Anyone who's been reading this blog before will know what an open-minded kind of metal listener I am. During my early days of exploring and discovering metal music, my biggest genres were NWoBHM, thrash and typical glam/hair metal. Just like with any metal sub-genre there were some bands which I liked in particular and some others not so much at all.
During my first five years as a metalhead I was still somewhat of a casual listener to hair metal and similar sounds. I pretty much stuck to the more obvious choices - GN'R, the Crüe, and so on - as I spent so much time discovering all kinds of metal sub-genres during those years. Around 2008, however, I really got into this particular style of metal and I kinda considered myself a "hair metalhead" between 2008 and 2010.
For two years there I really dug into the genre and all of its largely unnoticed bands. I quickly realized that my favorite era of hair metal was 1988-1992, where the genre kind of bloomed better than ever, but with many great bands unfortunately slippin' under the radar due to the success of thrash and death metal, but also particularly (and obviously) grunge in the early 90's.
I will now present to you: ten of the greatest bands in glam/hair metal and sleazy hard rock music, all according to my personal taste. I hope you enjoy!
Starting at...
10. Mötley Crüe
Comment: The kings when it comes to glam metal and for good reason. Nikki Sixx sure knows how to make great songs, but at the same time I can't really say that I'm a huge fan of all the Crüe's albums. I'm the kind of fan who jammed "Too Fast For Love" a lot, truly loved "Shout At The Devil", was confused by "Theatre Of Pain", thought "Girls, Girls, Girls" was misunderstood, and absolutely hated "Dr. Feelgood" (ironically enough felt very bad about it). I'll just leave it at that.
9. Ratt
Comment: Possibly the best guitar tone of the genre. I just love that crispy guitar sound! The guitar work is overall great as well, accompanied by some very distinctive vocals and great grooves. Ratt is just one very solid band in the genre. Particularly the first two full-length albums are great.
8. Skid Row
Comment: Back in my teens I wanted to be Sebastian Bach (or have his looks at least) to get the chicks. Around 2009 my buddy started calling me "Seb Bach" because of my long and straight blonde-ish hair and feminine face features. It felt good, in a way. But it was not all about Bach either. Skid Row's one of the best bands in the genre. The debut is great but "Slave To The Grind" stepped up things even further. I just love how heavy it is.
7. Warrior Soul
Comment: With no disrespect meant against these guys, I'm aware they might not really qualify for this genre. Seeing as they are often put in the same batch as these bands, however, I will use that to my advantage of praising them. Hailing out of NYC, a city I've got an obsession with and a dream of moving to, I just love the dark and gutter-y vibe to their sound. It's hard and straight to the point. The lyrical themes are also real, unlike most bands in this genre who are - well, honestly - quite a bunch of posers and love failures.
6. Cinderella
Comment: Something with this band is just perfection to me. The vocals, guitars and vibes are all there. They are great at combining gutter-rockers with really good ballads. I usually despise a lot of glam ballads because of how cheesy they are, but Cinderella are just pros at their craft. "Night Songs" and "Long Cold Winter" are two of the genre's very best albums.
5. The Almighty
Comment: One truly underrated band in my opinion. These guys were, according to themselves but also somewhat accurately put, a bunch of Motörhead wannabes. With that said, I love their first two albums - "Blood, Fire & Love" and "Soul Destruction" - which are great sleazy hair metal. The rest of their albums, however, changed in musical styles and did not fare too well me though.
4. Sleeze Beez
Comment: These guys hailed from the Netherlands but they sounded very much like genuine L.A. hair metal, albeit better than a lot of those bands. Their sound was quite heavy and definitely rockin' with a high energy level. Great songs, great vocals. "Screwed Blued & Tattooed" and "Powertool" are two of the best albums you can get your hands on.
3. Saigon Kick
Comment: A very unique band within the genre. They actually covered a lot more musical styles than just typical hair metal of the time, which is something I enjoy a lot. Any fan of these guys will know what I'm talking about. On a single album they would go between playing thrash-y hair metal to acoustic ballads to funk to soul-esque stuff. They were rather musically entertaining as they made anything turn out great. The first album is the most pure hair metal release they did, but I'd really recommend anyone of their first four(!) albums, which I think is saying a lot.
2. W.A.S.P.
Comment: It's been well-discussed over the years whether they are glam or simple heavy metal. Considering they dressed like trannies and made glam-esque music on their first three efforts, I'd definitely include them as a glam metal band, even if they actually were rather heavy. There's just something magic about 'em. Blackie Lawless voice is so haunting and one of the best voices I know. His voice's also aged gracefully in my opinion. Just an amazing band with many truly great albums under their belt.
1. Spread Eagle
Comment: And the winner are these guys from NYC. These guys came too late, debuting in 1990 and basically failed to make an impact in the then-dying hair metal scene. It's kinda funny that they would take the first spot considering they only made two albums, with one of them (the debut) being fuckin' awesome while the second is no good at all (in my opinion as well as many others'). Quite interesting, I think. But at the same time it's just a proof of exactly how good the debut is! Think of a rawer and heavier Skid Row and you've got these guys. Too bad they never did any more good stuff.
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So that was my top-10 favorite glam/hair metal and sleazy hard rock bands. I think it's safe to say that I definitely prefer the heavier bands in the genre, and also the bands with the least amount of make-up and emptied cans of hairspray. Not that most of those "girlie" hair metal bands (if I may call 'em that) were bad or anything, I just like the bands that, obviously, were into heavier sounds. As far as hair metal hairdos go, I definitely like it on band members in bands such as Vixen. Not so much Poison or Tigertailz. Chicks with big 80's hair are great. The males just looked like my grandmas.
Just my five cents thrown here. I hope you enjoyed the list at least! Maybe there was some surprising choices and maybe even a new band or two to check out? I hope so!
If you've been reading older posts in this blog you'll know I'm a drummer myself. I started drumming in early 2004 by joining my first band, which lasted for ten years before changing its name (and further continues to this day). We were all around 13-14 at the time and our first year was mostly spent learning our instruments by studying and learning different cover songs.
I always found it as interesting to know the players as much as the band's music. When I had just started playing drums I found it particularly interesting to study the drumming in the bands which I fancied. I googled the drummers and got to learn a lot of their setups, styles, influences and all that stuff. It really inspired me to become a drummer myself and it also made my aspiration more fun.
As a drummer I always listened to other drummers with critical ears. The more I learnt and developed myself, the more picky I became with other drummers' styles and whether I thought good of them or not. A little judging perhaps. Even arrogant, maybe. But I always found many drummers to miss a good groove, or feeling if you will.
With that said, let's go through my top-10 favorite drummers of hard rock and metal music (in no particular order):
Chuck Biscuits
Chuck Biscuits is probably most known for his work with Danzig (the band). He also played in a bunch of punk rock bands including D.O.A. before that, but I never had a lot of interest in those bands to be honest.
