but everything up till "Divine Intervention" is very good, really. It's just that they lost their steam after that, and there are so many other bands that do or did a similar thing to what Slayer did, but even better. I mean, "Reign In Blood" is by far the most overrated thing about Slayer. Ever heard Dark Angel's "Darkness Descends" album, or Kreator's "Pleasure To Kill"? Pretty much the same thing, only way better, and both of those were (also) released in 1986. Catch my drift? Very good band, just not that good.


1. Nirvana

And the crowned king of this list is none other than the grunge kings Nirvana. I'll admit that I at one point in time did listen to them, a bit (like five songs), when I was like 12 (I am almost 26 now). As I grew up, however, they sound like nothing but children's or angsty teens' "punk" rock to my ears. I'm not overly too fond of grunge otherwise either, but I do love Alice in Chains in particular, and I enjoy listening to some earlier Soundgarden and Mother Love Bone as well. But Nirvana? No. Once again, they're not really a metal band, but since grunge is generally affiliated with metal and its fans, I chose to include (and crown) them for this list.

...

I hope you enjoyed this list. Remember, this is just my opinion. It doesn't mean shit to you, just like yours means shit to me. But it can be fun to share and discuss. Well, this is my invitation to discussion, agreement or disagreement.

Peace! //J.

söndag 14 februari 2016

Top-10 Best Metal Records By Each Year 1980-1995

I decided to put together a list of my favorite ten metal records of each year for every year between 1980-1995. Well, I tried anyway. It was easier said than done, but I managed and I think it turned out somewhat accurately presentable. I simply chose the years 1980-1995 because those are the years from which most of my music has come from.

To do an extended list beyond 1995 would be a rather difficult task as I found the 2000's in particular to provide little metal of interest, with Chimaira, Lamb of God and DevilDriver a few worthy of mention. Even for the 1970's it would be quite hard to find ten albums for each year, because I simply never really fell that much in love with the 70's sound, and it would only be the obvious bands like AC/DC, Sabbath, Priest, and so on.

Anyway, here is my list of my favorite 10 records of each year between the years 1980 to 1995. It will be an overall collection of metal - heavy, NWoBHM, thrash, death, black, etc. Anything that I simply love and regard as something extraordinary from those individual years will be listed by their release years down below.

I hope you enjoy my personal favorites-list, even if some of the choices are nothing unique or surprising, though I hope you'll find some surprises at least and perhaps even introduce some new bands to y'all.

Later //J.

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This list is presented in a somewhat correct order. The top-listed records for each year is my favorite album of that year, but after that there's not necessarily a certain order. To be honest - it's way too hard to actually rank them in a certain order.



1980:


Black Sabbath – Heaven And Hell

Saxon – Wheels Of Steel

Motörhead – Ace of Spades

Ozzy Osbourne – Blizzard of Ozz

Iron Maiden – S/T

Diamond Head – Lightning To The Nations

Judas Priest – British Steel

AC/DC – Back In Black

Angel Witch – S/T

Tygers Of Pan Tang – Wild Cat


Comment: The start of the almighty 80's. Musically this was a very important year for music (overall), but especially for us metal fans - it was gonna change and expand the metal scene forever. However, apart from a few albums on this list that I will forever regard as some of the very best metal records of all time, the best was yet to come in later years.
 



1981:


Ozzy Osbourne – Diary Of A Madman

Black Sabbath – Mob Rules

Tygers Of Pan Tang – Spellbound

Iron Maiden – Killers

Mötley Crüe – Too Fast For Love

Accept – Breaker

Venom – Welcome To Hell

Van Halen – Fair Warning

Def Leppard – High ‘n’ Dry

Thin Lizzy – Renegade


Comment: An improvement from the previous year, which still was a damn good one. Ozzy makes his best album ever (imo), Sab release their best one with Dio, and Tygers release their best album as well. I'll let this top-10 speak for itself.



