10 Bands & Albums That Defined The Late 2000's Metal Scene For Me

Lately I've been on a nostalgia binge, listening to some specific bands from my late teens back in the years 2007-2009. The thing with my music listening is that I'm a "genre dweller" - I get in mood for a specific genre which I will listen to for a few months straight. I don't know why that is, but it's how my musical mind and cravings work since forever.

So why the late 2000's? It was a very special time with many unique experiences, dark as colorful ones. Without diving too deep into details, let's just say I was in my best teen years (17-19), playing in a band, havings fun with friends, seeing girls, playing video games and, of course, listening to a lot of metal. Naturally some bands just left a deeper mark than others, seeing as my music often works as a soundtrack for life.

This time period was also where I had finally left my comfort zone. Back in 2006 I was what I call an "ass-tight conservative metalhead", meaning I only listened to specific metal and/or bands. My thing was strictly sticking to 80's metal only. Mostly because it was, and still is, the number one metal sound I love and consume.

Another thing, however, was my distaste for modern metal during the 2000's. I just thought there were too many whiny emo bands and inseparable metalcore bands at that time. I ended up judging the entire metal scene for being that way. Around 2007 things started to change for me as some modern bands started to go more "old school" or "real metal". It opened my mind up to new bands and music that I had previously ditched.

With that said, here are 10 bands that defined the late 2000's for me, specifically the years 2007-2009, and what albums that I first discovered and/or loved the most by these bands respectively. Let's go!

• Machine Head

Album: The Blackening

As far as I can recall, Machine Head was probably the first modern metal band to help me break out of my conservative view on metal music. The funny thing about it, however, was that it wasn't their then-new album The Blackening that did it - it was their debut album Burn My Eyes. My love for Pantera at the time made me dig into the early Machine Head stuff, which later led me to their newer material.

My buddy Big D played The Blackening back at his place when I visited at some point and I noticed the thrashy riffing and great soloing. After that, I was hooked. The band as a whole has been kind of hit-or-miss for me, as I really can't stand their nu metal phase, but their early as well as latter day stuff is definitely something I'm a fan of.

• Cavalera Conspiracy

Album: Inflikted

I have fond memories of this project and release getting unleashed upon all of us. The much anticipated reunion between the Cavalera brothers was probably one of the biggest hypes of 2008. My buddy Big D and I, who were huge Cavalera-era Sepultura fans, were ecstatic about it. When the album's debut single "Sanctuary" dropped, I remember hitting play for the first time and we just lost our shit.

These days I can feel like this particular album, or even the project as a whole, maybe wasn't as good as I initially thought it was. The years haven't been as kind to it as it's been to lots of other releases from that era. Inflikted and Soulfly's Conquer were the last "Max Cavalera albums" I truly enjoyed. Ironically, however, the modern Sepultura has surpassed Max's projects during this decade, which is something I never thought would happen back in 2008.

• DragonForce

Album: Ultra Beatdown

I was probably one of very few people who never got into the whole Guitar Hero craze that strongly defined the mid-to-late 2000's. Nonetheless did I know DragonForce from that particular franchise. I don't recall much regarding of what I initially thought about them, but when I discovered the Ultra Beatdown in early 2009 I really fell for the video game-esque album art. I was hooked!

Sure, there were some cheese, wankery and other weird stuff going on in DragonForce's music at the time, but I kind of took a liking to their crazy-sounding Nintendo metal. I'm normally not a fan of power metal (except for Helloween), but something just works very well with DF for me. It's like a beam of pure energy that hits you up and gives you a kick. These days I am a pretty big fan of DF and I even like their current singer even more. The Ultra Beatdown, however, kind of remains a favorite album for me. Whether it's nostalgia speaking or not, I'm not quite sure of.

• Chimaira

Album: The Infection

I remember hearing Chimaira a few times throughout the mid-2000's as they were somewhat "more metal" than other bands in their genre. I agreed. It wasn't before 2009, however, when the band released their somewhat conflicting album The Infection that I truly took a liking to them. I remember playing the zombie game Left 4 Dead a lot at the time and I thought the album cover reminded me of the game (the music fitted well with the game as well).