Danzig, however, is another story. I love Danzig! I'm definitely one of those fans who prefer the early days and the first four albums (all featuring Chuck on drums), but I never gave up on (Glenn) Danzig and I enjoy their other, more recent stuff as well.
So what's so special about Chuck's drumming? First off, the man is an animal behind the kit. He's got a hard-hitting playing style with lots of dynamics and a good, loose groove (many o:s there). He always kept his setup rather small and made great use of everything at his disposal.
To me personally, Chuck could be the greatest influence in drumming. If you look at the photo of him above and study his rig, then you'll have a good idea of how my rig looked like throughout the years. I will not say that I copied his setup, at least not intentionally, but I pretty much did. His style also undoubtedly influenced me to become a hard-hitting drummer and opting for a loose groove.
Fred Estby
Fred is most (but not exclusively) known as the drummer of Dismember, one of Sweden's most classic old school death metal bands, and my personal favorite death metal band of all time. Fred was the band's drummer live and in the studio, but he's also a guitarist and therefore he was somewhat of a chief songwriter for the band as well.
Fred's drumming is/was a mix between extreme metal and punk beats, filled with a kind of groove which I really dig. He's a very loose player, always sounding live on studio recordings and that's how I like it in most cases. It just adds a whole new depth and life into the drumming which makes the music as a whole more organic.
Fred is perhaps not what most metalheads would consider a "great drummer", but his style and groove influened me a lot more than most others throughout the years. Particularly his groovy bass drum work shaped my own style. He also had a way of finding good tones and sounds on Dismember's studio recordings.
Vinny Appice
Vinny is well-known for have provided drums for many names throughout his career, but most known (and dear to me personally) is argubly his work with Dio (the band).
Vinny was part of Dio's original line-up and did the drums on more than half of Dio's entire catalogue. His style is kind of laid back with great groove and power. He definitely has his own unique vibe and style to his playing.
While Vinny always was a great influence for me, I would not say that my personal style sounds very influenced by him. So why is that? Well, first and foremost: I never learned to play like the man. Secondly: I wouldn't wanna copy the man's style and become a B-rate version of him anyway. But the man's drumming always catches my attention when listening to stuff like Dio and Black Sabbath.
Gene Hoglan
Also known as "The Atomic Clock", or simply the human drum machine, Gene Hoglan is possibly the world's fastest drummer while also being overly technical much of the time. Like that's not enough, the guy also used to be big as a house, but he's lost a lot of weight in recent years (good to see, Gene).
Out of the drummers I fancy the most, Gene is definitely the most technical and fast one. I generally don't like machine-like drummers but I still feel like Gene's got a very unique touch to his style. Sure, he is indeed playing like a monstrous machine, but he's got a trademark that's always there.
Despite having done records for bands like Death, Testament, Forbidden, Zimmers Hole and many, many more, you can always listen to the drum work and you'll know it's Gene. That's exactly what I love about his playing, and it's also interesting to hear him do all the crazy stuff seemingly like it's a real piece of cake.
My personal favorite bands featuring Gene are Strapping Young Lad and Dark Angel. SYL is simply awesome in a very crazy, heavy and brutal way. Dark Angel was his first band (in the public eye anyway) and that was back in the 80's. "Darkness Descends", legendary thrash record which even put Slayer and "Reign In Blood" to shame in 1986. Back then Gene wasn't as consistent in his playing yet. Techincal and lightning fast, but a bit more "human". I really liked that.
Stefan Kaufmann
Stefan is one of the most underrated drummers of all time in my opinion. Playing with Accept during their entire 80's run, as well as a few albums in the 90's, I always found much inspiration in his drumming style.
Stefan always adapted his style to whatever kind of tune Accept was playing, doing some real solid double bass drumming before it had really become a standard in metal music, as well as playing groovy beats to fit the slower and/or mid-paced songs. Versatile to say the least.
During the 90's Stefan suffered from great back pain and had to stop drumming in Accept. He later joined Udo's solo band as a guitarist, but a few years ago his back still caused too much trouble, effectively forcing him to quit Udo's band as well. His drum work will always continue to inspire my drumming.
John Boecklin
Say what you will about the New Wave of American Metal or metalcore: whether you're a fan of the bands or not, you can't deny a lot of them are great musicians. In a way I find that drummers, in particular, have all trained techniques too much, essentially making it not-so-special anymore.
Despite that fact, a few drummers (in this case) still stick out from the masses. I know a lot of people praise Chris Adler (Lamb of God) and Andols Herrick (Chimaira) and they're great. People rarely talk about DevilDriver's John Boecklin, however, which to my surprise is really sad.
John's got some real cool chops in his playing style. He's techincal, fast, precise and has a great groove. I find his work with toms and percussion to be particularly cool and it's also been an influence for me in latter years since discovering DevilDriver (I never listened to them 5-10 years ago).
Dave Lombardo
I think it's safe to say that Dave Lombardo's something of a living legend in the metal world. Having made a great name for himself during has many former years with Slayer, the man's given more influence than most other drummers within the genre (and subgenres).
But Dave's popularity is not just all talk. He's actually a fucking beast behind the kit. He's probably most known for his quick thrashbeating, but in my book it's his groove which makes his drumming sound so awesome. He's also got great tones and sounds.
Personally I am a huge fan of Dave's style. Not for his ability to play thrash beats or fast in genreal but because his style is so distinctive and versatile. The way he just comes raging down of his drums is ferocious, like a beast tearing human bodies apart. I'm not familiar with quite all of his several projects throughout the years, but my favorites are Slayer (of course), Grip Inc. and Fantomas, all of which are really cool bands with great drumming.
Scott Asheton
The late Scott Asheton is unargubly most famous for being the drummer of The Stooges, the so called proto-punk band which launched the charismatic singer Iggy Pop into the public eye.
The Stooges did three fan acclaimed albums during the late 60's and early 70's which would come to prove a great influence on both punk rock and later grunge. Their style was hard and relatively raw, with rather simplistic compositions which were powerful and effective for rebelling against society. I believe they put out some of the hardest rock music ever made.
What I like about Scott's drumming is his powerful style. He had a firm groove which maintained an organic feeling and kept things rather simple yet interesting. I'm personally very influenced by his style as I like the "rainy-day-in-the-rehearsal-place" feel of it.
Bill Ward
Bill is undoubtedly most famous for his work with Black Sabbath, and for very good reason. Playing on all the classic Sab records including all the 70's records featuring Ozzy Osbourne, as well as 1980's "Heaven And Hell" with Ronnie James Dio, Bill Ward helped creating Black Sab's great legacy.
Since Black Sab was the start of the entire metal movement, essentially anyways, Bill's drumming style was not exactly very metal oriented. His style was more rooted in blues and jazz and in my opinion, that helped a lot in creating the sound of some heavy and experimental drumming for the metal sound. He's just got a very nice swing to his playing, very organic and dynamic.