1982:


Judas Priest – Screaming For Vengeance

Accept – Restless And Wild

Plasmatics – Coup d’Etat

Iron Maiden – The Number Of The Beast

Diamond Head – Borrowed Time

Venom – Black Metal

Scorpions – Blackout

Motörhead – Iron Fist

MSG – Assault Attack

Kiss – Creatures Of The Night


Comment: Not much change here, around the same quality as '81. Some bands (Motörhead) do, however, release some less-good albums than before. Overall this year maybe wasn't as strong as the previous two anyway. This list kind of marks the finest moments of the year, and I think that was pretty much "it". NWoBHM was already on a downfall and American heavy metal was slowly starting to arise.



1983:


Accept – Balls To The Wall

Dio – Holy Diver

Def Leppard – Pyromania

Mercyful Fate – Melissa

Ozzy Osbourne – Bark At The Moon

Thin Lizzy – Thunder And Lightning

Mötley Crüe – Shout At The Devil

Slayer – Show No Mercy

Iron Maiden – Peace Of Mind

Exciter – Heavy Metal Maniac


Comment: Wow! This was quite a year! A very rich year musically. Many bands release their finest albums this year (Accept, Mötley Crüe, Dio...) while there are a lot of interesting newcomers (Exciter, Slayer, Mercyful Fate...). A good year, a very good year indeed.
 



1984:


Mercyful Fate – Don’t Break The Oath

W.A.S.P. – S/T

Judas Priest – Defenders Of The Faith

Dio – The Last In Line

Madison – Diamond Mistress

Warlock – Burning The Witches

Metallica – Ride The Lightning

Queensrÿche – The Warning

Iron Maiden – Powerslave

Ratt – Out Of The Cellar


Comment: Wow!, pt. 2. Not much changes quality-wise from the previous year. Bands like Dio, Priest and Maiden continue to put out really strong records, while newcomers W.A.S.P., Warlock, Queensrÿche and Ratt releases great debut (full-length) albums. Metallica keeps on changing the metal industry and Mercyful Fate releases their very best record, as well as one of the most sinister metal records of all time.



1985:


Saxon – Innocence Is No Excuse

Anthrax – Spreading The Disease

Slayer – Hell Awaits

Twisted Sister – Come Out And Play

Dio – Sacred Heart

Fate – S/T

Treat – Scratch And Bite

Ratt – Invasion Of Your Privacy

Celtic Frost – To Mega Therion

Warlock - Hellbound


Comment: After the excellent '83 and '84, or simply after a great half-decade of metal bands/records, I always felt that 1985 was kind of a "sabbatical year" for metal. Yes, the quality dropped quite a bit I have to admit, with some bands (Dio, Ratt, Warlock...) releasing not-as-strong albums as previously. But the biggest thing is that it just felt like a like a poor year, if counting actual records released during the year. I guess most bands just were getting really big and toured throughout, or that they needed their first lengthier break in many years. Not a bad year, but perhaps the weakest year of the decade.



1986:


Iron Maiden – Somewhere In Time

Dark Angel – Darkness Descends

Ozzy Osbourne – The Ultimate Sin

Crimson Glory – S/T

Metallica – Master Of Puppets

Megadeth – Peace Sells…But Who’s Buying?

Queensrÿche – Rage For Order

Cinderella – Night Songs

Onslaught – The Force

Kreator – Pleasure To Kill


Comment: Wow!, pt. 3. After the kind of "pause" year of '85, the musical quality returned this year with a lot of awesome records. Not only just that either, but now the latter half of the 80's will be a change from the previous half. Almost gone is the NWoBHM scene, at least as far as any releases worth of mention go (only Maiden pretty much continue to be relevant or good/appreciated). Thrash metal makes an official entry and this also marks the strongest year in thrash metal records. Opposite thrash we now also start to see an increase of glam metal bands, with only a few like Cinderella that are of any greater (musical) interest to me personally.



1987:


King Diamond – Abigail

Dio – Dream Evil

Testament – The Legacy

Guns N’ Roses – Appetite For Destruction

Bathory – Under The Sign Of The Black Mark

Coroner – R.I.P.

Overkill – Taking Over

Savatage – Hall Of The Mountain King

Anthrax – Among The Living

Death Angel – The Ultra-Violence


Comment: Another really strong and interesting year, although not quite as strong as '86. The thrash vs. glam battle is still a bit on the rise, although it's already quite big. You know, it's just metalheads in a fucking nutshell - you can't like everything, like I do, but you must choose sides. If not, then you're either a poser (glam) or a fucking hobo (thrash). Fuck that. I rage and fight to thrash, and I fuck and party to glam.