I know some fans don't like this album all that much while others love it. It was too slow, too doomy and whatever for some people, but that's what I personally love about it. For me it's just the ultimate Chimaira album, even though I love most of their stuff except for the debut and, to some extent, also the last album Mark Hunter did with all-new members. A very heavy but also sadly overlooked/underrated band within the genre and scene at the time.

• Strapping Young Lad

Album: Alien

I loved few, if any, modern bands of the mid-2000's as much as I loved SYL. The extreme metal machine by mastermind Devin Townsend had it all - a mix of brutality, melody, atmosphere and humour. I sadly can't recall how I got into the band, but I suppose it was either through my buddy Big D or through Sweden Rock Magazine. When I first listened to Alien, which I'm fairly certain was the first album I heard, I just loved how crushing it sounded.

Throughout the years since I have continued to listen to this band a lot, as well as Devin Townsend's other endeavours. These days I tend to fancy their 1997 album City above all others, but SYL's 2000's material is still some of my favorite brutal metal of all time. It's just a shame that Devin's got bad feelings and memories about that time period in his life, as I think none of his other projects have been quite as kick-ass.

• Trivium

Album: Shogun

When Trivium burst out on the scene with their 2005 album Ascendancy, I was naturally one of those people who hated it (because I heard "Dying In Your Arms" and thought they were emo af). When I went to see Iron Maiden live in 2006 they had Trivium as their support act. Needless to say I wasn't exactly thrilled about it. Unbeknownst to me, however, they had grown their hair out and just released The Crusade, from which album they mostly picked the songs off.

My concert experience with Trivium changed my mind and I found The Crusade to be quite a decent album, even though the Metallica plagiarism was painfully obvious. But when Shogun later dropped in 2008, things really hit the fan. The album was Trivum going for their equivalent to Machine Head's The Blackening, except with a possibly even better end result. I still love that album to this day and I just find it sad that none of their subsequent albums haven't been nearly as good in my opinion.

• Megadeth

Album: United Abominations

I was a huge Megadeth since my earliest days of becoming a metalhead but I always tended to stick to their earliest albums (Peace Sells ... But Who's Buying? always being the great favorite). Some of Megadeth's albums, however, always sounded rather mediocre to me, with their late 90's and early 2000's albums coming to mind in particular. The System Has Failed showed great promise but I always felt that Dave wasn't quite "there" yet. Something was still missing.

When United Abominations was coming out I remember being extremely hyped because the cover art looked kick-ass. I also remember hearing "Sleepwalker" some time before the album dropped, solidifying my hype as the much needed return-to-form for the band. The album was everything I wished for. The only downside was the unnecessary re-recording of "A Tout Le Monde". When the band followed up with Endgame in 2009 it was even cooler, but after that they would descend into mediocrity once more.

• Lamb of God

Album: Wrath

My buddy Alex got me into LoG back in 2008 because he was a big fan of Chris Adler's drumming style (which kind of makes the band in some ways). Since I was listening to a lot of Pantera at the time, the style of LoG's music was a natural fit for me. I remember being kind of lukewarm towards the 2006 effort Sacrament, which I still am to this day, but I really liked 2004's Ashes Of The Wake. Shortly after I started listening to the band, however, they announced Wrath which got me hyped.

I remember the album being marketed as being more "raw" and very aggressive (duh), which I didn't object against. I had a rough time the last few weeks before it dropped, being so hyped it drove me nuts. When the album finally landed on the shelf I went and bought it, played it and got my ass kicked. It became my favorite LoG album and it's managed to uphold that title ever since (VII: Sturm Und Drang came close, though).

• Devin Townsend Project

Album: Addicted

After listening to SYL for a few years I naturally followed Devin Townsend into his next project, which happened to be his as-of-now defunct Devin Townsend Project. I remember the project initially being intended for four different releases, with Ki being the first and later followed by Addicted, both in 2009. The former never did much for me. I know a lot of people love it, including by buddy Big D, but it's always been too mellow and too instrumental for my taste.

Addicted was a whole nother story. I remember my first few times listening to it, thinking about how it sounded as if SYL had become a pop band. I love 80's pop music and to my ears, Devin's music has always had some strange 80's "undertones" to it. I fell in love with the album except for one or two songs, but the good ones were really great. It remained my favorite DTP release until 2016's Transcendence, which is one of Devin's top-3 most fantastic outputs in my opinion.