I'm personally a fan of all Sabbath albums, regardless of backing musicians or singers, so with that said I'm a fan of every album featuring Bill. I think it's hard to just chose one album or so where he really shined the most, but I do think "Technical Ecstasy" is a criminally underrated Sab album. Bill also sings on one track on that album (and does it great), but his drumming is also very versatile. Otherwise, I think just about any Sab will do.
Tony Niemistö
Also known as Tony Reno. He was the original drummer for the Swedish band Europe, you know the one which made "The Final Countdown"? Anyway, he played in the band before they made that album and while they still were a lot heavier, ultimately appearing on the band's first two albums only.
While this may seem like an odd and/or random choice, it's really not. Europe was already a relatively huge band in Sweden from their get-go and thus we don't only listen to their more commercial late 80's stuff, but everything they made.
Personally I think Europe peaked with "Wings of Tomorrow" in 1984, the second and last album to feature Tony on drums. I listened a lot to the band's first two albums around the time when I was first practicing drums, and I always found Tony's drumming to be very heavy and powerful, like I thought and imagined that real heavy metal drumming was like. His style and sound influened me a lot during the first two years or so and looking back on it, I completely understand why. I wish the band would've kept him. His style went so well with John Norum's excellent guitar playing.
I hope you enjoyed my list! Keep in mind that these are my personal favorites and greatest influences throughout the years. While there are of course a bunch of other drummers that influenced me as well, these ten are simply the greatest in my book.
Bonus:
Here you've got a 16-y-o me with my "Chuck Biscuits setup" back in 2006.
Today's the day! I'm doing my personal top-10 list of the ten very best metal records of 2016, plus a bonus mention section of those contestants who didn't make the list. Before we start I would like to briefly summarize the year as a whole down below.
2016 has been a very action packed year to say the least. Lots and more lots of metal records coming out this year. In fact, I've had a strong feeling this year's been more productive than the past few years. Something that's been particularly present for metal records this year, I think, is hype. It just seems like 2016 has been a very dedicated metal year.
Lots of people have also been saying it's been a great 30th anniversary year for thrash in particular, whereas 1986 was argubly the best year in thrash history. Many of the bands that released great albums in 1986 have also released great efforts this year, according to many thrashers and metalheads out there.
Personally, however, I've been standing at the crossroads all year. There's been so much coming out this year, including some personally anticipated releases, but I just kind of feel like most of the stuff left more to be desired. That's left me very confused to say the least. On one hand I've got this really rich metal treasure, but on the other hand there aren't really any real treasures in the chest. Do you catch my drift?
Some of the records that came out this year, some of which have even been majorly anticipated by the common metal scene, have simply left me so unimpressed I kind of thought they sucked. Another truth I feel should be told is the year's rather slow start. Yes, a lot of records this year were planned for release later during the year, making the first bunch of months this year particularly uninteresting to me. That, in turn, also left me somewhat uninterested in checking out more new music altogether as the year progressed.
With all that said, maybe the first few months disappointed me so much that my own hype/interest just got "drained". I dunno. What I do know, however, is that I didn't discover nearly as many new records as I should've done because of that. So to all record labels: please plan your releases somewhat more strategically month by month, rather than "nah, we'll drop 'em all this summer."
2016 to me personally has unfortunately been a rather "boring" year for metal, despite a lot of releases including some major names. But here's ten metal albums which left the most marks with me personally:
10. Exumer - The Raging Tides
One of the best thrash albums of the year, if you ask me. I just love their debut, "Possessed By Fire", which was originally released in 1986! They've now done four albums in total (two in their original run, two since reforming). This is the best one since the debut.
9. Khonsu - The Xun Protectorate
Never heard of these guys before. I happened to stumble upon them as the cover art drew the attention of my eyes, as I'm a solid sci-fi fan. Turned out it was one of those great stumbles. While I'm not entirely sure as to what label these guys as (fuck strict labeling anyway, really), they're along the lines of ... progressive black metal? Whatever, their shit kicks dicks. They actually remind me a lot of a Czechian group called Gorgonea Prima which I really like. A lot of stuff going on here.
8. Amon Amarth - Jomsviking
At first I was rather unimpressed with this one, just like with their previous album "Deciever Of The Gods" (2013), just like so many other fans. As the year has gone by, however, this one actually grew on me a lot. It's definitely the biggest grower of the year for me. I think it's still got a few flawed tracks (including a collaboration with Doro) but also a few epic gems, and those are exactly what I love about Amon Amarth.
7. Fallujah - Dreamless
One word: atmospheric! You know, I was skeptical about this one seeing as I was not really a fan of their sound prior to this one, but lo and behold: this one has some truly amazing soundscapes going on. At times it's progressive metal with jazzy-like guitars and at other times they just rock a U2 kinda vibe (yes, I'm a U2 fan. I love U2). Perhaps the biggest surprise record of the year? Very possibly so.
6. Lucifer's Hammer (Chile) - Beyond The Omens
Okey,
so the name is a blatant rip-off from an old legendary band, but if you
(can) look past that you'll have yourself a mighty fine heavy metal
album right here. This one's one of the absolutely best NWoTHM releases
this year, much in the vein of old Maiden, Satan, Angel Witch and other
lovely bands from back in the day.
5. Eternal Champion - The Armor Of Ire
This one appeared to me through Blake Ibanez whose work I'm very familiar with (and a fan of) from the Texas hardcore-thrashers Power Trip. This band plays old school (epic) heavy metal. I'd say their spirit/feeling is reminiscent of Manowar while the music is perhaps more towards early Savatage, Manilla Road and Omen. A mighty fine and refreshing old school-influenced release in this day and age of metal, and also a proof that some Americans can still crank out some good ol' heavy metal. The only downside is the album's somewhat short duration - six songs and two instrumental pieces. The biggest upside - I want more!
4. Cauldron - In Ruin
I've always been a somewhat casual fan of Cauldron. They're good but not awesome was what I used to think about 'em. Their previous album "Tomorrow's Lost" (2012) was a real solid album, though. Somehow I never thought they'd do another one like it, why that was I dunno, but four years later they actually returned - and topped it! I was very impressed with this one. The songs are stronger, more energetic, there's more melody and the vibe brings out just about everything I love about 80's heavy metal.
3. Sumerlands - S/T
And the biggest heavy metal bomb of the year is none other than the mighty Sumerlands. A relatively new band, also featuring Arthur Rizk who also plays on the Eternal Champion record. I guess the guy knows his shit like a real pro, making two of the top-5 best records of the year. Without a doubt the guy is the future of metal. This album sounds like a great mix of 80's solo-era Ozzy Osbourne with a touch of Dio (band) as well as Dio-era Sabbath. Further add some Queensrÿche, Savatage and Van Halen into the mix and you've got Sumerlands. The production is also really nice, warm and old school sounding without sounding too clean or too cheap. The best heavy metal album in a long time.