1988:


Ozzy Osbourne – No Rest For The Wicked

Danzig – S/T

Testament – The New Order

Bathory – Blood Fire Death

Vicious Rumors – Digital Dictator

Jane’s Addiction – Nothing’s Shocking

Metallica - …And Justice For All

Overkill – Under The Influence

Anthrax – State Of Euphoria

Crimson Glory – Transcendence


Comment: For many years I thought of this year to be somewhat of an "odd" year, I couldn't quite wrap my mind around what I thought of it. I guess I did in fact not like the music released this year that much, but in latter years I've really discovered or rethought my feelings of what was actually released in '88. These days I really think it was a good year in metal music, although not the best year of the decade. Some new favorite bands of mine like Danzig and Jane's Addiciton really came through this year, and Bathory semi-started a new era.



1989:


W.A.S.P. – The Headless Children

Faith No More – The Real Thing

Cro-Mags – Best Wishes

Coroner – No More Color

Sepultura – Beneath The Remains

Overkill – The Years Of Decay

The Almighty – Blood, Fire & Love

Babylon A.D. – S/T

Black Sabbath – Headless Cross

Blue Murder – S/T


Comment: Last year of the great 80's. Not the decade's strongest year, but an improvement from the previous year, perhaps over '87 as well. The thrash vs. glam battle is at its largest at this point and I would probably think that few was expecting what was lying around the corner, waiting... Anyway, while there were simply too many bands in (particularly) the thrash and glam scenes to count, some of the more unnoticed bands (The Almighty, Babylon A.D., Coroner...) of both sub-genres released some of the best albums of the year. Bands like Faith No More, W.A.S.P. and Sepultura release their strongest works (imo), while Black Sabbath makes their best record in many years.



1990:


Alice in Chains – Facelift

Spread Eagle – S/T

Danzig – II: Lucifuge

Anthrax – Persistence Of Time

Entombed – Left Hand Path

Nocturnus – The Key

Sleeze Beez – Screwed Blued & Tattooed

Warrior Soul – Last Decade Dead Century

Jane’s Addiction – Ritual De Lo Habitual

Pantera – Cowboys From Hell


Comment: With the 80's officially over and the 90's started, I figure many people were expecting some huge changes to all kinds of media. In metal, there were some larger changes indeed, but I would say that they had already been developed in the last years of the 80's, and just kind of broke out of the underground during this year. Of course I'm talkin' about death metal. Thrash metal is pretty much a thing of the passed 80's now, and death metal is its successor - freshly so. I would also argue, I think, that this year was the best year in death metal? Anyway, death metal and alternative music (Faith No More, Jane's Addiciton, etc.) are at large as the 90's kick off, but soon there will be another uprising as we all know.



1991:


Dismember – Like An Ever Flowing Stream

Mordred – In This Life

Entombed – Clandestine

Overkill – Horrorscope

Type O Negative – Slow, Deep & Hard

Skid Row – Slave To The Grind

Ozzy Osbourne – No More Tears

Coroner – Mental Vortex

Mr. Bungle – S/T

Sepultura - Arise


Comment: Grunge. Well, fuck that. I never were a big fan of grunge. It just felt like a shittier style of...everything. You know, the grunge bands just never appealed to me (apart from the heavy and awesome Alice in Chains...and earlier Soundgarden). Grunge just exploded in '91 thanks to fucking Nirvana. While it actually was a strong year in the metal music department, all that was pretty much overshadowed by Nirvana, Soundgarden and some others. They were like shittier versions of punk bands, of rock bands, of metal bands. Just fucking...shit.

This year was like the final nail in the coffin for most glam and thrash bands still lurking around, and death metal was largely held back because of this musical change as well, and don't even get me started on fucking Metallica and the Red Hot Chili Peppers and what they did to the scene during this year.