• Dethklok

Album: Dethalbum II

It took me a long time before checking out Metalocalypse. By the time Dethalbum II arrived, I had only watched whatever scenes my buddy Big D had showed me. For two years, however, he had tried to get me into 2007's The Dethalbum but to little avail. I just didn't get the fuzz or like its production style/sound. The successor sounded a whole lot better production-wise and the songs appealed to me a whole lot more.

In a way I find my relationship to Dethklok's music a bit ironic. I didn't like the first album which so many people hyped and praised. The second album seemed to be not as well-embraced, but it was the one I got completely hooked to. Then a few years later the third album arrived, by which time I had watched the show dedicatedly, and I didn't really like that one either (the drums and guitars sounded thin and farty af). The third album also seemed to be more loved than the second one to me. For me, however, nothing comes close to Dethalbum II and it was a damn fine album in my opinion.

10 Hard Rock & Metal Bands: With great energy

Starting off this year will be a list of ten (10) bands which I believe to have great energy in their playing style. So, what do I mean by "energy"? I mean it as in feeling, delivery and dynamic style. To see what bands I chose, simply scroll down below.

Note: This isn't a top-list as in rate 1-10. It's just a list of ten bands fitting the description.

• Van Halen

Everybody knows Van Halen, right? They're something of a "love 'em or hate 'em" kinda band. You're also either a David Lee Roth-era fan or a Sammy Hagar-era fan. Personally I'm the DLR-era fan. Now, what I like in Van Halen's sound is their playful style. Eddie VH is a fantastic guitarist and his style is very unique and innovative, especially for its time. They're like one huge party thrown into a musical package. Just listen to the power of the drums accompanied by the playful guitar and driving bass, while Mr. Roth delivers his characteristic vocals.

• Motörhead

There is no other band that will rock 'n' roll harder than Motörhead ever did. They were pure, raw, intense and hard. Call it hard rock, heavy metal, punk rock or whatever. Lemmy always said that they play rock 'n' roll. My father also once told me that I was conceived to Motörhead's music. How could I him for that? It's great shagging music.

• Ozzy Osbourne

Ozzy has had a great many musicians coming and going throughout the years. Some have been great while others have been somewhat more forgettable. The man has had a serious talent for finding great guitarists in particular, however, as he played with the late legendary Randy Rhoads as well as Jake E. Lee, Zakk Wylde among others. While not all of his line-ups and albums were particularly energized, a few of them was. Both albums with Randy Rhoads have great energy from all musical departments.

The nowadays greatly (and sadly) overlooked "The Ultimate Sin" also had some really great playing by guitarist Jake E. Lee and the late drummer Randy Castillo. After that, Ozzy's had a few more high-octane albums featuring Zakk Wylde as well. Unfortunately though, quite a few of his more recent albums have been lacking that good ol' pure rock 'n' roll energy from his 80's heyday.

• Dio

Ronnie James Dio played with some of the best musicians of the genres throughout his career. Many legendary names as well as just-as-good lesser known names. For me personally, however, I always prefered the man in his solo band the most. Every Dio album up until and including the massively underrated "Strange Highways" (1993) all have great energy to them. Well, "Lock Up The Wolves" (1990) kinda lacked that a bit here and there I'll admit, particularly in the drum department.

With musicians like Vinny Appice behind the drum kit on all releases up till 1996, it's hard to not get a great energy going. Add guitar players such as Vivian Campbell, Rowan Robertson and Tracey G. along with bassists Jimmy Bain and Jeff Pilson and you've got a great fockin' band. The only thing that saddens me about Dio's solo career is how his last few efforts got very stale. It's like the fire turned into a struggling spark. Anything from the band's first ten years is great, though.

• Manilla Road

Another classic example of a three-piece managing to make something sounding epic as fuck, despite the lack of more players in the band. Manilla Road's got some massively underrated guitar, bass and drum work. Every department is just on fire! Well, the vocals maybe not so much, but they're what keeps them down to earth in what is otherwise God-like. Seriously, some of the best heavy metal guitars you'll ever hear are available from this band.

• AC/DC

For being a relatively mid-paced and straight-forward king of hard rock band, they've got an awful lot of energy to their sound. Is there any other band in the genre (hard rock) which you can headbang to like you can with AC/DC? I think not. A solid proof less can be more.