2. Death Angel - The Evil Divide
These dudes together are one of my favorite bands these days. Their last three albums including this one are all killer! While I think I do prefer their previous album slightly more, the ultra-thrasy "The Dream Calls For Blood" (2013), this album's definitely as good as a great follow-up gets. The music is a lot more varied on this album, which I also believe is one of its strongest features, but it also takes the cake for being the best thrash I've heard all this year. I don't think there's any other record from this year which has spun more times than this one. Gongrats guys, you officially won the "thrash of the year"-award from me.
1. Devin Townsend Project - Transcendence
And winner of the year is...*double bass-blast and tom-tom roll attack*... DTP! I'm a long-time fan (for my age) of Devin's and I love a lot of the man's musical work. His last few releases, however, have been somewhat ... less interesting, I think. Particularly "Epicloud" (2012) is an effort I found quite uninteresting and it made his music sound somewhat stuck in a rut, maybe? I wasn't really expecting too much from this album to be honest, but when I finally heard the thing I was blown away! This is truly one of Devin's finest hours (and he's got quite a few) and I absolutely love the "celestial sounds" which dominate this album. The songs are huge, epic, beautiful and together they just make one hell of a musical journey. Congrats Devin and DTP - you are the album of the year!
Bonus: Noteworthy mentions and opinions of albums that did not make the list...
DevilDriver - Trust No One
I really liked "Winter Kills" (2013) unlike most fans who seemed not to. This album, however, left a few things to be desired. A bit too safely played and also a bit too repetitive, perhaps? But for being the first album by a whole new line-up, it's pretty solid. The previous album brought more variety to the table. A few great tracks are to be found (particularly "For What It's Worth"), as well.
Testament - Brotherhood Of The Snake
Back in like 2010 or so, I kind of worshipped (old) Testament. They're one of the greatest and most important thrash outfits of all time, but their past three albums have all been kind of "meh" in my opinion. This one didn't really disappoint as my expectations were relatively low, but on the other hand did it not do well in surprising me either. What it did do, however, was making me appreciate "Dark Roots Of Earth" (2012) a lot more (in comparison). It's something, I guess.
Tygers Of Pan Tang - S/T
I still haven't heard this in its entirely yet (I think), but what I did hear so far sounded solid. I'm happy they're still around and rocking.
Hatebreed - The Concrete Confessional
I liked this one a lot but I just don't think it's a top-10 contestor. Best album they've done in a while, though.
VOLA - Inmazes
Don't think I've managed to go through this whole thing yet. It's a bit too djent-y for my taste so I take it in bits and pieces, but it's got some great soundscapes going on which makes it worthy of listening to.
Meshuggah - The Violent Sleep Of Reason
What can I say? Just another Meshuggah album. Nothing more, nothing less.
Vektor - Terminal Redux
People have gone apeshit over this one but I personally just don't hear what's so great about it. "It sounds like Coroner". Hey, I love Coroner. This does not sound like Coroner!Maybe someday, though.
Destruction - Under Attack
I do like some of Destruction's works, both old and more recent, but this one was rather bland.
The Browning - Isolation
Like the case with Meshuggah - just another Browning album. Also somewhat arguable if it's really metal or not. I enjoyed it nonetheless. Just nothing extra ordinary about it.
Vicious Rumors - Concussion Protocol
The same case again - just another Vicious Rumors album (but it's good).
Metallica - Hardwired...To Self-Destruct
I've seen this on several lists already (no wonder). Some first spots as
expected as well, 'cause it's Metallica after all, you know? But in all
honesty though, when they announced this I didn't know what to expect. I
liked "Death Magnetic" (2008) but it wasn't awesome. However, I
do think they did a solid one with this album. A few tracks are kind of
"meh", but some others are really nice with a good variety, and
Thrash(y)tallica is always nostalgic and welcome to me, so...yeah.
Megadeth - Dystopia
I liked "United Abominations" (2007) a lot, and you know what? It was the last Megadeth album I liked a lot. This one is better than the previous two crappy outputs by MegaDave, but way overhyped and not nearly as good as all the fanboys make it out to be. The title-track was the best Megadeth song in years, though. Love that one!
Anthrax - For All Kings
Most disappointing album of the year for me. It just sounds boring to my ears. And for fuck's sake, can the new lead guitarist try to at least look happy on stage once in a while. The guy always looks like he despises being in the band. Joey sounds great, though.
Revocation - Great Is Our Sin
A solid release but they've done better ones. This one simply didn't make the list.
Denner / Shermann - Masters Of Evil
The first full-lenght release from these Danish guitar masters in quite a while. A satisfying album no doubt, but it does fall somewhat short in comparison the duo's previous works (I guess mostly because the vocals - we all want KD, obviously).
Oceans Of Slumber - Winter
This one's the coolest modern female-fronted metal I've heard in quite a while. Why didn't it make top-10? I guess I just enjoyed the actual top-10 a bit more.
Khemmis - Hunted
It's been many years since I last had a something of an interest in doom metal. Don't ask me why 'cause the riffs and sound are usually crushing, but I guess the slow tempo just bores me too much in the long run. You know, I'm a huge Black Sabbath fan so that's pretty much all the "doom" I need. I used to be a big Candlemass fan back in the day as well, but I haven't listened to them for ten years now. These guys, however, actually made doom metal kind of interesting to my ears again.
There are tons and tons more of metal records released this year. I haven't gone through an ounce of them all yet. If a record wasn't mentioned it's because;
It simply blew.
I forgot about it.
I haven't heard it at all.
It wasn't anything particular or noteworthy in my opinion.
I'm launching a new to-be-recurring series here today. A classic top-10 most underrated list. Not very original perhaps, but opinions will always differ - making every list personal and unique. With that said, this list will be my personal opinion, and not some official "agree with this list, now" bullshit, or whatever.
This is purely for entertainment purpose, but hey, maybe you guys will find yourself agreeing with me, and maybe you'll even find something new. //J.
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Thing: Band / Status: Underrated or overlooked
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10. Saxon (UK) - Underrated
Although they are well-known in the metal community, I always felt that they were overshadowed by bands like Iron Maiden and particularly Judas Priest, with their reminiscent biker sound.Sure, Saxon came along a few years after Priest, but at the time (late 70's) Priest hadn't quite yet gone into that more-straight-forward style metal they introduced on "British Steel", and also maintained for several albums to come after that one.
Saxon did mostly focus on that ride-motorcycles-on-the-highway heavy metal sound, with lyrics either focusing on those kind of things, or medieval stuff. Vocalist Biff Byford has also got a very distinctive voice which is very nice and suitable for the band's sound. To my ears, they were a very good band (and remains so to this day). It's very sad that people didn't acknowledge them as much as Maiden or Priest, but I guess that Saxon still was luckier success-wise than bands like, say, Angel Witch or Tygers Of Pan Tang.