1992:


Faith No More – Angel Dust

Danzig – III: How The Gods Kill

Alice in Chains – Dirt

Cro-Mags – Alpha Omega

Fear Factory – Soul Of A New Machine

W.A.S.P. – The Crimson Idol


Saigon Kick – The Lizard
Malevolent Creation - Retribution
Pantera – Vulgar Display Of Power

Rage Against The Machine – S/T



Comment: Grunge is still at large, unfortunately. Most of the last few (notable) traces of glam and thrash bands are to be found in this year - many of them released their final albums (at the time) and broke-up. If not, they changed to adapt to the style that Metallica had made famous the previous year (Testament, Megadeth, etc.). Fortunately for me, a few bands managed to actually held back grunge a bit and showed 'em how it's done. Faith No More and newcomers RATM and Fear Factory were all modern, but were not grunge bands but instead mixes of several other styles that would prove to be very, if not more so than grunge, influential to future bands of the 90's.



1993:


Life of Agony – River Runs Red

Carcass – Heartwork

Dismember – Indecent & Obscene

Coroner – Grin

Benediction – Transcend The Rubicon

Dio – Strange Highways

Dissection – The Somberlain

Saigon Kick – Water

Death – Individual Thought Patterns

Type O Negative – Bloody Kisses


Comment: While grunge was still the biggest thing at this point, together with Metallica and RHCP of course, there actually were opportunities for other styles to shine again. Many of the greatest death metal records were released in this year, many of which were rather successful. Some other bands such as the crossover-groovy Life of Agony and the gothic Type O Negative really came on and put in new influences for future groove and alternative bands respectively. Not an exceptional year, but a very good one nonetheless. Oh, and fuck grunge.



1994:


Septic Flesh – Mystic Places Of Dawn

Machine Head – Burn My Eyes

Megadeth – Youthanasia

Danzig – 4p

Bolt Thrower - …For Victory

Running Wild – Black Hand Inn

Testament – Low

Darkthrone – Transilvanian Hunger

Pantera – Far Beyond Driven

Body Count – Born Dead


Comment: R.I.P. Kurt Cobain, and pretty much the whole grunge scene with you. While I never were a big fan of Nirvana, or most other grunge bands, I did not have anything against people like Kurt Cobain personally. But with his tragic death, so went grunge with him, kind of. I guess that is just the sad reality of people - they fanboy/girl one person rather than the actual legacy of his/her. I really do believe so was the case with Kurt as well. I mean, what are the odds?  He died - grunge died. There were lots of better grunge bands than Nirvana, but he was like the God of it, and when he was gone, so was the whole musical genre basically.

Besides grunge's last breaths, death metal was not really prevailing this year either. Instead the year was rather filled with new styles such as rap/nu metal, groove metal and some more underground black metal stuff that was slowly rising up.



1995:


Face Down - Mindfield

Fear Factory – Demanufacture

Dissection – Storm Of The Light’s Bain

The Gathering - Mandylion
Death – Symbolic

Hate Squad – I.Q. Zero

Dismember – Massive Killing Capacity

White Zombie – Astro-Creep 2000


Grip Inc. – Power Of Inner Strength

Suffocation - Pierced From Within


Comment: The last awesome year of the 90's, to me. After this year, I honestly have a rather hard time finding more than ten albums a year that appealed to me, at least until 2003. I know I could find it for 1996 and 1997 as well, but it's just, literally, scraping the good out of the pile of shit.

1995 showed us as well as set the bars for what the remainder of the 90's would pretty much come to be like. We get more groove metal as well as industrial metal, which at this point had become a popular (and rather commercial) style of metal. Death metal is pretty much over, at least as far as records worthy of listening to goes. Death, the band that pretty much started the whole sub-genre, are the last to be really good at it, so at least that was a fitting touch. 

Otherwise there not really overly much of interest during this year in my opinion. I really do like the massively overlooked bands like Face Down, Hate Squad and Grip Inc. - all of who played groove/post-thrash metal. The Gathering's "Mandylion" was also a rather simplistic but just wonderful and beautiful album that expanded the goth scene.

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I hope you enjoyed my lists and thoughts about the years. Check out my new list that covers the years 2003-2015, if you did enjoy this one. Peace!