• Thin Lizzy

Thin Lizzy was such an amazing and unique band which could really do music any way they liked, and still it would sound great. Hard rock, soul, blues, funk or heavy metal - all the same: awesome! Just listen to this clip above here. It's like all hell's breakin' loose, and that's exactly what I want in a band.

• Entombed

Entombed was the first death metal band I ever got into and perhaps still the most intense one. Their first two albums are fockin' legendary and the pure energy of riffs, crushing drums and deathly grunts are just as metal as it gets. The Stockholm death metal scene in general really knew their shit back in the day.

• Cro-Mags

My favorite band within the hardcore scene. They were heavy, raw, intense and overall very genuine. Their first three records never get old in my world. They kicked some major ass back in the day and they still kick the asses of all new-comers out there.

• W.A.S.P.

I've always loved this band for Blackie Lawless' great sound and style, vocally as musically. They always were somewhat in between being glam metal and heavy metal, but it's like they fused the two together and became a dynamite. In my book, when a band manages to make you imagine one thousand roaring motorcycles come ridin' on Route 66, it's something done real right.


And that was ten bands, folks! I hope you enjoyed my list and maybe you even found a new band or two in the process? Later!

Top-10 Most Underrated Or Overlooked: Hard Rock & Metal Bands

I'm launching a new to-be-recurring series here today. A classic top-10 most underrated list. Not very original perhaps, but opinions will always differ - making every list personal and unique. With that said, this list will be my personal opinion, and not some official "agree with this list, now" bullshit, or whatever.

This is purely for entertainment purpose, but hey, maybe you guys will find yourself agreeing with me, and maybe you'll even find something new. //J.

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Thing: Band / Status: Underrated or overlooked
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10. Saxon (UK) - Underrated

Although they are well-known in the metal community, I always felt that they were overshadowed by bands like Iron Maiden and particularly Judas Priest, with their reminiscent biker sound. Sure, Saxon came along a few years after Priest, but at the time (late 70's) Priest hadn't quite yet gone into that more-straight-forward style metal they introduced on "British Steel", and also maintained for several albums to come after that one.

Saxon did mostly focus on that ride-motorcycles-on-the-highway heavy metal sound, with lyrics either focusing on those kind of things, or medieval stuff. Vocalist Biff Byford has also got a very distinctive voice which is very nice and suitable for the band's sound. To my ears, they were a very good band (and remains so to this day). It's very sad that people didn't acknowledge them as much as Maiden or Priest, but I guess that Saxon still was luckier success-wise than bands like, say, Angel Witch or Tygers Of Pan Tang.
 

9. Strapping Young Lad (Can) - Both

Okey, so Devin Townsend is pretty well-known these days and has a strong and loyal fan-base. He might not be a superstar, but at least in the metal community he is very well appreciated. But that doesn't necessarily go for all of his many projects that he's done over the years. SYL was a most underground band when they released their debut "Heavy As A Really Heavy Thing" back in 1995, which infamously sold like 15 copies in its first week of release, literally.

In 1997 Townsend and SYL returned with "City", an excellent record that remains my favorite Townsend work to this day. But the sound sure doesn't appeal to everyone, certainly not people who are not into metal. Being rather extreme industrial-style metal, there has rarely been a record more genuinely pissed off-sounding than that one. SYL would release three more full-length albums during the 2000's, all of which are good albums, with especially 2005's "Alien" being another masterpiece. But I guess people were more into the radio-friendlier bands such as Fear Factory, Rob Zombie or Marilyn Manson.
 

8. Crimson Glory (US) - Overlooked

These guys had it all - music, production, vocalist, label, etc. Something went wrong along the way, however, with possibly the record label (Roadrunner Records) being right on paper, but not in practice? They did two albums during the 80's both of which sounded great, and they had an amazing vocalist in the late Midnight (yes, that's simply what he called himself). Truth to be told, I even think he's my favorite power/progressive metal singer of all time. Halford, Kiske, Tate... Non of them beats Midnight in my opinion.

Whatever fans they managed to get seemed to be very much into the band, as their first two works are generally hailed as masterpieces of their sub-genre, yet still when listening to or mentioning them, no one knows what the fuck you're talking about. Strange and sad. These guys were like a mastercrafted Queensrÿche if the latter is just a novice band.
 