9. Strapping Young Lad (Can) - Both
Okey, so Devin Townsend is pretty well-known these days and has a strong and loyal fan-base. He might not be a superstar, but at least in the metal community he is very well appreciated. But that doesn't necessarily go for all of his many projects that he's done over the years.SYL was a most underground band when they released their debut "Heavy As A Really Heavy Thing" back in 1995, which infamously sold like 15 copies in its first week of release, literally.
In 1997 Townsend and SYL returned with "City", an excellent record that remains my favorite Townsend work to this day. But the sound sure doesn't appeal to everyone, certainly not people who are not into metal. Being rather extreme industrial-style metal, there has rarely been a record more genuinely pissed off-sounding than that one. SYL would release three more full-length albums during the 2000's, all of which are good albums, with especially 2005's "Alien" being another masterpiece. But I guess people were more into the radio-friendlier bands such as Fear Factory, Rob Zombie or Marilyn Manson.
8. Crimson Glory (US) - Overlooked
These guys had it all - music, production, vocalist, label, etc. Something went wrong along the way, however, with possibly the record label (Roadrunner Records) being right on paper, but not in practice?They did two albums during the 80's both of which sounded great, and they had an amazing vocalist in the late Midnight (yes, that's simply what he called himself). Truth to be told, I even think he's my favorite power/progressive metal singer of all time. Halford, Kiske, Tate... Non of them beats Midnight in my opinion.
Whatever fans they managed to get seemed to be very much into the band, as their first two works are generally hailed as masterpieces of their sub-genre, yet still when listening to or mentioning them, no one knows what the fuck you're talking about. Strange and sad. These guys were like a mastercrafted Queensrÿche if the latter is just a novice band.
7. Death Angel (US) - Underrated
If you would expand the Big 4 into the Big 8 instead, Death Angel would likely enter it along with Testament, Overkill and Exodus, albeit on place 8 I guess. That just doesn't sound fair to my ears, since DA fucking wrings and torns 'em to out to shreds (any DA fan should see what I did there).
Any thrash fan are likely to be aware of their infamous debut "The Ultra-Violence" from 1987. After that one, fans are a bit divided when it comes to the quality of the band's next albums. But in latter years, I really think they were reborn. From 2010's "Relentless Retribution" and on, the band has just been on fire on every album, and today they also stand out as perhaps the best old school thrashers doing new albums. Particularly vocalist Mike Osegueda remains in great shape vocally today, much more so than any other major thrash band vocalist I can think of from the old bands.
6. God Forbid (US) - Overlooked
One of the bands included in the NWoAHM (New Wave of American Heavy Metal) movement, a.k.a. metalcore. These guys were great and had a pretty unique sound going on, which I personally would call a mix of Chimaira, Mastodon and thrash bands. It's a shame these guys didn't make it, but I suppose they were overshadowed by the likes of Lamb of God and all the emo shit-bands back in the 00's. They also got better by every album, with their last two being their best (and thrashiest) works to my ears.
5. Saigon Kick (US) - Overlooked
Although they managed to make a Gold-selling single in "Love Is On The Way" from their second album, their actual full-length albums did not do nearly as good. With that said, I guess they were potentially quite successful, but just otherwise overlooked since they came just as hair metal was becoming passé and grunge had exploded (fuck you, Nirvana).
While their sound was rooted in typical hair metal of the times, they stuck out by having unique influences and touches to their sound. They do sound like they took Skid Row's sound as a base, then spiced it up with a weirdness and poetical touch of The Doors, the joy of Jane's Addiction and the hard edge of Warrior Soul (which is another massively underrated band, btw). This stuff was experimental hair metal, in a way, and should've appealed to more people than it did.
4. Magnum (UK) - Overlooked
I absolutely love this band! If you're American, I would not even be surprised if you don't know what the hell Magnum is - I would rather expect it. It seems these guys went by mostly unnoticed in the US market throughout their entire c. 40-year-old career. They are, however, well-known and loved in the UK, Germany and the Scandinavian countries. Hell, here in Sweden, hard rock fans are always fans of the band, and for obvious reason.
They started off as a rather progressive rock band in the mid-70's or so, at least that's when they recorded their debut album "Kingdom Of Madness", but it wasn't released until 1978 - in the midst of punk conquering the UK. In the early 80's they got some opening slots for Ozzy Osbourne and Whitesnake which gave the band some recognition in Europe, and later got somewhat of a brake in 1985 with the excellent "On A Storyteller's Night". The band at this time had become more of an AOR-oriented Queen-meets-Thin Lizzy hybrid, and they would later receive a Gold record in the UK for their "Wings Of Heaven" (1988) album, which I ironically find to be their least-good record.
They're still growing strong to this day, releasing albums regularly and maintaining a solid progressive-esque hard rock sound. Oh, and Bob Catley is a truly underrated vocalist!
3. Chimaira (US) - Underrated
Without a doubt the best and thus also (sadly) most underrated band of the NWoAHM movement. They did kind of scratch the surface, but could never manage to rise to the level of Lamb of God, Machine Head or Trivium. Instead, they were a little more harder in their sound, whereas their metal elements were harder than any other bands, and likewise with the hardcore elements. They also had a groove to their sound, albeit not as groovy as MH or particularly LoG.What helped Chimaira stand out from the masses were their electronical elements, where they incorporated light use of keyboards, and a lot of sound effects, for loss of a better description.
They released six albums and an EP in total, where I love anything apart from their first and last albums. Everything in between is, more or less, gold to my ears. They also constantly evolved from record to record, which is another feat I really like about them. Too bad the kids in the scene either were too emo or too mainstream to really dig into these guys other than carefully scratching their surface.
2. Nocturnus (US) - Overlooked
Classic Tampa death metal that is pretty well-known for fans of the genre, I suppose, but for the larger death metal crowd, they're mostly overlooked. Featuring former early-days Morbid Angel drummer Mike Browning on drums (and also vocals on the debut, "The Key"), it kind of sounds reminiscent to the likes of Morbid Angel. The difference that makes them stand out, however, are heavy use of sci-fi keyboards. That's right, Nocturnus is sci-fi influenced death metalwith strong and atmospheric keyboards. These guys apparently influenced bands like Children of Bodom a lot, but these guys are a lot better in my opinion.
Their career was ultimately rather shortlived, only lasting two albums and an EP before splitting in 1993 or so. Tensions arose within the band, particularly between main-man Mike Browning and the others, leading them to infamously go behind his back, acquiring the rights to the band name and all, and later firing him from the band he himself founded. Total dick mode if you ask me, but maybe the guy (Browning) was an ass, I don't know. Still, that's a fucking dick move. However, the remaining band did eventually reunite and release another album in 2000 called "Ethereal Tomb", but I don't really like that one at all. Biggest reason for it? Mike Browning's missing, and so is the original (good) sound with him.
1. Mordred (US) - Overlooked
Number one this time around is none other than the truly massively overlooked band Mordred. Hailing from the San Fransisco bay area, they started out as some kind of true heavy metal band, like Manowar or whatever. At least that's the impression I've got from what I've heard and seen. Later, however, they did some line-up changes and voila - it was 1989 and thrash metal was at its peak. But Mordred wasn't just a thrash band all of a sudden. On the rise was also funk metal, with Red Hot Chili Peppers popularizing the sound, which in 1989 would also be further popularized by Faith No More.
Mordred made a distinctive sound for themselves by incorporating bay area-thrash with funk metal. A real nice mix if you ask me, as it gives the sound this groovy feeling while also being fast, hard and intense. However, the band's debut was more of a pure thrash album which experimented with funk on a few tracks. It wasn't until 1991's excellent "In This Life" that the band really incorporated funk fully into their sound, and boy did it sound cool!
Like too many other bands at the time, however, the band had suddenly launched its sound the midst of the grunge outbreak (once again, fuck you Nirvana). Sure, Faith No More was huge at the time (though they sounded like a lot of other styles besides just funk) and RHCP would become massively popular with "Blood Sugar Sex Magik", but still Mordred went by mostly unnoticed. Maybe their thrash elements were their death sentence, as that sub-genre was pretty much passé at the time.
They would go on to release a great EP in 1992, and one last full-length in 1994 featuring a new vocalist. I never listened too much to that album, though. It just wasn't the same for me without their "classic" singer Scott Holderby's nasal rapping and thrash rambling. He's quite the frontman, so... Anyway, as of 2016 (or '15 at least), the band was once again active and due for an EP release. This, however, still remains unreleased as of right now, and I haven't heard anything in a long time now.
Yo everybody! I've been listening to a lot of stuff lately, particularly thrash metal, and I've been thinking a lot of how some bands are really overrated. Particularly in thrash there are many bands to be found that meet that criteria. I'm sure you're already on to a few of those which I'm about to talk about. But instead of dragging my shit any further, let's start looking the actual overrated metal bands (of all styles).
***Just note***This list doesn't necessarily intend to make these bands appear as bad ones. Just overrated in some kind of sense, which I will also describe in their descriptions respectively.
***Extra note***If you xpected to see some shitty band that is missing, then maybe it's just so shitty that I simply don't listen to it altogether. Examples: Limb Bizkit, FFDP, Slipknot, etc.
10. Iron Maiden
To start off this list I'll go with my very first favorite band in metal. Now, Iron Maiden is awesome, most of us agree on that, but many of us also cannot deny the fact that they're very, very repetitive. I mean, how many galloping bass lines can you make songs out of? Many, apparently. Also, let me just point out that my favorite songwriter in Maiden is Adrian Smith.
9. Sepultura
Another great band ... until "Roots" came along. I absolutely love Sepultura pre-"Chaos A.D." and post-"Kairos", but most of those records in between there were not at all my kind of metal, and my opinion says that I don't understand how "Roots" (in particular) could become so popular.
8. Van Halen
An absolutely amazing quartet of musicians, both the Van Roth and Van Hagar eras, although I never ever liked the Van Hagar era. I listened a lot to these guys during my first few years as a headbanger, and while they're perhaps not that "metal", they still apply to us metalheads, I believe. But what happened is that they did an awesome debut record, and went straight downhill after that. The other David Lee Roth-fronted albums all had a few songs each of interest, but not really that much worthy of noting (although the musicianship was always great).
7. Kreator
Three words plus one equals? "Pleasure To Kill" = awesome. I love that record. The one before it, the debut, was pretty okey as well. However, after PTK I just don't know what the fuck happened. I just find the rest of their stuff to be very boring thrash. Also, "Extreme Aggression" is one of those classic examples of what kind of sound/production a metal record should not have. It just strips away all the weight from the music. It's supposed to sound heavy, right? Well, it fucking doesn't.
6. Morbid Angel
Much like the Kreator of death metal to me. "Altars Of Madness", of course, is an awesome classic. After that I just thought they lost it. I know many people like a few more records they did, but I just don't think they could ever match the success of their debut ever again.
5. Metallica
"Oh, what an obvious choice!", I can hear you thinking. Well, people are right about Metallica being overrated. Partially. Their first four are fucking awesome, I will always love them. However, post-"...And Justice For All" they've been most mediocre or outright bad. I mean, I understand why people love the first four albums, but that's not enough to make them as big as they indeed are. So yes, they are one of the most overrated metal bands. Plain and simple.
4. Sodom
Oooo, now I'm starting to invade on dangerous territory. I am very well aware of how much appreciated Sodom are with metal fans, but I simply could never really understand the fuzz about them. I found it even harder after hearing "Agent Orange", their perhaps most loved and well-known record, because to me it just sounds like a manifest of stolen riffs. I can hear Megadeth, Sacred Reich and other stuff in that. They just never came along as very original to me. With that said there still are some stuff I appreciate, like "Tapping The Vein" for instance. That one is pretty cool.
3. Exodus
Now I'm slowly conquering just about every thrasher's closed-minded ego here. If any band on this list were plain out bad, then that one band certainly is Exodus. I can honestly say that I've never ever understood what so many people see in their music. To me, they just sound so goddamn fucking boring. Unimaginative riffs, uninspired songs, and worst of all are the extremely cartoonish B-rate vocals a'la Bobby "Blitz" Ellsworth (Overkill) style.All I can say whenever I hear Steve "Zetro" Souza, at least in Exodus (he was pretty good in Tenet), is "thank Satan that Testament got Chuck Billy instead". I honestly did not even think that the widely acclaimed "Bonded By Blood" album was anything special. Thanks but no thanks, Exodus.
2. Slayer
And now I've officially pissed off every metal around the world. Well, honestly, I know I don't have. I actually think it's relatively common to see metalheads express their distaste for Slayer these days. Not that I don't like 'em, fuck no, I love Slayer! Don't get me wrong, they're fucking awesome! I especially love the "Hell Awaits" album, but everything up till "Divine Intervention" is very good, really. It's just that they lost their steam after that, and there are so many other bands that do or did a similar thing to what Slayer did, but even better. I mean, "Reign In Blood" is by far the most overrated thing about Slayer. Ever heard Dark Angel's "Darkness Descends" album, or Kreator's "Pleasure To Kill"? Pretty much the same thing, only way better, and both of those were (also) released in 1986. Catch my drift? Very good band, just not that good.
1. Nirvana
And the crowned king of this list is none other than the grunge kings Nirvana. I'll admit that I at one point in time did listen to them, a bit (like five songs), when I was like 12 (I am almost 26 now). As I grew up, however, they sound like nothing but children's or angsty teens' "punk" rock to my ears. I'm not overly too fond of grunge otherwise either, but I do love Alice in Chains in particular, and I enjoy listening to some earlier Soundgarden and Mother Love Bone as well. But Nirvana? No. Once again, they're not really a metal band, but since grunge is generally affiliated with metal and its fans, I chose to include (and crown) them for this list.