7. Death Angel (US) - Underrated

If you would expand the Big 4 into the Big 8 instead, Death Angel would likely enter it along with Testament, Overkill and Exodus, albeit on place 8 I guess. That just doesn't sound fair to my ears, since DA fucking wrings and torns 'em to out to shreds (any DA fan should see what I did there).

Any thrash fan are likely to be aware of their infamous debut "The Ultra-Violence" from 1987. After that one, fans are a bit divided when it comes to the quality of the band's next albums. But in latter years, I really think they were reborn. From 2010's "Relentless Retribution" and on, the band has just been on fire on every album, and today they also stand out as perhaps the best old school thrashers doing new albums. Particularly vocalist Mike Osegueda remains in great shape vocally today, much more so than any other major thrash band vocalist I can think of from the old bands.
 

6. God Forbid (US) - Overlooked

One of the bands included in the NWoAHM (New Wave of American Heavy Metal) movement, a.k.a. metalcore. These guys were great and had a pretty unique sound going on, which I personally would call a mix of Chimaira, Mastodon and thrash bands. It's a shame these guys didn't make it, but I suppose they were overshadowed by the likes of Lamb of God and all the emo shit-bands back in the 00's. They also got better by every album, with their last two being their best (and thrashiest) works to my ears.
 

5. Saigon Kick (US) - Overlooked

Although they managed to make a Gold-selling single in "Love Is On The Way" from their second album, their actual full-length albums did not do nearly as good. With that said, I guess they were potentially quite successful, but just otherwise overlooked since they came just as hair metal was becoming passé and grunge had exploded (fuck you, Nirvana).

While their sound was rooted in typical hair metal of the times, they stuck out by having unique influences and touches to their sound. They do sound like they took Skid Row's sound as a base, then spiced it up with a weirdness and poetical touch of The Doors, the joy of Jane's Addiction and the hard edge of Warrior Soul (which is another massively underrated band, btw). This stuff was experimental hair metal, in a way, and should've appealed to more people than it did.
 

4. Magnum (UK) - Overlooked

I absolutely love this band! If you're American, I would not even be surprised if you don't know what the hell Magnum is - I would rather expect it. It seems these guys went by mostly unnoticed in the US market throughout their entire c. 40-year-old career. They are, however, well-known and loved in the UK, Germany and the Scandinavian countries. Hell, here in Sweden, hard rock fans are always fans of the band, and for obvious reason.

They started off as a rather progressive rock band in the mid-70's or so, at least that's when they recorded their debut album "Kingdom Of Madness", but it wasn't released until 1978 - in the midst of punk conquering the UK. In the early 80's they got some opening slots for Ozzy Osbourne and Whitesnake which gave the band some recognition in Europe, and later got somewhat of a brake in 1985 with the excellent "On A Storyteller's Night". The band at this time had become more of an AOR-oriented Queen-meets-Thin Lizzy hybrid, and they would later receive a Gold record in the UK for their "Wings Of Heaven" (1988) album, which I ironically find to be their least-good record.

They're still growing strong to this day, releasing albums regularly and maintaining a solid progressive-esque hard rock sound. Oh, and Bob Catley is a truly underrated vocalist!
 

3. Chimaira (US) - Underrated

Without a doubt the best and thus also (sadly) most underrated band of the NWoAHM movement. They did kind of scratch the surface, but could never manage to rise to the level of Lamb of God, Machine Head or Trivium. Instead, they were a little more harder in their sound, whereas their metal elements were harder than any other bands, and likewise with the hardcore elements. They also had a groove to their sound, albeit not as groovy as MH or particularly LoG. What helped Chimaira stand out from the masses were their electronical elements, where they incorporated light use of keyboards, and a lot of sound effects, for loss of a better description.

They released six albums and an EP in total, where I love anything apart from their first and last albums. Everything in between is, more or less, gold to my ears. They also constantly evolved from record to record, which is another feat I really like about them. Too bad the kids in the scene either were too emo or too mainstream to really dig into these guys other than carefully scratching their surface.
 

2. Nocturnus (US) - Overlooked

Classic Tampa death metal that is pretty well-known for fans of the genre, I suppose, but for the larger death metal crowd, they're mostly overlooked. Featuring former early-days Morbid Angel drummer Mike Browning on drums (and also vocals on the debut, "The Key"), it kind of sounds reminiscent to the likes of Morbid Angel. The difference that makes them stand out, however, are heavy use of sci-fi keyboards. That's right, Nocturnus is sci-fi influenced death metal with strong and atmospheric keyboards. These guys apparently influenced bands like Children of Bodom a lot, but these guys are a lot better in my opinion.

Their career was ultimately rather shortlived, only lasting two albums and an EP before splitting in 1993 or so. Tensions arose within the band, particularly between main-man Mike Browning and the others, leading them to infamously go behind his back, acquiring the rights to the band name and all, and later firing him from the band he himself founded. Total dick mode if you ask me, but maybe the guy (Browning) was an ass, I don't know. Still, that's a fucking dick move. However, the remaining band did eventually reunite and release another album in 2000 called "Ethereal Tomb", but I don't really like that one at all. Biggest reason for it? Mike Browning's missing, and so is the original (good) sound with him.
 

1. Mordred (US) - Overlooked

Number one this time around is none other than the truly massively overlooked band Mordred. Hailing from the San Fransisco bay area, they started out as some kind of true heavy metal band, like Manowar or whatever. At least that's the impression I've got from what I've heard and seen. Later, however, they did some line-up changes and voila - it was 1989 and thrash metal was at its peak. But Mordred wasn't just a thrash band all of a sudden. On the rise was also funk metal, with Red Hot Chili Peppers popularizing the sound, which in 1989 would also be further popularized by Faith No More.

Mordred made a distinctive sound for themselves by incorporating bay area-thrash with funk metal. A real nice mix if you ask me, as it gives the sound this groovy feeling while also being fast, hard and intense. However, the band's debut was more of a pure thrash album which experimented with funk on a few tracks. It wasn't until 1991's excellent "In This Life" that the band really incorporated funk fully into their sound, and boy did it sound cool!

Like too many other bands at the time, however, the band had suddenly launched its sound the midst of the grunge outbreak (once again, fuck you Nirvana). Sure, Faith No More was huge at the time (though they sounded like a lot of other styles besides just funk) and RHCP would become massively popular with "Blood Sugar Sex Magik", but still Mordred went by mostly unnoticed. Maybe their thrash elements were their death sentence, as that sub-genre was pretty much passé at the time.

They would go on to release a great EP in 1992, and one last full-length in 1994 featuring a new vocalist. I never listened too much to that album, though. It just wasn't the same for me without their "classic" singer Scott Holderby's nasal rapping and thrash rambling. He's quite the frontman, so... Anyway, as of 2016 (or '15 at least), the band was once again active and due for an EP release. This, however, still remains unreleased as of right now, and I haven't heard anything in a long time now.

Top-10 Most Overrated Metal Bands

Yo everybody! I've been listening to a lot of stuff lately, particularly thrash metal, and I've been thinking a lot of how some bands are really overrated. Particularly in thrash there are many bands to be found that meet that criteria. I'm sure you're already on to a few of those which I'm about to talk about. But instead of dragging my shit any further, let's start looking the actual overrated metal bands (of all styles).

***Just note***This list doesn't necessarily intend to make these bands appear as bad ones. Just overrated in some kind of sense, which I will also describe in their descriptions respectively.

***Extra note***If you xpected to see some shitty band that is missing, then maybe it's just so shitty that I simply don't listen to it altogether. Examples: Limb Bizkit, FFDP, Slipknot, etc.


10. Iron Maiden

To start off this list I'll go with my very first favorite band in metal. Now, Iron Maiden is awesome, most of us agree on that, but many of us also cannot deny the fact that they're very, very repetitive. I mean, how many galloping bass lines can you make songs out of? Many, apparently. Also, let me just point out that my favorite songwriter in Maiden is Adrian Smith.


9. Sepultura

Another great band ... until "Roots" came along. I absolutely love Sepultura pre-"Chaos A.D." and post-"Kairos", but most of those records in between there were not at all my kind of metal, and my opinion says that I don't understand how "Roots" (in particular) could become so popular.