...
I hope you enjoyed this list. Remember, this is just my opinion. It doesn't mean shit to you, just like yours means shit to me. But it can be fun to share and discuss. Well, this is my invitation to discussion, agreement or disagreement.
In all my boredom at night I decided to do a top-10 of my favorite TV shows of all time. Really a quite simple task, except I stopped watching TV in 2007 pretty much altogether. I was fed up with all the fake-ass competition shows, stupid reality shows, uninspired series, and most of all those never-ending fucking commercials, a.k.a. propaganda. I didn't even have any TV channels for almost three years when I lived on my own, before I met my girlfriend. Now she wants TV, but I rarely watch it to this day.
So basically this is now rather a list of a top-10 few shows I actually did watch at some point, but I still managed to try out a bunch more throughout the years via Netflix, watching with friends and whatnot. But these ten are the shows I remember with most joy.
10. Biker Mice From Mars
This was likely the first show I ever truly loved. I remember in like 1995, as a kid, sitting on the floor before the TV and watching this show in awe. I loved everything about it: they were cool mice-men, rode motorcycles, had attitude, listened to heavy metal, and drank root beer - which in Sweden was dubbed to "läskeblask", meaning soda pop rather than root beer, which I of course thought looked like Coke, which was and still is my favorite drink ever. I guess this show had a great impact on my future, as I grew up listening to metal music and loving motorcycles. My favorite character was Throttle.
9. Hell On Wheels
The latest TV shows I've watched about cowboys. Perhaps not so much about cowboys as I initially had hoped for, but it's still a very interesting show from a historical point of view, and some of the acting is very good as well. A rather underrated TV show in modern TV history, that sadly has gone through a lot of trouble and is now sadly ending after a delayed, but also partially disappointing, last fifth season. My favorite characters are Durant and "the Swede" (who is really Norwegian, and totally hilarious).
8. Prison Break
I watched this faithfully during in its entire original run from 2005-2009. I even remember the third season being delayed and shortened to a half-season in 2007, because the economy crashed and Hollywood was striking, if I remember correctly? Anyway, this show had an an absolutely amazing and thrilling first season with a great plot, characters and MacGuyver-ish solutions for the escape plan. But the show's downfall was in a way it's own name, as a prison break can only go on for so long. The break was done and over by the first season's end, and after that it was just a constant bland soup of repetitiveness and new story turns.
The second season was really an unimaginative and very repetitive 22-episode series of cat-and-mouse play where several characters, including keys, were caught and escaped, over and over by several times. By it's end, some of them went back to (another, more brutal) prison. Season 3 dealt with a prison break from the new prison, which was nowhere near as good or interesting as the first, but managed to at least keep relevant to the series name. Season 4 was the last season and dealt with another irrelevant story line, which only served a few purposes for the story's background to the first imprisonment. Not very interesting or original, to say the least.
Though most people probably didn't reflect on it, this show pretty much doomed itself right from the start by choosing its name. Season 2 were basically cops and robbers, while season 3 only served the show's name and initial story theme half-hearted, while season 4 certainly had gone from Prison Break to Conspiracy Break. Lame. It was sad to follow such a good and promising series just become dull and uninspired, for the money-hungry assholes willing only.
My favorite characters are Theodore "T-Bag" Bagwell, John Abruzzi, and Alexander Mahone.
7. The Simpsons
Teen cartoons. I kind of started with South Park when I was 12 or so, but later stopped watching it (probably because MTV is gay and stopped airing it just like music), only to later watch The Simpsons daily after school. It's so light, fun, and down-to-earth. I love it still. My favorite characters are Homer, Bart, Otto, Mr. Burns, and Chief Wiggum.
6. Hem Till Midgård
An old Swedish series which in English translates to "Home To Midgard", and is a comedy show about failed vikings. It's rather silly at pretty much all times, holding itself at a rather childish level with a lot of poop jokes and similar themes. But they're so funny in their different personas and how they fight among themselves, not to mention how they always fail at trying to be successful vikings. If you could find it with English subtitles, I'd totally recommend it. My favorite characters are all four of the key characters, they're just so awesome each one of them.
5. Vikings
And another series about vikings, simply called "Vikings", but this time in a serious and historical/educational way. This series is not only good but indeed very educational. I don't quite know how accurate its facts are, but it's interesting to watch and learn anyway. The show also keeps a good pace throughout with a lot of fighting and progression, as well as spontaneous character killings, going on at all times. It's very unpredictable to say the least, but it's also well-acted and looks good - nice settings, scenery, clothing, etc. My favorite characters are Ragnar, Lagertha, and Floki.
4. Miami Vice
I obviously wasn't around when this show originally aired, being born the year after it ended in fact. But my love and fascination for the 1980's grew strong early on with the music, clothing and great movies that decade offered. I started watching Miami Vice when I was 15 and the DVD boxes were released. People were talking about the show as something of the best to come out of that decade, and I understand why. I've seen so many 80's shows like Knight Rider, Magnum P.I., and MacGuyver, and none of those hold up to this day in comparison with Miami Vice.
Now, what made me love this show so much is its way of perfectly put together story with scenery and music. That is also what really makes it hold up to this day, despite it really being overly 80's because of its traits. But, that is also exactly why it's still so good - because it's a great historical documentation about what the 80's were. Well, the American 1980's anyway. Watching this show really gives a nice look into that decade's clothing and car fashion, music, architecture and much else. I can only say that I was born and am young in the wrong era. My favorite characters are Sonny Crockett, Zito and Gina.
3. Married With Children
The first and last sitcom on this list. I never was much for them to be honest. I always found shows like Seinfeld, How I Met Your Mother, and The Big Bang Theory to be rather boring, while other shows like Friends were a lot better. But Married With Children took the cake for me. It was actually the last show I discovered through TV and started to watch regularly, still to this day. I was talking with my buddy on the phone in 2007 while he suddenly shouted, "dude, turn on channel 6! There's a really hot girl on right now!", and so I did. Kelly Bundy, that's who he meant of course. It was a re-run of one of the earlier seasons, like 1989 maybe, when she was this mega-hot rocker chick with big hair, which I just love. After that, I started watching the series simply because I wanted to see more of her.
Quickly I started to recognize the series from my childhood. It was Al Bundy sitting on that ugly-ass couch that I recognized rather strongly. I must've watched it with my mom or something as a small kid. Anyway, I was turning 17 in late 2007, so I was probably 16 when I first saw this show, and a 16 year old puberty rocker into 80's hair metal girls ... let me tell you, my friends, ... that certainly is something to get the testosterone and hormones going. From that moment and for the two years to come, Kelly Bundy actually became my teenage crush, even though Christina Applegate at the time was pushing 40. But still, her Kelly Bundy character (and appearance) was immortalized in this show, and I was living in my own little made-up 80's world during all my teens.