8. Van Halen

An absolutely amazing quartet of musicians, both the Van Roth and Van Hagar eras, although I never ever liked the Van Hagar era. I listened a lot to these guys during my first few years as a headbanger, and while they're perhaps not that "metal", they still apply to us metalheads, I believe. But what happened is that they did an awesome debut record, and went straight downhill after that. The other David Lee Roth-fronted albums all had a few songs each of interest, but not really that much worthy of noting (although the musicianship was always great).


7. Kreator

Three words plus one equals? "Pleasure To Kill" = awesome. I love that record. The one before it, the debut, was pretty okey as well. However, after PTK I just don't know what the fuck happened. I just find the rest of their stuff to be very boring thrash. Also, "Extreme Aggression" is one of those classic examples of what kind of sound/production a metal record should not have. It just strips away all the weight from the music. It's supposed to sound heavy, right? Well, it fucking doesn't.


6. Morbid Angel

Much like the Kreator of death metal to me. "Altars Of Madness", of course, is an awesome classic. After that I just thought they lost it. I know many people like a few more records they did, but I just don't think they could ever match the success of their debut ever again.


5. Metallica

"Oh, what an obvious choice!", I can hear you thinking. Well, people are right about Metallica being overrated. Partially. Their first four are fucking awesome, I will always love them. However, post-"...And Justice For All" they've been most mediocre or outright bad. I mean, I understand why people love the first four albums, but that's not enough to make them as big as they indeed are. So yes, they are one of the most overrated metal bands. Plain and simple.


4. Sodom

Oooo, now I'm starting to invade on dangerous territory. I am very well aware of how much appreciated Sodom are with metal fans, but I simply could never really understand the fuzz about them. I found it even harder after hearing "Agent Orange", their perhaps most loved and well-known record, because to me it just sounds like a manifest of stolen riffs. I can hear Megadeth, Sacred Reich and other stuff in that. They just never came along as very original to me. With that said there still are some stuff I appreciate, like "Tapping The Vein" for instance. That one is pretty cool.


3. Exodus

Now I'm slowly conquering just about every thrasher's closed-minded ego here. If any band on this list were plain out bad, then that one band certainly is Exodus. I can honestly say that I've never ever understood what so many people see in their music. To me, they just sound so goddamn fucking boring. Unimaginative riffs, uninspired songs, and worst of all are the extremely cartoonish B-rate vocals a'la Bobby "Blitz" Ellsworth (Overkill) style.All I can say whenever I hear Steve "Zetro" Souza, at least in Exodus (he was pretty good in Tenet), is "thank Satan that Testament got Chuck Billy instead". I honestly did not even think that the widely acclaimed "Bonded By Blood" album was anything special. Thanks but no thanks, Exodus.


2. Slayer

And now I've officially pissed off every metal around the world. Well, honestly, I know I don't have. I actually think it's relatively common to see metalheads express their distaste for Slayer these days. Not that I don't like 'em, fuck no, I love Slayer! Don't get me wrong, they're fucking awesome! I especially love the "Hell Awaits" album, but everything up till "Divine Intervention" is very good, really. It's just that they lost their steam after that, and there are so many other bands that do or did a similar thing to what Slayer did, but even better. I mean, "Reign In Blood" is by far the most overrated thing about Slayer. Ever heard Dark Angel's "Darkness Descends" album, or Kreator's "Pleasure To Kill"? Pretty much the same thing, only way better, and both of those were (also) released in 1986. Catch my drift? Very good band, just not that good.


1. Nirvana

And the crowned king of this list is none other than the grunge kings Nirvana. I'll admit that I at one point in time did listen to them, a bit (like five songs), when I was like 12 (I am almost 26 now). As I grew up, however, they sound like nothing but children's or angsty teens' "punk" rock to my ears. I'm not overly too fond of grunge otherwise either, but I do love Alice in Chains in particular, and I enjoy listening to some earlier Soundgarden and Mother Love Bone as well. But Nirvana? No. Once again, they're not really a metal band, but since grunge is generally affiliated with metal and its fans, I chose to include (and crown) them for this list.

...

I hope you enjoyed this list. Remember, this is just my opinion. It doesn't mean shit to you, just like yours means shit to me. But it can be fun to share and discuss. Well, this is my invitation to discussion, agreement or disagreement.

Peace! //J.