But looking beyond that, the show was not all about Kelly Bundy, but I actually found it to be a great and fun show as well. All the characters, especially Al, are just hilarious and in many ways even role-models for the common man. In the end, I watched through all the episodes and I still to this day think of Al Bundy in many everyday scenarios, especially when life sucks (haha). I also remember Kelly Bundy as a big part of my later teens, and though she was a fictional character which happened to be my teenage crush (15 years too late, but still), she made a better, not to mention sexier, dream-girlfriend than what my actual girlfriends did during my teens.
2. Game of Thrones
Everybody knows GoT, right? Perhaps not everyone watches it, but they are certainly well aware of it. It's just, like, the biggest show in the world right now, and rightly so if you ask me. Initially it took me like three times trying before I got into it - it was just too many characters and too much blab to go through. But I started to like it eventually. Now I am somewhat of a fanboy over it, despite not having read the books (I hate reading books). I just love the deep characters and unpredictable story, and of course, the sex and violence. My favorite characters are Tyrion, Bronn, the Hound, Oberyn Martell, and Dolorous Edd.
1. Sons of Anarchy
And here we have the king of this list. Like with Game of Thrones, many of you people surely did follow SoA during its run, at least at some point. It had a good seven season long run and ended about a year and a half ago. The biker lifestyle depicted in this show is just very interesting to follow, to me as a motorcycle enthusiast. The acting was also very good most of the times, with only a few very minor character sometimes not being quite up-to-par with the otherwise amazing regular cast. This is the kind of show I'd like to follow, a deep and rich story arc that ends in a bittersweet way.
I did a top-10 list of my personal favorite thrash metal albums ever, with one album per band representing their style and musical peak, to my ears. I thought that I'd do the same, but with my top-10 heavy metal albums. The same rule applies for this list - one album per band, their finest moment in my opinion, will represent the band as a whole.
#10: Warlock - Burning The Witches (1984)
The best metal ever made with a female singer. At least that is my ears' opinion. Back when I discovered this at 14, I couldn't stop listening to it. It's some raw German heavy/speed metal with Doro Pesch. While I can admit that her vocal performance here, her as well as the band's debut, is not the best of her career, the album as a whole is. This is satanic-themed heavy metal, totally '84-like metal cliché, but nothing but great and headbang-addictive. The riffing here is especially great.
#9: Madison - Diamond Mistress (1984)
A pretty unknown old band from Sweden sounding like some Priest wanna-be's. This was the first band of singer Göran Edman who would later become known for his work with guitarists John Norum and Yngwie Malmsteen's solo work respectively. This is some great, high-energy heavy metal somewhere in between 80's Priest and Maiden's '81-'82 era. This is one of those true "forgotten" heavy metal gems out there. Hunt this one down!
#8: Steelwing - Zone Of Alienation (2012)
A fun surprise! It was my dear love who introduced me into these guys back before we actually got together. I listened non-stop to this album after that. It's some great, young heavy/speed metal primarily influenced by Judas Priest, but also Iron Maiden and the others, of course (which band is not?). It sounds true to the genres origin, sounding like a product of the 80's that could've as well been released back in the day. It's got some great fucking tunes on it, I promise you!
#7: Iron Maiden - Somewhere In Time (1986)
My very favorite Maiden album. This is where they started to explore wider areas and got more interesting, while maintaining their usual quality heavy metal sound. Everybody shines on this album, especially Adrian Smith and Nicko McBrain. Smith is my favorite songwriter in Maiden, and this is pretty much "his" album, so it's just amazing to my ears. "Stranger In A Strange Land" is one my personal, as well as my dad's, favorite Maiden tracks ever. That solo is the greatest thing ever in a Maiden song!
#6: Mercyful Fate - Don't Break The Oath (1984)
Evil and like it was forged in hell itself. This album has got a neat fucking guitar tone that just shreds you into pieces. The best album ever featuring King Diamond at the mic stand. This album is nothing but a sinister heavy metal, or first wave black metal if you prefer, masterpiece that every headbanger must have in his/her collection. You don't break the oath!
#5: Enforcer - Death By Fire (2013)
This might come as a surprise to many, places so high and all, but when a band like Enforcer puts out records, they fucking do it right and truthfully - even more so than most of the bands that actually were around back in the day. Along with Watain, I probably have to say that Enforcer is my favorite young/modern heavy metal band. They play the best speed metal I've ever fucking heard, and their albums even sound like they were released back in '83. This album is fucking killer, which is why I changed my Iron Maiden - Live After Death backpatch to Enforcer's "Total Metal" backpatch! Oh, and I won tickets to a show with Enforcer and Skull Fist earlier this year. That was fucking intense!
#4: Judas Priest - Defenders Of The Faith (1984)
It was either this one or "Screaming For Vengeance", which has got a better production, but this one's got the slightly better songs. Classics like "The Sentinel", "Freewheel Burning", "Jawbreaker", and my personal favorite "Rock Hard, Ride Free", never lose my attention or energy. I think this album, maybe apart from it's shitty drum-sound, stands the test of time the best out of all Priest records.
#3: Accept - Balls To The Wall (1983)
There's one word that describes this album as a whole: Perfection. It's heavy, both musically and production/sound-wise. Sweet riffs and vocal melodies. The drums are loud and heavy, the best put on record since Kiss' "Creatures Of The Night" album. It's a pure classic from the start till the end. I have listened to this album countless times since I was a fat, short-haired fucking twelve year old wanker. It never gets old!
#2: Dio - The Last In Line (1984)
This is probably the hardest choice. I love Dio's solo work, and I mean like almost every album. Obviously the best era of his I believe was 1983-1994, with all records released in between there being simply great! But I have to choose one, so I chose this one. It's got great tunes on it, apart from maybe "Mystery" which I'm not too fond of, too poppy even for Dio's standards. Vivian Campbell was also the greatest guitarist Dio ever had, and he fucking nails every single note on this album. I'm also weak for the album's closer, "Egypt (The Chains Are On)". Amazing album.
#1: Ozzy Osbourne - No Rest For The Wicked (1988)
Ozzy Osbourne - the Godfather of heavy metal. MY Godfather of heavy metal. He was the one who made me love (heavy) metal music, my ticket into this world of amazing music. My idol. I have been going back and forth for years whether this one or "Diary Of A Madman" is my favorite album of his, but at the moment this one feels like the one. It's a pretty dark and heavy album coming from him, and the debut of Zakk Wylde. I for one actually dig Zakk and he's fucking great on this album. There are almost only songs that I love on this one - "Breakin' All The Rules", "Miracle Man", "Fire In The Sky", "Crazy Babies", and "Bloodbath In Paradise", and the others. It's full of great and thick riffing, sweet soloing and some of the Ozzman's greatest vocal melodies ever! I'll love this album to death!
